hideThis article has multiple issues. Please help or discuss these issues on the talk page. (Learn how and when to remove these template messages)
This article needs additional citations for verification. Please help by adding citations to reliable sources. Unsourced material may be challenged and removed. Find sources: – ···scholar·JSTOR(January 2016) (Learn how and when to remove this template message)
This article possibly contains original research. Please by verifying the claims made and adding inline citations. Statements consisting only of original research should be removed.(January 2016) (Learn how and when to remove this template message)
The topic of this article may not meet Wikipedia's notability guideline for biographies. Please help to demonstrate the notability of the topic by citing reliable secondary sources that are independent of the topic and provide significant coverage of it beyond a mere trivial mention. If notability cannot be shown, the article is likely to be merged, redirected, or deleted. Find sources: – ···scholar·JSTOR(January 2016) (Learn how and when to remove this template message)
(Learn how and when to remove this template message)
Jutaro Kuroda (黒田 重太郎, Kuroda Jūtarō, 1887–1970) was a Japanese artist.[1] After studying art with the two Japanese masters of Yōga art at his time, namely Kanokogi Takeshiro and then Asai Chū,[2] Kuroda went to Europe from 1914 to 1918 and intensified his Western-style painting practice, adopting a style most closely following the style of French painter Camille Pissarro.[3] It was on his second journey that he became a pupil of the French Cubist artist André Lhote. Upon his return to Japan, Kuroda introduced Cubism to his homeland and became a central figure in the art circles in Kyoto from the late Meiji to the Showa era as a particularly accomplished water-colourist and oil painter.