Jacques Villeglé

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Jacques Villeglé
Jacques Villeglé par François Poivret.jpg
Jacques Villeglé in 2016 photographed by François Poivret
Born
Jacques Villeglé

27 March 1926 (1926-03-27) (age 95)
NationalityFrench
Known forLettrism
MovementNew Realism
Jacques Villeglé

Jacques Villeglé, born Jacques Mahé de la Villeglé (born 27 March 1926, Quimper, Brittany) is a French mixed-media artist and affichiste famous for his alphabet with symbolic letters and decollage with ripped or lacerated posters.

He is a member of the Nouveau Réalisme art group (1960–1970).

His work has primarily focused on the anonymous and on the marginal remains of civilization.

Biography[]

Villeglé first started producing art in 1947 in Saint-Malo by collecting found objects (steel wires, bricks from Saint-Malo's Atlantic retaining wall). In December 1949, he concentrated his work on ripped advertising posters from the street. Working with fellow artist Raymond Hains, Villeglé began to use collage and found/ripped posters from street advertisements in creating Ultra-Lettrist psychogeographical hypergraphics in the 1950s, and in June 1953, he published Hepérile Éclaté, a phonetic poem by Camille Bryen, which was made unreadable when read through strips of grooved glass made by Hains.

Posters[]

He builds posters in which one has been placed over another or others, and the top poster or posters have been ripped, revealing to a greater or lesser degree the poster or posters underneath

Ultra-lettrist[]

In February 1954, Villeglé and Hains met the Lettrism poet François Dufrêne, and this latter introduced them to Yves Klein, Pierre Restany and Jean Tinguely.

Nouveau réalisme[]

In 1958, Villeglé published an overview of his work on ripped posters, Des Réalités collectives, which is to a certain degree a prefiguration of the manifesto of the New Realism group (1960) which he joined at its inception.

Bibliography[]

  • Poesie der Großstadt. Die Affichisten. Bernard Blistène, Fritz Emslander, Esther Schlicht, Didier Semin, Dominique Stella. Snoeck, Köln 2014, ISBN 978-3-9523990-8-8

References[]

External links[]

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