1930
|
L'Âge d'Or |
Luis Buñuel |
Gaston Modot, Lya Lys, Max Ernst |
France |
Surrealist feature, produced by Charles de Noailles[1]
|
Autour de la fin du monde |
Eugène Deslaw |
Abel Gance |
France |
Extraordinary, semi-experimental "making of" documentary shot on set of Abel Gance's "La fin du monde;" silent[2]
|
Apteka (Pharmacy) |
Stefan Themerson, Franciszka Themerson |
|
Poland |
Rayographic animation, lost[3]
|
Aimless Walk |
Alexandr Hackenschmied (Alexander Hammid) |
|
Czechoslovakia |
City film[4]
|
Borderline |
Kenneth Macpherson |
Paul Robeson, Hilda Doolittle |
United Kingdom |
Pool film; silent[5]
|
A City Symphony |
Herman G. Weinberg |
|
United States |
City film, never shown, disassembled and partly used in Autumn Fire[6]
|
Crying for the Carolines |
Leon Schlesinger, Neil McGuire |
Milton Charles |
United States |
A "Spooney Melodie;" Semi-abstract music short[7][8]
|
Earth
|
Oleksandr Dovzhenko
|
|
Soviet Union
|
Silent feature; part of the director's Ukraine Trilogy.
|
It's a Bird |
Harold Mueller |
Charles Bowers, Lowell Thomas |
United States |
Semi-animated short where an egg transforms into an automobile[9]
|
Ein Lichtspiel: Schwarz/Weiss/Grau
|
László Moholy-Nagy
|
|
Weimar Republic
|
|
Light Rhythms |
Francis Brugière, Oswell Blakeston |
|
United Kingdom |
Light-oriented, non-animated abstract film[10]
|
Mechanical Principles |
Ralph Steiner |
|
United States |
Abstract film based on machinery; sometimes dated to 1933[11]
|
Mennschen am Sonntag (People on Sunday) |
Curt Siodmak, Robert Siodmak, Edgar G. Ulmer, Fred Zinnemann, Rochus Gliese |
Erwin Splettstößer, Brigitte Borchert |
Weimar Republic |
City film, partly written by Billy Wilder; silent[12]
|
The Power of Suggestion |
M.G. MacPherson, Jean Michelson |
|
United States |
Artkino production, Lost film[6]
|
À Propos de Nice
|
Jean Vigo
|
|
France
|
City film
|
Romance Sentimentale |
Grigory Alexandrov, Sergei Eisenstein |
Mara Griy |
France |
"Étude cinematographique"[13]
|
The Story of a Nobody |
Jo Gerson, Louis Hirshman |
|
United States |
Experiment in subjective camerawork, Lost film[14]
|
Studie(s) Nr. 2-4 |
Oskar Fischinger |
|
Weimar Republic |
Abstract animations; Nr. 4 Lost[15]
|
R.5, Ein Spiel in Linien (Studie Nr. 5) |
Oskar Fischinger |
|
Weimar Republic |
Abstract animation[15]
|
Studie Nr. 6 |
Oskar Fischinger |
|
Weimar Republic |
Abstract animation[15]
|
Such Is Life |
[de] |
Vera Baranovskaya, Theodor Pištěk |
Czechoslovakia |
Czech avant-garde social realist feature; silent[16]
|
Tomatoes Another Day |
|
|
United States |
Absurdist comedy written by Alec Wilder[17]
|
The Trap |
M.G. MacPherson, Jean Michelson |
|
United States |
Artkino production, Lost film[6]
|
Wochenende (Weekend) |
Walter Ruttmann |
|
Weimar Republic |
Audio-only film collage; no image[18]
|
Yamekraw |
Murray Roth |
Hugo Marianni & His Mediterraneans |
United States |
Vitaphone "opera film" visualization of tone poem by James Price Johnson, heavily indebted to German expressionism.[19][20][21]
|
1931
|
Autumn Fire |
Herman G. Weinberg |
Erna Bergman, Willy Hildebrand |
United States |
Cinematic poem; mixed nature and city film[6]
|
A Bronx Morning |
Jay Leyda |
|
United States |
City film; silent[22]
|
City of Contrasts |
Irving Browning |
|
United States |
City film[23][6]
|
Dance Film |
Ralph Steiner |
|
United States |
Dance film[6]
|
A Day in Santa Fe |
Lynn Riggs, James Hughes |
|
United States |
City film[10][24]
|
Douro, Faina Flouval
|
Manoel de Oliveira
|
|
Portugal
|
City film
|
Enthusiasm: Symphony of the Donbass |
Dziga Vertov |
|
Soviet Union |
Documentary film with montage of both visuals and sound
|
Hearts of the West |
Theodore Huff |
|
United States |
Genre parody[6]
|
Imperial Valley |
Seymour Stern |
|
United States |
Experimental documentary, sometimes dated to 1932 or 1933; Stern taken off production which was finished by others, Lost film[25][26]
