Linda Dalrymple Henderson
Linda Dalrymple Henderson (born 1948)[1] is a historian of art whose research involves the connections between modern art, science and technology, and the occult.[2] She is the David Bruton, Jr. Centennial Professor in Art History at the University of Texas at Austin.[3]
Education and career[]
Henderson entered Dickinson College planning to study mathematics, but graduated in 1969 with a major in art history.[2] She earned a Ph.D. from Yale University in 1975.[4] From 1974 to 1977 she was Curator of Modern Art at the Museum of Fine Arts, Houston; she joined the faculty at the University of Texas at Austin in 1978.[3] In 1999 the university gave her their Robert W. Hamilton Book Award for her book on Marcel Duchamp.
Books[]
Henderson is the author of:
- The Fourth Dimension and Non-Euclidean Geometry in Modern Art (Princeton University Press, 1983; enlarged ed., MIT Press, 2014)[5]
- Duchamp in Context: Science and Technology in the Large Glass and Related Works (Princeton University Press, 1998)[6]
- Reimagining Space: The Park Place Gallery Group in 1960s New York (exhibit catalog, Jack S. Blanton Museum of Art, 2008)[7]
She is the editor of:
- From Energy to Information: Representation in Science and Technology, Art, and Literature (with Bruce Clarke, Stanford University Press, 2002)[8]
References[]
- ^ Birth year from Library of Congress catalog entry, retrieved 2020-02-16
- ^ Jump up to: a b Bitts-Jackson, MaryAlice (October 9, 2019), "Science, Math, Technology and ... Art? Skimming the Fourth Dimension With Linda Henderson '69", Dickinson News, Dickinson College
- ^ Jump up to: a b "Linda Dalrymple Henderson", People, University of Texas at Austin Department of Art & Art History, retrieved 2020-02-16
- ^ Curriculum vitae (PDF), retrieved 2020-02-16
- ^ Reviews of The Fourth Dimension and Non-Euclidean Geometry in Modern Art:
- Veličković, Vesna, Mathematical Reviews, MR 3026954CS1 maint: untitled periodical (link)
- Negrescu, Alexandru, zbMATH, Zbl 1275.00025CS1 maint: untitled periodical (link)
- Wilson, Raymond L. (Spring 1984), Art and Documentation, 3 (1): 25, JSTOR 27947272CS1 maint: untitled periodical (link)
- Danto, Arthur C. (May–June 1985), The Print Collector's Newsletter, 16 (2): 64–66, JSTOR 24552812CS1 maint: untitled periodical (link)
- Loeb, A. L. (July 1985), "Art, science and history", Leonardo, 18 (3), doi:10.2307/1578051, JSTOR 1578051, S2CID 193028041
- Richardson, John Adkins (Fall 1985), "Art, science, modernity", The Journal of Aesthetic Education, 19 (3): 89–99, doi:10.2307/3332646, JSTOR 3332646
- Berrett, Joshua; Marquardt, Virginia (October 1985), Technology and Culture, 26 (4): 879–882, doi:10.2307/3105651, JSTOR 3105651, S2CID 113682080CS1 maint: untitled periodical (link)
- Sigurdsson, Skúli (December 1989), Isis, 80 (4): 737–738, doi:10.1086/355234, JSTOR 234242CS1 maint: untitled periodical (link)
- Schulte, Tom (November 2013), "Review", MAA Reviews, Mathematical Association of America
- Harle, Rob (2014), Leonardo, 47 (1): 100–101, doi:10.1162/LEON_r_00723, JSTOR 43834136, S2CID 190054408CS1 maint: untitled periodical (link)
- Jardine, Boris (April 2015), "The shock of the odd", The British Journal for the History of Science, 48 (2): 353–356, doi:10.1017/s0007087415000047, PMID 25921685
- ^ Reviews of Duchamp in Context:
- "A 'playful physics'", Nature, 397 (6716): 224, January 1999, Bibcode:1999Natur.397..224., doi:10.1038/16634, S2CID 5419545
- Kahn, Douglas (2000), Leonardo, 33 (3): 234, doi:10.1162/leon.2000.33.3.234a, JSTOR 1577059, S2CID 108861011CS1 maint: untitled periodical (link)
- Dean, Dennis R. (March 2000), Isis, 91 (1): 180–182, doi:10.1086/384686, JSTOR 237618CS1 maint: untitled periodical (link)
- Antliff, Allan (January 2002), College Art Association Reviews, doi:10.3202/caa.reviews.2002.23CS1 maint: untitled periodical (link)
- Walker, John A. (August 2006), The Art Book, 13 (3): 39–40, doi:10.1111/j.1467-8357.2006.00697.xCS1 maint: untitled periodical (link)
- ^ Faires, Robert (January 2, 2009), "This trippy exhibit revisits New Frontier artists engaged in their own space race", Austin Chronicle
- ^ Reviews of From Energy to Information:
- Pepperell, Robert (2003), Leonardo, 36 (4): 326–328, doi:10.1162/leon.2003.36.4.326, JSTOR 1577337, S2CID 62085584CS1 maint: untitled periodical (link)
- Lowengard, Sarah (January 2004), Technology and Culture, 45 (1): 227–229, doi:10.1353/tech.2004.0028, JSTOR 40060624, S2CID 110951941CS1 maint: untitled periodical (link)
External links[]
- Linda Dalrymple Henderson publications indexed by Google Scholar
- Vibratory Modernism and the Ether of Space: A Conversation with Linda Dalrymple Henderson, Athenaeum Review
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Categories:
- 1948 births
- Living people
- American art historians
- Women art historians
- Dickinson College alumni
- Yale University alumni
- University of Texas at Austin faculty
- 20th-century American historians
- 21st-century American historians
- 21st-century American women writers
- American women historians
- 20th-century American women