Leonard M. Henny

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Leonard (Melchoir) Henny (4 August 1935 – 17 September 2011) was a Dutch filmmaker, teacher, and writer, known for his socially engaged documentaries, and his pioneering work in the field of visual sociology.[1]

Biography[]

Henny completed his studies at the Dutch Film Academy in 1961, and obtained a degree in sociology at the University of Amsterdam in 1963, and a degree in Urban planning and development at MIT in 1966. Henny lived and worked in Berlin, Cambridge, Mass, San Francisco, St. Louis, Missouri, Micronesia and Venezuela. He settled in the United States for a period of eight years and worked as a professor, lecturer and researcher at several American and Dutch universities, including at the SRI International in California, the Washington University in St. Louis, the University of Missouri, the University of Utrecht and the Wageningen University.

In the 1960s and 1970s, he particular made documentary films focusing on social change, and he was editor of the International Journal of Visual Sociology. As a lecturer at the Sociology Institute of the University of Utrecht, he performed research on the influence of film on children. Also he conducted research on the use of film, photography and video in secondary education and he was the author of articles and monographs on audiovisual resources in anthropology and sociology. Several of his students founded in 1974, the Utrecht Film collective "Rode Lantaren".

From 1981 he was director of the Center for International Media Research.

Work[]

Visual sociology[]

In 1978 Henny had started writing on the functions of images in society in a short work, entitled "Film and video in sociology."[2] In 1985 he published a more general seminal paper on visual sociology, entitled "A short history of visual sociology." He started this paper by stipulating the apparent absurdity of the term "visual sociology," arguing:

It somehow implies that there is ‘verbal’ sociology and ‘visual’ sociology. Obviously, however, we never speak of ‘verbal sociologists’ because we all know that a sociologist is, by definition, virtually caught in a Gutenberg Syndrome. Sociologists usually argue with words and figures. Yet this has not always been the case..."[3]

And furthermore about the origin of visualisation in the emerging field of sociology in the late 19th century:

...the first issues of the American Journal of Sociology [established in 1895] published many photographs taken by sociologists and social photographers... In many of the issues of the AJS in the first fifteen years of its existence photos were published mainly to support the articles on social reform. Today we tend to look with some nostalgia and with some scepticism at the use of photographs in the early days of sociology...[3]

Early social photographers of those days were Lewis Hine and Jacob Riis. And there were succeeded in the 1920s by a new generation of sociologists and photographers such as Walker Evans and Dorothy Lange. Henry (1985) described, that images kept being used in sociological research until in the 1970s a "revival of interest in the function of images in society among sociologists"[4] led to the emerge of visual sociology.

Movies / documentaries (incomplete)[]

Henny made the following the movies / documentaries:

  • In search of Don Quichotte (Spanje, La Mancha, 1959)
  • But What Do We Do? (1966)
  • Peace Pickets Arrested for Disturbing the Peace (1968)
  • Huey! (samen met Sally Pugh, 1968)
  • The Resistance (1968)
  • Black Power, We're Goin' Survive America (1968)
  • Dead Earth (VS, 1970)
  • Schitzophrenia of Working for War (VS, 1970)
  • Dead End Street? (VS, 1970)
  • Why Worry (1972)
  • Vietnam Veteran (samen met Kees Hin 1970-1973)
  • Getting It Together (samen met Jan Boon, 1973)
  • The Maori land struggle (New Zealand, 1980)
  • How nations Televise Each Other (Nederland en VS, 1984)
  • Video Eyes - Video Ears, Dead Earth en Giftaal (1988)
  • Desenkadena (samen met Gloria Lowe, 2000)

Selected publications[]

  • Henny, Leonard M. Film and video in sociology. Utrecht, University of Utrecht
  • Henny, Leonard M. Raising Consciousness through Film: Audio-visual Media and International Development Education, Utrecht 1980.

Articles, a selection:

  • Henny, Leonard M. "A short history of visual sociology." Current Sociology 34.3 (1986): 1–4; Reprinted in Jason Hughes ed. SAGE Visual Methods, (2012), p. 1-4
  • Henny, Leonard M. "Use the Media to Reach the People: Social Sculpture," Critical Sociology 1(2) p. 4-4, 1970.
  • Henny, Leonard M. "Films as a Weapons in the Struggle to Liberate the American Mind," Critical Sociology 1(2), p. 5-5, 1970.

References[]

  1. ^ Emmison, Michael, et al. Researching the visual. Sage, 2012.
  2. ^ Henny, Leonard M. Film and video in sociology. Utrecht, University of Utrecht
  3. ^ Jump up to: a b Henny (1986, p. 1)
  4. ^ Henry (1986) cited in: Metcalfe, Amy Scott. "Imag (in) ing the university: Visual sociology and higher education Archived 2016-03-04 at the Wayback Machine." The Review of Higher Education 35.4 (2012): 517-534.

External links[]

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