Klaus Schulze

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Klaus Schulze
Klaus Schulze with Lisa Gerrard, 2009
Background information
Born	(1947-08-04) 4 August 1947 (age 74)
Origin	Berlin, Germany
Genres	Electronic ambient kosmische krautrock trance
Occupation(s)	Musician, producer
Instruments	Keyboards, synthesiser, sequencer, guitar, bass, drums, percussion, vocals
Years active	1969–present
Labels	Ohr, Brain/PolyGram, Virgin, Metronome, Manikin Records, Island, IC, Inteam, ZYX, WEA, Rainhorse, Synthetic Symphony, FAX
Associated acts	Tangerine Dream, Ash Ra Tempel, The Cosmic Jokers
Website	klaus-schulze.com

Klaus Schulze (born 4 August 1947) is a German electronic music pioneer,^[1] composer and musician. He also used the alias Richard Wahnfried and was briefly a member of the Tangerine Dream and Krautrock bands Ash Ra Tempel and The Cosmic Jokers before launching a solo career consisting of more than 60 albums released across five decades.

History[]

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1970s[]

In 1969, Klaus Schulze was the drummer of one of the early incarnations of Tangerine Dream for their debut album Electronic Meditation.^[2] Before 1969 he was a drummer in a band called Psy Free. He met Edgar Froese from Tangerine Dream in the Zodiac Club in what was then West Berlin. In 1970 he left this group to form Ash Ra Tempel^[2] with Manuel Göttsching and Hartmut Enke. In 1971, he chose again to leave a newly formed group after only one album, this time to mount a solo career. In 1972, Schulze released his debut album Irrlicht with organ and a recording of an orchestra filtered almost beyond recognition. Despite the lack of synthesizers, this proto-ambient work is regarded as a milestone in electronic music.^[3] The follow-up, Cyborg, was similar but added the EMS VCS 3 synthesiser.

Since this point, Schulze's career has been most prolific, and he can now claim more than 40 original albums to his name since Irrlicht. Highlights of these include 1975's Timewind, 1976's Moondawn (his first album to feature the Moog synthesiser), 1979's Dune, and 1995's double-album In Blue (which featured one long track called Return To The Tempel with electric guitar contributions from his friend Manuel Göttsching of Ash Ra Tempel). In 1976, he was drafted by Japanese percussionist and composer Stomu Yamashta to join his short-lived "supergroup" Go,^[2] also featuring Steve Winwood, Michael Shrieve, and Al Di Meola. They released two studio albums (Go in 1976 and Go Too in 1977) and one live album (Go Live from Paris, 1976), which went on to become a cult favourite.^{[citation needed]}

Throughout the 1970s he followed closely in the footsteps of Tangerine Dream, albeit with far lighter sequencer lines and a more reflective, dreamy sheen, not unlike the ambient music of his contemporary Brian Eno. On occasions he would also compose film scores, including horror and thriller movies such as Barracuda (1978) and Next of Kin (1982). Some of his lighter albums are appreciated by new-age music fans, despite the fact that Schulze has always denied connections to this genre.^[4] By mid-decade, with the release of Timewind and Moondawn, his style transformed from Krautrock to Berlin School.

Klaus Schulze had a more organic sound than other electronic artists of the time. Often he would throw in decidedly non-electronic sounds such as acoustic guitar and a male operatic voice in Blackdance, or a cello in Dune (1979) and Trancefer. Schulze developed a Minimoog technique that sounds uncannily like an electric guitar. Schulze often takes German events as a starting point for his compositions, a notable example being on his 1978 album "X" (the title signifying it was his tenth album), subtitled "Six Musical Biographies", a reference to such notables as Ludwig II of Bavaria, Friedrich Nietzsche, Georg Trakl, and Wilhelm Friedemann Bach. His use of the pseudonym Richard Wahnfried is indicative of his interest in Richard Wagner, a clear influence on some albums like the aforementioned Timewind.

