Karin Hansson

Karin Margareta Kjellsdotter Hansson (1967, Gothenburg) is a Swedish artist and researcher.

Life[]

Hansson was born in 1967 in Gothenburg, Sweden.^[1]^[2] She graduated in 1994 from the Royal Institute of Art in Stockholm.^[3]^[4]

Hansson is a researcher at the Department of Computer and Systems Sciences at Stockholm University.^[5]

In her research practice she combine a critical perspective with applied design research, where the design process can be seen as a method to explore social processes in detail rather than solving a specific problem.^[6]

Career[]

Hansson is one of the Swedish pioneers in political art and new media.^[3]^[7] In her work as an artist and art curator she has given the development of the IT sector a critical artistic comment. Karin Hansson founded the artists' group [a: t] together with Åsa Andersson Broms, Nils Claesson, Astrid Trotzig, and Josefin Ericsson.^[8]^[9]

References[]

^ Christian Gram; Per Rasmussen; Søren Duus Østergaard (5 May 2015). History of Nordic Computing 4: 4th IFIP WG 9.7 Conference, HiNC 4, Copenhagen, Denmark, August 13-15, 2014, Revised Selected Papers. Springer. pp. 84–. ISBN 978-3-319-17145-6.
^ "Karin Hannson". Temporaryart.org. Retrieved 3 March 2017.
^ ^a ^b Bydler, Charlotte (2003). Markerat kroppslig: om fysiska möten med digital konst.Från modernism till samtidskonst. S. 129-154
^ Jansson, Mathias (2004) ”Konstnärerna och internet” [The Artists and Internet], Konstperspektiv (2)04. Available on Internet: http://www.konstperspektiv.nu
^ Hansson, Karin (2015). Accommodating differences: Power, belonging, and representation online. PhD thesis at Stockholm University, Department of Computer and Systems Sciences.
^ "Karin Hansson".
^ Orrghen, A. (2015). ICT in Art in Sweden 1993–2011: Tool, Medium and Theme (pp. 78–89). Springer International Publishing. http://doi.org/10.1007/978-3-319-17145-6_9
^ Love Ekenberg; et al. (18 January 2017). Deliberation, Representation, Equity: Research Approaches, Tools and Algorithms for Participatory Processes. Open Book Publishers. pp. 55–. ISBN 978-1-78374-306-3.
^ Sara Arrhenius; Daniel Birnbaum; John Peter Nilsson (1999). Like virginity, once lost: five views of Nordic art now. Propexus.

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[GramRasmussen2015-1] Christian Gram; Per Rasmussen; Søren Duus Østergaard (5 May 2015). History of Nordic Computing 4: 4th IFIP WG 9.7 Conference, HiNC 4, Copenhagen, Denmark, August 13-15, 2014, Revised Selected Papers. Springer. pp. 84–. ISBN 978-3-319-17145-6.

[tempart1-2] "Karin Hannson". Temporaryart.org. Retrieved 3 March 2017.

[Bydler-3] Bydler, Charlotte (2003). Markerat kroppslig: om fysiska möten med digital konst.Från modernism till samtidskonst. S. 129-154

[4] Jansson, Mathias (2004) ”Konstnärerna och internet” [The Artists and Internet], Konstperspektiv (2)04. Available on Internet: http://www.konstperspektiv.nu

[5] Hansson, Karin (2015). Accommodating differences: Power, belonging, and representation online. PhD thesis at Stockholm University, Department of Computer and Systems Sciences.

[6] "Karin Hansson".

[7] Orrghen, A. (2015). ICT in Art in Sweden 1993–2011: Tool, Medium and Theme (pp. 78–89). Springer International Publishing. http://doi.org/10.1007/978-3-319-17145-6_9

[al.2017-8] Love Ekenberg; et al. (18 January 2017). Deliberation, Representation, Equity: Research Approaches, Tools and Algorithms for Participatory Processes. Open Book Publishers. pp. 55–. ISBN 978-1-78374-306-3.

[ArrheniusBirnbaum1999-9] Sara Arrhenius; Daniel Birnbaum; John Peter Nilsson (1999). Like virginity, once lost: five views of Nordic art now. Propexus.

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Authority control
General	VIAF 1 WorldCat
National libraries	United States Sweden