Laura Letinsky

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Laura L. Letinsky[1]
Born1962 (age 58–59)[2]
Winnipeg, Manitoba, Canada[3]
NationalityCanadian
Alma materUniversity of Manitoba , Yale University
Known forPhotography
Websitehttps://lauraletinsky.com/

Laura L. Letinsky (born 1962) is an artist and a professor in the Department of Visual Arts at the University of Chicago.[1] She is currently based in Chicago, Illinois where she lives and works. Letinsky’s works contend with what and how a photograph “means” while engaging and challenging the notions of domesticity, gender, and consumption. She was included in the 2019 PHotoEspaña and is a Guggenheim fellow.[4]

Education[]

Letinsky received her BFA from the University of Manitoba in 1986 and MFA from Yale School of Art in 1991. She was awarded the Guggenheim Fellowship in 2000 and the Anonymous Was a Woman fellowship in 2001.[5] She is currently a professor of visual arts at the University of Chicago.

Work[]

Early Work[]

In the 1990s, Letinsky largely photographed couples, which can be seen in her photographic series Venus Inferred. This work examined the legacy of religious pictorial traditions as they transitioned through the Enlightenment into secular imagery, specifically, that of romance and romantic love. The ontology of photographs as they relate to production and consumption became an increasing concern.[6] Walker Evans is cited as an influence because of his interest in the vernacular, as are the artists, Garry Winogrand and Diane Arbus.  

Stifled by the conundrum of the romance narrative with its inevitable failure, especially as it was relayed through the photograph, another kind of failure in that its promise would never be fulfilled, Letinsky transitioned to photographing still lifes.[6] Following the tradition of Dutch-Flemish still life paintings of the Northern European Renaissance, Letinksy found room for exploration in “its association with the feminine, its characterization as ‘less important,’ its affiliations with domesticity and intimacy.”[6] She realized still lifes could “explore the tension between the small and minute and larger social structures.”[6] Referencing Jan Groover and Giorgio Morandi, this work interrogates the question of meaning as it relates to what is described in the image as compared to how it is described. That is, what the picture is about is not necessarily laminated onto what is being pictured.  In the process of creating still life images, Letinsky developed a unique aesthetic recognized across her works.

In 2004, The Renaissance Society exhibited the long-term series she had been working on since 1997, Hardly More Than Ever, cementing her significance as a critically engaging contemporary artist.[7]

2010s[]

Letinsky stopped photographing for a year in 2009, opting to work in ceramics, textiles, and words.[8] This turn to more material practice was related to her questions related to the photograph as image and as object. Returning to photography in 2010, she began work on another still-life series, Ill Form and Void Full. In this work, she sought to try to “restructure the desire [photography] engenders” by making overt that pictures beget other pictures, i.e. images inform subsequent images.[8]

In 2019, Letinsky debuted her series, To Want For Nothing, in Chicago.[9] These images marked a transition away from her domestic table settings and instead, using magazine and advertisement cutouts she creates composite images that explore form as it impacts narrative, and the unrelenting and overwhelming behemoth that is our image culture.

Solo exhibitions[]

  • 2019: "To Want For Nothing" exhibition at Yancey Richardson in New York
  • 2017 : "Infinite Gamers", Open House Contemporary, Chicago, IL
  • 2016 : Still Life Photographs 1997–2012, School of Art Gallery, University of Manitoba
  • 2015 : Focus, Mumbai Photography Festival, Mumbai, India & A Moment on the Lips: Illinois State Museum Gallery, Normal, IL
  • 2014 : Yours, more pretty, Yancey Richardson Gallery, NYC, NY & Creases Turn Sour, Carroll and Sons Gallery, Boston
  • 2013 Ill Form and Void Full, The Photographers Gallery, London, UK
  • 2012 Ill Form and Void Full, Museum of Contemporary Art, Chicago
  • Hot and Cold All Over, Joseph Carroll and Sons, Boston
  • Ill Form and Void Full, Yancey Richardson Gallery, NY; Valerie Carberry Gallery, Chicago, Museum of Hagen, Germany
  • Laura Letinsky: Still Life, Denver Museum of Art, CO
  • 2004 Hardly More Than Ever at the Renaissance Society, 2004[10]

Collections[]

Her work is included in the collection of the Getty Museum,[11] the Winnipeg Art Gallery,[12] the Museum of Contemporary Art, Chicago[13] and the Art Institute of Chicago.[14]

References[]

  1. ^ "John Simon Guggenheim Foundation | Laura L. Letinsky".
  2. ^ "Musée des beaux-arts le Locle - LAURA LETINSKY".
  3. ^ "Laura Letinsky: Still Life Photographs, 1997-2012".
  4. ^ "Laura Letinsky".
  5. ^ "Laura Letinsky | Frieze". frieze. Archived from the original on 10 August 2016. Retrieved 26 June 2016.
  6. ^ Jump up to: a b c d "Interview with Laura Letinsky". Aperture. 31 January 2013. Retrieved 11 June 2021.
  7. ^ Society, The Renaissance. "Laura Letinsky: Hardly More Than Ever, Photographs 1997-2004 | Exhibitions | The Renaissance Society". www.renaissancesociety.org. Retrieved 11 June 2021.
  8. ^ Jump up to: a b "In Conversation With Laura Letinsky". Musée Magazine. Retrieved 11 June 2021.
  9. ^ "To Want For Nothing - Laura Letinsky". Document. Retrieved 11 June 2021.
  10. ^ Laura Letinsky at the Renaissance Society Archived 9 September 2012 at archive.today
  11. ^ "Laura Letinsky (Canadian, born 1962) (Getty Museum)".
  12. ^ "G-90-15 Parrot Club Exhibition, Polo Park, Winnipeg, 1988 Laura Letinsky » WAG".
  13. ^ "Laura Letinsky, to say it isn't so, series #19, 2006".
  14. ^ "Laura Letinsky".

External links[]

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