1980s[]

In the 1980s Schulze started using digital instruments besides the usual analog synthesizers, and his work accordingly became less experimental and more accessible. Although the switch to using digital equipment is audible in the style of Dig It (1980), it was not until the release of Trancefer (1981) that the shift in style became evident.^{[citation needed]}

This newer style can also be found in Schulze's next release Audentity. Both "Cellistica" and "Spielglocken" are composed in a similar sequencer-based style as on Trancefer, but this is certainly not the case of all of Audentity's tracks; indeed, "Sebastian im Traum" hints towards the operatic style to be found in some of Schulze's much later works. The predominance of sequencing can also be found in the follow-up live album Dziękuję Poland Live '83, although many of its tracks are re-workings of those to be found on Audentity. Schulze's next studio-based album Angst (soundtrack to the namesake 1983 film) moved away from the harshness of the sharp, heavily sequenced style of the three previous albums and, once again, had the more "organic feel" of earlier recordings.^{[citation needed]}

Another highlight of this era was En=Trance with the dreamy cut "FM Delight". The album Miditerranean Pads marked the beginning of very complex percussion arrangements that continued through the next two decades.^{[citation needed]}

In 1989, German band Alphaville released their album The Breathtaking Blue, on which Klaus Schulze was both a contributing musician and the album's producer.

1990s[]

Starting with Beyond Recall, the first half of the 1990s was his "sample" period, when Schulze used a wide variety of prerecorded sounds such as screeching birds and sensuous female moans in his studio albums and live performances. Sampling was such an unpopular^{[with whom?]} diversion that when In Blue was released in 1995 without samples it was hailed as a return to form. The decade also saw the release of copious amounts of previously unreleased material, of varying quality, in several limited-edition boxed sets. Some live recordings were discovered on pristine but forgotten reels of tape which had been used to provide echo in concerts.

2000s[]

In 2005 he began re-releasing his classic solo and Wahnfried albums with bonus tracks of unreleased material recorded at roughly the same time as the original works. In the last several years, Schulze has produced albums and staged numerous live appearances with Lisa Gerrard.

2010s[]

With the release of his fortieth album (Big in Japan: Live in Tokyo 2010) in September 2010, Klaus Schulze entered his fifth decade as a solo musician. His next album, Shadowlands, was released in February 2013, quickly to be followed by the release of , a rare long-unreleased collaboration, in March 2013.^[5]

Also in 2013 Klaus Schulze announced that he would not be performing live on stage anymore.

Richard Wahnfried[]

Richard Wahnfried, then simply Wahnfried after 1993, is the long-time and only real alias for Klaus Schulze – originally a pseudonym, later an official side project name. Seven albums were released under this name between 1979 and 1997.

The main characteristics of the Wahnfried albums (as opposed to Schulze's regular works) are:

• Often being oriented towards more mainstream genres (some would say "more commercial"), such as rock, dance, techno, and trance.
• Always allowing for collaborative and less electronic albums, with known or unknown guest musicians performing along Schulze's synths.

The pseudonym's etymology stems from Schulze's love for Richard Wagner:

• Richard, evidently from Wagner's first name. Richard is also the name of Schulze's first son.
• Wahnfried ("Peace from delusion and/or madness", in German), from the name Wagner gave to his villa in Bayreuth (and where he was later buried).

In his 1975 album Timewind (four years before the first alias use), Schulze had already named a track "Wahnfried 1883" (in reference to Wagner's death and burial in his Wahnfried's garden in 1883). The other track on Timewind is called "Bayreuth Return". After 1993, the albums are simply credited to "Wahnfried", and namedrop Schulze ("featuring Klaus Schulze", "Produced by Klaus Schulze").

"Wahnfried" is the only known alias of Schulze (albeit on the 1998 Tribute to Klaus Schulze album, among 10 other artists, Schulze contributed one track barely hidden behind the "Schulzendorfer Groove Orchester" pseudonym).

Discography[]

Albums[]

Schulze's concert performances are original compositions recorded live and thus listed as albums. An intensive reissue program of Schulze CDs began in 2005, with most releases having bonus tracks, and sometimes additional discs. They are published by the label Revisited Records (a division of German company InsideOut Music), and distributed by SPV.

