Jean Wiener

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Jean Wiener (or Wiéner) (19 March 1896, 14th arrondissement of Paris – 8 June 1982, Paris) was a French pianist and composer.

Life[]

Wiener was trained at the Conservatoire de Paris, where he studied alongside Darius Milhaud, and worked with Erik Satie. He then embarked on a career as concert impresario, composer and pianist. He was the house pianist at the Gaya bar, and later at Le Boeuf sur le Toit. In 1924, a chance encounter with Clement Doucet (who succeeded him at Le Boeuf) brought him into the world of popular music. Already a jazz enthusiast, Wiener found fame with Doucet in the music hall s of Europe as a piano duo,[1] under the name "Wiener et Doucet" in which they performed classical music, hot dance and jazz. The two friends recorded many duos between 1925 and 1937. After the end of the war in 1945, Wiener devoted himself fully to composition, notably film music (working on more than 300), as well as the opening theme music for 's film history program "" (History without words).

He was of some significance in the promotion of new music, both by his friends in the Les Six (Milhaud, Poulenc, etc.), and by composers such as Schoenberg, Berg and Webern. His compositions involve the use of jazz informed by French wit and elegance.

His daughter, , is an actress, singer and singer-songwriter.

Jean Wiener published his memoirs in 1978 as Allegro Appassionato.

Compositions[]

Film scores[]

1920s[]

  • La Femme de nulle part (1922)

1930s[]

  • Buridan's Donkey (1932)
  • The Man with the Hispano (1933)
  • Une Vie perdue (1933)
  • ou le triomphe de la médecine (1933)
  • Le Paquebot Tenacity (1934)
  • Runaway Ladies (1934)
  • Les Affaires publiques (1934)
  • Le Voyage imprévu (1934)
  • L'Aventurier (1934)
  • Maria Chapdelaine (1934)
  • Le Clown Bux (1935)
  • Quand minuit sonnera (1935)
  • La Bandera (1935)
  • (1935)
  • L'Homme sans cœur (1936)
  • Le Crime de Monsieur Lange (1936)
  • La Garçonne (1936)
  • Klokslag twaalf (1936)
  • Les Bas-fonds (1936)
  • Vive la vie (1937)
  • La Femme du bout du monde (1937)
  • The Man of the Hour (1937)
  • Nuits de feu (1937)
  • De Man zonder hart (1937)
  • Le Dernier tournant (1939)

1940s[]

1950s[]

1960s[]

1970s[]

1980s[]

  • Square X (1981)
  • (1982)
  • Le Crime d'amour (1982)

Stage works[]

  • le village blanc ou Olive chez les nègres (1926 opera)

References[]

  1. ^ Jean-Pierre Thiollet, 88 notes pour piano solo, « Solo de duo », Neva Editions, 2015, p.97. ISBN 978-2-3505-5192-0

External links[]

Retrieved from ""