Kawai Gyokudō

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Kawai Gyokudō
Kawai Gyokudō photographed by Shigeru Tamura.jpg
Kawai Gyokudō
Born
Kawai Yoshisaburō

November 24, 1873
Ichinomiya, Aichi, Japan
DiedJune 30, 1957(1957-06-30) (aged 83)
Tokyo, Japan
NationalityJapanese
Known forPainter
MovementNihonga
AwardsAsahi Prize (1940)
In this Japanese name, the surname is Kawai.

Kawai Gyokudō (川合 玉堂, November 24, 1873 – June 30, 1957) was the pseudonym of a Japanese painter in the nihonga school, active from Meiji through Shōwa period Japan. His real name was Kawai Yoshisaburō.

Biography[]

Gyokudō was born in what is now Ichinomiya city, Aichi Prefecture, as the eldest son of a paper, ink and brush merchant. He went to Kyoto in 1887 to study under Kōno Bairei of the Maruyama-Shijo school of painting. In 1896, he moved to Tokyo and he became the student of Hashimoto Gahō, of the Kanō school. He also studied Western-style painting and developed a highly personal style, especially in the field of landscape painting.

Gyokudō is noted for his polychrome and occasionally monochrome works depicting the mountains and rivers of Japan in the four seasons, with humans and animals shown as part of the natural landscape. Among his representative works are Futsuka zuki (“The New Moon”), Yuku haru (“The Departing Spring”), Mine-no-yu (“Evening at the Mountain Top”), and Bosetsu (“Snow in the Evening”).

In 1898, Gyokudō joined with Okakura Tenshin and Yokoyama Taikan to found the Nihon Bijutsuin (). In 1907, Gyokudo was selected as a judge for the first annual Bunten Exhibition. He became a teacher at the Tokyo Bijutsu Gakkō (the forerunner of the Tokyo National University of Fine Arts and Music) in 1919.

In 1940, he was awarded the Order of Culture by the Government of Japan.

Most of his works are preserved and displayed at the , in Ōme, Tokyo.

Major works[]

  • Cormorant Fishing, Color on Silk, Meiji Period, 1895,  [ja][1]
  • Ducks, Color on Silk, Meiji Period, 1897, Tokyo National Museum[1]
  • A Night Heron in Summer Rain, Color on Silk, Meiji Period, 1899,  [ja][1]
  • Hills and Streams in Autumn, Color on Silk, Meiji Period, 1906, Yamatane Museum of Art[1]
  • Red and White Plum Blossoms, Color on Gold-Leafed Paper, Taishō Period, 1919, Gyokudō Art Museum[1]
  • Lingering Snow, Color on Silk, Shōwa Period, 1934, The Japan Art Academy[1]
  • Autumn Rain, Color on Silk, Shōwa Period, 1940, National Museum of Modern Art, Tokyo[1]
  • After a Mountain Shower, Color on Silk, Shōwa Period, 1943, Yamatane Museum of Art[1]
  • Young Ladies Planting Rice, Color on Silk, Shōwa Period, 1945, Yamatane Museum of Art[1]
  • A Lady Arranging Flowers, Color on Paper, Shōwa Period, 1929, Gyokudō Art Museum[1]
  • A Pair of Cranes on a Pine, Color on Silk, Shōwa Period, 1942, Yamatane Museum of Art[1]
  • Bear, Color on Paper, Shōwa Period, 1946, Gyokudō Art Museum[1]

References[]

  1. ^ Jump up to: a b c d e f g h i j k l Yamatane Museum of Art
  • Briessen, Fritz van. The Way of the Brush: Painting Techniques of China and Japan. Tuttle (1999). ISBN 0-8048-3194-7
  • Conant, Ellen P., Rimer, J. Thomas, Owyoung, Stephen. Nihonga: Transcending the Past: Japanese-Style Painting, 1868-1968. Weatherhill (1996). ISBN 0-8348-0363-1
  • Kimura, Ihee. Four Japanese painters: Taikan Yokoyama, Gyokudo Kawai, Shoen Uemura, Kiyokata Kaburaki (JPS picture books). Japan Photo Service (1939). ASIN: B000888WYA

External links[]

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