Jules Cronjager

Jules Cronjager (1871–1934) was a German-born American cinematographer active in the silent and early sound eras. Towards the end of his career he worked mainly for Poverty Row studios such as Mayfair Pictures.^[1] He was the uncle of the cinematographer Edward Cronjager.

Selected filmography[]

• The Bottom of the Well (1917)
• A Nymph of the Foothills (1918)
• The Mating (1918)
• Youthful Folly (1920)
• Handcuffs or Kisses (1921)
• A Man of Stone (1921)
• The Last Door (1921)
• Worlds Apart (1921)
• Is Life Worth Living? (1921)
• Chivalrous Charley (1921)
• The Prophet's Paradise (1922)
• Shadows of the Sea (1922)
• One Week of Love (1922)
• Reported Missing (1922)
• Reckless Youth (1922)
• Love Is an Awful Thing (1922)
• Evidence (1922)
• The Dancer of the Nile (1923)
• Modern Matrimony (1923)
• The Isle of Retribution (1926)
• Collegiate (1926)
• Home Struck (1927)
• Old Age Handicap (1928)
• The Kid from Arizona (1931)
• Wild West Whoopee (1931)
• The Sheriff's Secret (1931)
• Anybody's Blonde (1931)
• Dragnet Patrol (1931)
• Soul of the Slums (1931)
• Chinatown After Dark (1931)
• Hell-Bent for Frisco (1931)
• Her Mad Night (1932)
• Sister to Judas (1932)
• Dynamite Denny (1932)
• Gorilla Ship (1932)
• No Living Witness (1932)
• Tangled Destinies (1932)
• Behind Stone Walls (1932)
• Love in High Gear (1932)
• Midnight Warning (1932)
• The Monster Walks (1932)
• Dance Hall Hostess (1933)
• Easy Millions (1933)

References[]

Bibliography[]

• Michael R. Pitts. Poverty Row Studios, 1929–1940: An Illustrated History of 55 Independent Film Companies, with a Filmography for Each. McFarland & Company, 2005.

External links[]

• Jules Cronjager at IMDb

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