Year	Title	Reissued
1972	Irrlicht	2006
1973	Cyborg	2006
1974	Blackdance	2007
1975	Picture Music	2005
1975	Timewind	2006
1976	Moondawn	2005
1977	Body Love (soundtrack)	2005
1977	Mirage	2005
1977	Body Love Vol. 2	2007
1978	X	2005
1979	Dune	2005
1980	...Live... (live)	2007
1980	Dig It	2005
1981	Trancefer	2006
1983	Audentity	2005
1983	Dziękuję Poland Live '83 (live)	2006
1984	Angst (soundtrack)	2005
1985	Inter*Face	2006
1986	Dreams	2005
1988	En=Trance	2005
1990	Miditerranean Pads	2005
1990	The Dresden Performance (live)
1991	Beyond Recall
1992	Royal Festival Hall Vol. 1 (live)
1992	Royal Festival Hall Vol. 2 (live)
1993	The Dome Event (live)
1994	Le Moulin de Daudet (soundtrack)	2005
1994	Goes Classic
1994	Totentag
1994	Das Wagner Desaster Live (live)	2005
1995	In Blue	2005
1996	Are You Sequenced? (live)	2006
1997	Dosburg Online	2006
2001	Live @ KlangArt (live)	2008
2005	Moonlake
2007	Kontinuum
2008	Farscape (with Lisa Gerrard)
2008	Rheingold (live, with Lisa Gerrard)
2009	Dziękuję Bardzo (live, with Lisa Gerrard)
2010	Big in Japan: Live in Tokyo 2010 (live)
2013	Shadowlands
2013–14	Big in Europe (live, with Lisa Gerrard)
2014	Stars Are Burning (live)
2017	Eternal: The 70th Birthday Edition
2018
2019

Singles[]

Year	Title	Reissued
1985		Released as maxi single only
1994	Conquest of Paradise	Partially reissued on La Vie Electronique 14

(Richard) Wahnfried albums[]

Composed by Schulze and performed with guest artists under alias Richard Wahnfried or later just Wahnfried:

Year	Title	Reissued
1979	Time Actor	2011
1981	Tonwelle	2012
1984	Megatone	2021
1986		2012
1994		2019
1996	Trance Appeal	2007
1997		2006
2000	[1]	2018

Notes

^ This album was originally issued as the third disc of Contemporary Works I.

Boxed sets[]

Between 1993 and 2002 Klaus Schulze released several limited edition boxed sets, all composed of non-album material.

Year	Title	Discs	Copies
1993	Silver Edition	10	2000
1995	Historic Edition	10	2000
1997	Jubilee Edition	25	1000
2000	The Ultimate Edition	501
2000	Contemporary Works I	10
2002	Contemporary Works II	52	2002

Notes

^1 Collecting Silver, Historic, and Jubilee sets, with additional 5 discs.

^2 A bonus sixth disc included with the first 333 copies.

Reissues from sets[]

Year	Title	From
2005	Vanity of Sounds	Contemporary Works I (2000)
2006	The Crime of Suspense	Contemporary Works I (2000)
2006	Ballett 1	Contemporary Works I (2000)
2006	Ballett 2	Contemporary Works I (2000)
2007	Ballett 3	Contemporary Works I (2000)
2007	Ballett 4	Contemporary Works I (2000)
2008	Virtual Outback	Contemporary Works II (2002)
2009	La Vie Electronique 1	The Ultimate Edition (2000)
2009	La Vie Electronique 2	The Ultimate Edition (2000)
2009	La Vie Electronique 3	The Ultimate Edition (2000)
2009	La Vie Electronique 4	The Ultimate Edition (2000)
2010	La Vie Electronique 5	The Ultimate Edition (2000)
2010	La Vie Electronique 6	The Ultimate Edition (2000)
2010	La Vie Electronique 7	The Ultimate Edition (2000)
2010	La Vie Electronique 8	The Ultimate Edition (2000)
2011	La Vie Electronique 9	The Ultimate Edition (2000)
2011	La Vie Electronique 10	The Ultimate Edition (2000)
2012	La Vie Electronique 11	The Ultimate Edition (2000)
2012	La Vie Electronique 12	The Ultimate Edition (2000)
2013	La Vie Electronique 13	The Ultimate Edition (2000)
2014	La Vie Electronique 14	The Ultimate Edition (2000)
2014	La Vie Electronique 15	The Ultimate Edition (2000)
2015	La Vie Electronique 16	The Ultimate Edition (2000)
2016	Privée	Contemporary Works I (2000)
2016	Another Green Mile	Contemporary Works II (2002)
2017	Androgyn	Contemporary Works II (2002)
2017	Ultimate Docking	Contemporary Works I (2000)
2018	Trance 4 Motion	Contemporary Works I (2000)
2018	Cocooning	Contemporary Works II (2002)
2019	Timbres of Ice	Contemporary Works II (2002)

The Dark Side of the Moog series[]

The Dark Side of the Moog is a Klaus Schulze collaboration with Pete Namlook (joined also by Bill Laswell on volumes 4 to 7). Each title is a distortion of Pink Floyd song and album titles.

