James Wallace Black

From Wikipedia, the free encyclopedia
James Wallace Black
JW Black WilsonsPhotographicMagazine 1896.png
Born(1825-02-10)February 10, 1825
Francestown, New Hampshire
DiedJanuary 5, 1896(1896-01-05) (aged 70)
Cambridge, Massachusetts
Resting placeMount Auburn Cemetery
Cambridge, Massachusetts
NationalityAmerican

James Wallace Black (February 10, 1825 – January 5, 1896), known professionally as J.W. Black, was an early American photographer whose career was marked by experimentation and innovation.[1]

Biography[]

He was born on February 10, 1825 in Francestown, New Hampshire.

After trying his luck as a painter in Boston, he turned to photography, beginning as a daguerreotype plate polisher. He soon partnered with John Adams Whipple, a prolific Boston photographer and inventor. Black's photograph of abolitionist John Brown in 1859, the year of his insurrection at Harpers Ferry, is now in the National Portrait Gallery, Smithsonian Institution.

In March 1860, Black took a photograph of poet Walt Whitman when Whitman was in Boston to oversee the typesetting of his 1860 edition of Leaves of Grass. Black's studio at 173 Washington Street was less than a block from the publishing firm of Thayer and Eldridge, who apparently commissioned the photograph to promote the 1860 edition.

Boston, as the Eagle and the Wild Goose See It

On October 13, 1860, two years after the French photographer Nadar conducted his earliest experiments in balloon flight, Black made the first successful aerial photographs in the United States in collaboration with the balloon navigator Samuel Archer King on King's hot-air balloon, the Queen of the Air. He photographed Boston from a hot-air balloon at 1,200 feet (8 plates of glass negative; 10 1/16 x 7 15/16 in). One good print resulted, which the photographer entitled Boston, as the Eagle and the Wild Goose See It. This was the first clear aerial image of a city.

Almost immediately, aerial reconnaissance would be put to use by the Union and Confederate Armies during the American Civil War, though there is no credible evidence that aerial photography was successful.

Black later became the authority on the use of the magic lantern, a candlelight-powered projector that was a predecessor of today's slide projectors. By the late 1870s Black's business largely consisted of lantern slide production, including his famous images of the Great Boston Fire of 1872, published a photographic album titled Ruins of the Great Fire in Boston, November 1872.

Marker for J.W. Black, Mt. Auburn Cemetery

He died on January 5, 1896 and was buried in Mount Auburn Cemetery in Cambridge, Massachusetts.

Collections of his work[]

References[]

  1. ^ Encyclopedia of nineteenth-century photography, Volume 1. CRC Press, 2008; p.164+

Further reading[]

  • In Memoriam: JW Black. Wilsons Photographic Magazine, March 1896
  • Encyclopedia of nineteenth-century photography, Volume 1. CRC Press, 2008.

External links[]

Image gallery[]

  • Sarah Fuller, c1860s

  • John Brown, 1859

  • 1860 photograph of Boston taken by Wallace from a tethered balloon

  • Portrait of noted American poet Walt Whitman, by photographer James Wallace Black, March 1860

  • Advertisement, Boston Directory 1862

  • Glory of the Seas in shipyard of Donald McKay, 1869

  • After the Boston Fire, Washington Street. 1872

Retrieved from ""