Kathleen Alcott

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Kathleen Alcott (born October 17, 1988) is an American novelist, short story writer, and essayist from Northern California. She has taught Creative Writing and Literature at Columbia University and Bennington College. Her work has been translated into Dutch, Italian, Korean, French, Turkish, and Chinese.[1]

Career[]

Alcott has published three novels. The Dangers of Proximal Alphabets (2012), a Bildungsroman, was called "a joyously good first novel" by the Wall Street Journal.[2]

Her followup, Infinite Home (2015), deals with the housing shortage in New York City[3] and with Williams syndrome, a neurological disorder that causes an abnormally outgoing personality in those afflicted.[4] The novel was shortlisted for The Chautuaqua Prize and nominated for The Kirkus Prize.

Her third novel, (2019), an epic loosely centered on space travel between Sputnik (1957) and the Challenger disaster (1986), was noted for its "sprawling" historical scope, its multifaceted cultural critique of the United States, and it frank treatment of feminism,[5] countercultural radicalism, and the AIDS crisis.[6] The New Yorker stated that the book "displays a sure-handed lyricism—from the lunar surface, the sky appears 'glossy like a baby girl’s church shoes'—but its energy lies in its skepticism about the American century and the parallels the author finds between contradictory currents."[7]

In 2017, Alcott's short story "Reputation Management" was shortlisted for the Sunday Times EFG Short Story Award.[8] Her story "Natural Light," first appearing in Zoetrope, was selected for inclusion in the 2019 Best American Short Stories anthology.

In 2018, Alcott was chosen to be a Fellow at The Macdowell Colony.[9]

Among her varied nonfiction, Alcott's culinary writing is noteworthy for its mingling of memoir and literary criticism.[10] For the Paris Review she has profiled the use of food in James Salter's fiction.[11] From 2015 to 2018 she contributed a food column to The Guardian.

Style and method[]

Though described as being firmly in the "realist" mode, Alcott makes strategic use of figurative language to suggest psychological states.[12] Anthony Doerr writes that her “prose […] is always trending away from straightforward clarity toward something more interesting.”[13] In a commentary on the care required to balance this clarity with more figurative language, the narrator of Alcott’s story “Natural Light,” a professor of creative writing, wonders

how close a simile should get to the character’s actual life and circumstances: in comparing her inner sadness to the color of her dress, weren’t we depriving the reader of some useful speculative distance?[14]

Alcott’s method relies heavily on primary research. For her depiction of a rare neurological condition in Infinite Home, she interviewed people with Williams syndrome.[15] To describe the 1969 Apollo landing in America Was Hard to Find, Alcott conducted what would be one of astronaut Alan Bean's final interviews.[16]

Bibliography[]

Novels[]

  • The Dangers of Proximal Alphabets. New York: Other Press, 2012.
  • Infinite Home. New York: Riverhead Books, 2015.
  • New York: Ecco, 2019.
    • (UK edition) London: W. W. Norton, 2020.

Short fiction[]

  • "Saturation." In The Coffin Factory, (2013).
  • "Taking Shape." In ZYZYYVA, (2015).
  • "Letters from the Postmaster General." In ZYZYYVA, (2016).
  • "Reputation Management." In The Bennington Review, no. 3 (2017).
  • "Reputation Management." Korean translation in Littor, (2018).
  • "Natural Light." In The Best American Short Stories 2019, eds. Anthony Doerr and Heidi Pitlor (New York: Houghton Mifflin, 2019).

Honors and Fellowships[]

The Best American Short Stories of 2015, Notable (2015) The Chautauqua Prize Shortlist (2016) The Kirkus Prize Nominee (2016) The Sunday Times Short Story Award, Shortlist (2017) MacDowell Colony Fellow (2018) The Best American Short Stories of 2019, The Sunday Times Short Story Award, Longlist (2019) Simpson/Joyce Carol Oates Prize, LongList (2020)


References[]

  1. ^ "Creative Writing Faculty". Columbia - School of the Arts. Retrieved 2020-01-19.
  2. ^ Sacks, Sam (2012-09-14). "Mirabile Dictu: Two Great Debut Novels". Wall Street Journal. ISSN 0099-9660. Retrieved 2020-01-18.
  3. ^ Bausells, Marta (2016-06-01). "Kathleen Alcott's journey from east to west coast into print". The Guardian. ISSN 0261-3077. Retrieved 2020-01-20.
  4. ^ Ciuraru, Carmela (2015-08-26). "Novels by Kathleen Alcott, Vu Tran and Alaa Al Aswany; a Memoir by David Payne". The New York Times. ISSN 0362-4331. Retrieved 2020-01-19.
  5. ^ Lacey, Catherine (2019-05-14). "The Toxicity of Female Tokenism: An Interview with Kathleen Alcott". The Paris Review. Retrieved 2020-01-20.
  6. ^ Walker, Karen Thompson (2019-05-13). "An Astronaut, an Antiwar Radical and a Novelist's Epic Vision of America". The New York Times. ISSN 0362-4331. Retrieved 2020-01-22.
  7. ^ "Briefly Noted Book Reviews". The New Yorker. 2019-06-24. ISSN 0028-792X. Retrieved 2020-01-18.
  8. ^ "'Reputation Management' (Kathleen Alcott) | The Sunday Times Audible Short Story Award". www.shortstoryaward.co.uk. Retrieved 2020-01-18.
  9. ^ "Fellows: Kathleen Alcott". MacDowell Colony. Retrieved 2020-01-18.
  10. ^ Alcott, Kathleen (2017-01-15). "'Restaurants have taught me who I am'". The Observer. ISSN 0029-7712. Retrieved 2020-01-19.
  11. ^ Alcott, Kathleen (2015-10-23). "The Lights in the Kitchen Were On". The Paris Review. Retrieved 2020-01-18.
  12. ^ Greenberg, Elianna (2012-11-06). "Relative Triangles and The Dangers of Proximal Alphabets". The Brooklyn Rail. Retrieved 2020-01-18.
  13. ^ Doerr, Anthony. “Introduction.” In Anthony Doerr and Heidi Pitlor, eds. The Best American Short Stories 2019. New York: Houghton Mifflin, 2019. p. xviii.
  14. ^ Alcott, Kathleen. “Natural Light.” In Anthony Doerr and Heidi Pitlor, eds. The Best American Short Stories 2019. New York: Houghton Mifflin, 2019. p. 32.
  15. ^ Alcott, Kathleen (2015). Infinite Home. New York: Riverhead. p. 317.
  16. ^ Alcott, Kathleen (2019). America Was Hard to Find. New York: Ecco. pp. 415–417.

External links[]

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