Year	Title	Pink Floyd Title
1994	The Dark Side of the Moog: Wish You Were There	"Wish You Were Here"
1994	The Dark Side of the Moog II: A Saucerful of Ambience	"A Saucerful of Secrets"
1995	The Dark Side of the Moog III: Phantom Heart Brother	"Atom Heart Mother"
1996	The Dark Side of the Moog IV: Three Pipers at the Gates of Dawn	The Piper at the Gates of Dawn
1996	The Dark Side of the Moog V: Psychedelic Brunch	"Alan's Psychedelic Breakfast"
1997	The Dark Side of the Moog VI: The Final DAT	"The Final Cut"
1998	The Dark Side of the Moog VII: Obscured by Klaus	"Obscured by Clouds"
1999	The Dark Side of the Moog VIII: Careful With the AKS, Peter	"Careful with That Axe, Eugene"
2002	The Dark Side of the Moog: The Evolution of the Dark Side of the Moog
2002	The Dark Side of the Moog IX: Set the Controls for the Heart of the Mother	"Set the Controls for the Heart of the Sun" "Atom Heart Mother"
2005	The Dark Side of the Moog X: Astro Know Me Domina	"Astronomy Domine"
2008	The Dark Side of the Moog XI: The Heart of Our Nearest Star	"Set the Controls for the Heart of the Sun"

The Evolution of the Dark Side of the Moog is a compilation album, containing excerpts from the first 8 volumes. The series was announced as officially concluded with volume 10 when on 21 March 2005 at 14:52 CET, Pete Namlook sold the Big Moog synthesizer that was the symbol of the series. However, a volume 11 appeared on Namlook's website on 15 April 2008 (and was released in a box set of volumes 9–11).^[6]

Collaborations[]

Year	Title	Collaborator
1970	Electronic Meditation	Tangerine Dream
1971	Ash Ra Tempel	Ash Ra Tempel
1973		Walter Wegmüller
1973	Join Inn	Ash Ra Tempel
1973		Sergius Golowin
1974	The Cosmic Jokers	The Cosmic Jokers
1974		The Cosmic Jokers
1974		The Cosmic Jokers
1974		The Cosmic Jokers
1974		The Cosmic Jokers
1974		Code III
1976	Go	Go
1976	Go Live from Paris	Go
1977	Go Too	Go
1979	French Skyline	Earthstar
1984	Aphrica	Rainer Bloss and Ernst Fuchs
1984	Drive Inn	Rainer Bloss
1984		Michael Shrieve and Kevin Shrieve
1987		Andreas Grosser
2000		Ash Ra Tempel
2000		Ash Ra Tempel
2009		Lisa Gerrard
2013		Günter Schickert
2021	Grains of Sand from The Dune Sketchbook	Hans Zimmer

Promos[]

• 2003 Andromeda
• 2004 Ion
• 2009 Hommage à Polska (with Lisa Gerrard)

Compilations[]

• 1979 Rock On Brain
• 1980 Star Action
• 1980 Mind Phaser
• 1988 History (for promotional use, limited to 1.000 copies)
• 1991 2001
• 1994 The Essential 72–93
• 1999 Trailer

Lone tracks[]

This list includes only the tracks remaining uncollected after Lone Tracks (CD 50 of The Ultimate Edition) and La Vie Electronique volumes.

• 1993 "Nachtmusik Schattenhaft"– On the A Brief History of Ambient – Volume 2: Imaginary Landscapes compilation
• 2002 "Manikin Jubilee" – On the Manikin Records: First Decade 1992–2002 compilation limited to 777 copies
• 2003 "CrazyShow" – on CrazyShow (Alphaville)
• 2003 "The Opium Den" – on CrazyShow (Alphaville)
• 2008 "Zenit" – On Sehnsucht Live (Schiller)
• 2008 "Invisible Musik" – On the Muting the Noise 01 compilation
• 2011 "Train by Train" – Chrysta Bell (Klaus Schulze Remix)

See also[]

• Berlin School of electronic music
• Kosmische Musik
• Urs Amann, illustrator of Schulze's early records

References[]

External links[]

• Official website
• Klaus Schulze at IMDb