King Stakh's Wild Hunt
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 Cover of 2021 Belarusian edition | |
| Author | Uladzimir Karatkievich |
|---|---|
| Country | Belarus |
| Language | Belarusian |
| Genre | Fantasy |
Publication date | 1964 |
| ISBN | 9789851549272 2021 Belarusian edition |
King Stakh's Wild Hunt (Belarusian: Дзікае паляванне караля Стаха) is a novel by author Uladzimir Karatkievich published in 1964. It's based on the Wild Hunt - a folklore motif (Motif E501 in Stith Thompson's Motif Index of Folklore)[1] that historically occurs in the folklore of various Northern and Eastern European cultures. Uladzimir Karatkievich outlined this folk legends of Belarus, based on historical events, but with a social background. Ethnographer Andrei Belaretski is not a fictional hero of the novel: he told this story to the author himself at the age of ninety-six.
A 1979 film is based on the novel. Karatkievich did not particularly like this adaptation, since one of the key themes of the story was practically absent in the film - sadness about the plight of the Belarusian people.
Plot[]
The story is told on behalf of the main character, Andrei Belaretski, who is 96 years old at the moment of his narration. The story itself occurred during his youth, in the fall of 1888, somewhere in a remote swampy Belarusian area, when he, a young folklorist, lost his way during a rainstorm and found himself at a family castle of Yanovskys.
The story takes place at the end of the 19th century. The young scientist, folklorist Andrei Belaretski, having lost his way during a storm, finds himself in the Yanovskys' ancestral castle - Bolotnye Yaliny (Swamp Firs). He is received by the owner of the castle, Nadya Yanovskaya, the last representative of her family. She tells Belaretski that the Yanovsky family is cursed for twenty generations because of the betrayal committed by her ancestor, Roman the Old, and Nadia, a representative of the twentieth generation, expects a quick death, with which the Yanovsky family will end. She talks about the ghosts, the appearance of which heralds her death - the Wild Hunt, the Little Man, the Blue Woman.
Belaretski remains in the castle to protect Nadia and unravel the tangle of events. He sees the Little Man - a small creature with very long fingers, who looks through the windows at night; The Blue Woman, descended from an old portrait, to which Nadia is very similar. Gradually, Belaretski gets to know the rest of the inhabitants - Yanovskaya's relatives: Svetilovich, Berman, Dubotovka, the hunter and tracker Rygor. One evening in the swamp he is pursued by the Wild Hunt - a group of silent horsemen who gallop silently, move freely through the bog, make huge jumps and leave traces of ancient horseshoes. Belaretski miraculously manages to hide in the castle and with renewed energy continues to search for people hiding behind the Wild Hunt. Together with Ryhor, they reveal the secret of the death of Nadya's father, driven into a swamp by the Wild Hunt two years before Belaretski's arrival. Gradually, they reveal the secret of the Wild Hunt - it was organized by Dubotovk in order to bring the girl to madness or death and take possession of the castle. All the riders were pursued and killed by local men, and Dubotovk died in a quagmire under the hooves of the Wild Hunt. The ghosts of the castle also disappear: the Little Man turns out to be Berman's feeble-minded brother, whom Berman let out of secret corridors, and the Blue Woman - to Nadeya herself, who wanders the castle in a somnambulistic dream.
Belaretski takes Nadia from the Swamp Yalin and marries her. Over time, she heals from constant fear and sleepwalking. By the end of the story, she is pregnant.
See also[]
External links[]
References[]
- ^ Thompson, Stith. The Folktale. University of California Press. 1977. p. 257. ISBN 0-520-03537-2
- 1964 novels
- Novels adapted into films
- Belarusian books
- Belarusian-language literature