Jillian Keiley

This article has multiple issues. Please help or discuss these issues on the talk page. (Learn how and when to remove these template messages) This biography of a living person needs additional citations for verification. Please help by adding reliable sources. Contentious material about living persons that is unsourced or poorly sourced must be removed immediately, especially if potentially libelous or harmful. Find sources:  –  ·  ·  · scholar · JSTOR (November 2015) (Learn how and when to remove this template message) This article contains content that is written like an advertisement. Please help by removing promotional content and inappropriate external links, and by adding encyclopedic content written from a neutral point of view. (November 2015) (Learn how and when to remove this template message) A major contributor to this article appears to have a close connection with its subject. It may require cleanup to comply with Wikipedia's content policies, particularly neutral point of view. Please discuss further on the talk page. (November 2015) (Learn how and when to remove this template message) (Learn how and when to remove this template message)

Jillian Keiley is a director from St. John's, Newfoundland and Labrador, who was the founding artistic director of of Newfoundland. Since August 2012, Keiley has been the artistic director for English Theatre at Canada's National Arts Centre.^[1]

History[]

Keiley was born in 1970 and raised in Goulds,^[2] a small farming community just south of St. John's. She attended St. Kevin's High School, where her love of theatre was born. She enrolled at York University and completed the theatre directing program in 1994. While attending York, she spent her summers back in St. John's where, under the tutelage of Lois Brown (then artistic animateur of Resource Centre for The Arts Theatre Company (RCAT)), she founded the Splash Cabaret Series. The series fostered her direct artistic collaborations with the up-and-coming members of the St. John's theatre community. Upon her graduation from York, she moved permanently back to St. John's and set about her first major production In Your Dreams, Freud (1994), in which she brought together a cast of 45, many of whom she had come to know and work with under the Splash banner. Freud was first mounted in St. John's as fundraiser for RCAT. It was such a hit that it was remounted three months later. Keiley and the production crew of the show founded Artistic Fraud of Newfoundland as a company to facilitate this remount.^[3] Keiley would go on to serve as Artistic Fraud's artistic director for 18 years.

Keiley's early work was marked by its size and its goals of mathematical precision. She was deeply inspired by the work of Edward Gordon Craig, and sought in her large chorus driven pieces to emulate a director-driven theatre marked by performance-driven spectacles. Her next piece following Freud was The Cheat (1996), a movement piece for 82 performers based on the music notation of Johann Sebastian Bach's Fugue in G Minor. In 1997, she created and premiered Under Wraps with Robert Chafe and . Under Wraps was a two-person story of gay unrequited love told atop a 40' x 60' parachute cloth. Under the cloth, there was a chorus of 16 who sang and manipulated the sheet to create a constant visual and aural accompaniment to the action above. Under Wraps was Keiley's first collaboration with Chafe and Bromley. It played three sold out runs in St. John's and toured to Halifax (1999), Calgary (2000), Banff (2000), and Vancouver (2000). In 2013, Keiley, Chafe, and Bromley updated the show and remounted it with a brand new cast.

For Artistic Fraud, Keiley has directed The Cheat, Jesus Christ Superstar, Burial Practices, Under Wraps, Salvage: The Story of a House, Icycle, Oil and Water, In Your Dreams, Freud, Afterimage, Fear of Flight, The Colony of Unrequited Dreams and Between Breaths.

In 2002, Keiley directed Tempting Providence, Chafe's play which was commissioned and premiered by Theatre Newfoundland Labrador (TNL). The show was created for TNL's , and it toured consistently from 2003-2014. During this period, Keiley was an annual instructor of chorus with the National Theatre School of Canada, and directed theatre and opera productions in Australia, Ireland, and across Canada.

Keiley succeeded Peter Hinton as the artistic director of the National Arts Centre English Theatre in 2012. For the NAC, she directed Metamorphoses, Alice Through the Looking Glass (with Stratford Festival), Tartuffe (adapted by Andy Jones) and Twelfth Night (January 2016).

For the Stratford Festival, she directed Alice through the Looking Glass (2014), The Diary of Anne Frank (2015), and As You Like It and The Neverending Story (2019).

Personal life[]

She is married to music producer, Don Ellis, with whom she has one daughter.^[4]

Awards[]

• Newfoundland and Labrador Arts Council's Emerging Artist Award - 1996
• Canada Council’s John Hirsch Prize - 1998
• Siminovitch Prize for Directing - 2004,^[5]
• Betty Mitchell Award for Outstanding Direction (2006) ^[6]
• Memorial University of Newfoundland Honorary Doctorate of Letters - 2009

References[]