Kurt Heuser

Kurt Heuser (23 November 1903 – 20 June 1975) was a German screenwriter.^[1]

Early in his career he wrote Schlußakkord (Final Accord or better Final Chord), a German film melodrama of the Nazi period.^[2]

Selected filmography[]

• Love, Death and the Devil (1934)
• One Too Many on Board (1935)
• Schlußakkord (1936)
• A Strange Guest (1936)
• Condottieri (1937)
• To New Shores (1937)
• Red Orchids (1938)
• Liberated Hands (1939)
• Midsummer Night's Fire (1939)
• The Three Codonas (1940)
• The Girl from Fano (1941)
• Rembrandt (1942)
• Paracelsus (1943)
• The Trial (1948)
• Maresi (1948)
• Bonus on Death (1950)
• Call Over the Air (1951)
• The Sergeant's Daughter (1952)
• The Great Temptation (1952)
• Alraune (1952)
• A Life for Do (1954)
• André and Ursula (1955)
• I Was All His (1958)
• The Forests Sing Forever (1959)
• Every Day Isn't Sunday (1959)
• Carnival Confession (1960)
• Girl from Hong Kong (1961)
• Our House in Cameroon (1961)
• Via Mala (1961)
• The Gentlemen (1965)

References[]

Bibliography[]

• Rentschler, Eric. The Ministry of Illusion: Nazi Cinema and Its Afterlife. Harvard University Press, 1996.

External links[]

• Kurt Heuser at IMDb

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