|
Limite |
Mário Peixoto |
Olga Breno, Raul Schnoor |
Brazil |
Advertised as 'pure cinema;' first Brazilian avant-garde film[27]
|
At the Prague Castle |
Alexandr Hackenschmied |
|
Czechoslovakia |
Semi-documentary[4]
|
Panther Woman of the Needle Trades, or The Lovely Life of Little Lisa |
Ralph Steiner |
Elizabeth Hawes, Morris Carnovsky |
United States |
Satire, print extant at MOMA[6]
|
Portrait of a Young Man in Three Movements |
Henwar Rodakiewicz |
|
United States |
Feature length experimental film, begun in 1925[28][29]
|
Studie(s) Nr. 7-9 |
Oskar Fischinger |
|
Weimar Republic |
Abstract animation[15]
|
Surf and Seaweed |
Ralph Steiner |
|
United States |
Photographic abstract film, sometimes dated to 1930.[30]
|
The Light Penetrates the Darkness |
Otakar Vávra, František Pilát |
|
Czechoslovakia |
Photographic abstract film[31]
|
Taris, roi de l'eau
|
Jean Vigo
|
|
France
|
Documentary about a swimming champion
|
1932
|
Blood of a Poet |
Jean Cocteau |
Lee Miller, Pauline Carton, Odette Talazacuez |
France |
Surrealist feature, produced by Charles de Noailles; often misdated to 1930-31[32]
|
Burleska |
Jan Kučera |
|
Czechoslovakia |
Experimental short; Kučera's only film[33]
|
Destiny |
Josef Berne |
|
United States |
Dated "ca. 1932"[6]
|
Europa |
Stefan Themerson, Franciszka Themerson |
|
Poland |
Abstract animation, based on the poem by Anatol Stern; lost, but partially reconstructed in 1984[3]
|
The Fortune Teller |
Jerome Hill |
|
United States |
Tinting and hand-coloring added in the 1960s[34][35]
|
Granite, a.k.a. The Quarry |
Ralph Steiner |
|
United States |
[6]
|
Harbor Scenes |
Ralph Steiner |
|
United States |
[6]
|
Histoire du soldat inconnu
|
Henri Storck
|
|
Belgium
|
|
L'idée
|
Berthold Bartosch
|
|
France
|
Surreal animation; music by Arthur Honegger
|
Koloraturen (Coloratura) |
Oskar Fischinger |
|
Weimar Republic |
Abstract animation[15]
|
Kuhle Wampe
|
Bertolt Brecht, Slatan Dudow
|
|
Weimar Republic
|
Agitprop film, written by Bertolt Brecht with music by Hanns Eisler.
|
Land of the Sun |
Seymour Stern |
|
United States |
Experimental documentary[36][25]
|
Little Geezer |
Theodore Huff |
|
United States |
Genre parody[6][37]
|
Ornament Sound Experiments |
Oskar Fischinger |
|
Weimar Republic |
Synthetic sound experiments[15]
|
Poem 8 |
Emlen Etting |
Mary Binney Montgomery, Caresse Crosby |
United States |
Dance film, shot in 8mm, silent[38]
|
Před maturitou (Before Matriculation) |
Svatopluk Innemann, Vladislav Vančura |
Jindřich Plachta, František Smolík |
Czechoslovakia |
Semi-experimental feature film[33][39]
|
Qué vivá México! |
Sergei Eisenstein, Grigori Alexandrov |
Félix Balderas, Martín Hernández |
Mexico |
Begun in 1931, never completed by Eisenstein; edited into numerous other films[40]
|
Studie(s) Nr. 10-11 |
Oskar Fischinger |
|
Weimar Republic |
Abstract animation[15]
|
Studie Nr. 12 |
Oskar Fischinger, Hans Fischinger |
|
Weimar Republic |
Abstract animation[15]
|
Sur les bords de la caméra (Pictures on the Sideline)
|
Henri Storck
|
|
Belgium
|
|
Visions of Lourdes
|
Charles Dekeukeleire
|
|
Belgium
|
|
1933
|
7 till 5 |
Norman McLaren |
|
United Kingdom |
Amateur city film[41]
|
Dawn to Dawn |
Josef Berne, Seymour Stern |
Julie Haydon, Ole M. Ness, Frank Eklof |
United States |
a.k.a. "Black Dawn," short, Naturalist melodrama[42][6][43]
|
Deserter |
Vsevolod Pudovkin |
Boris Livanov, Vasili Kovrigin |
Soviet Union |
Asynchronous use of sound and image[44]
|
Drobiazg Melodyjny (Moment Musical) |
Stefan Themerson, Franciszka Themerson |
|
Poland |
Rayographic animation, Lost[3]
|
Footnote to Fact |
Lewis Jacobs |
|
United States |
City film[45]
|
G-3 |
Ralph Steiner |
|
United States |
Also dated to 1932[6][46]
|
Las Hurdes: Tierra Sin Pan
|
Luis Buñuel
|
Abel Jacquin, Alexandre O'Neill
|
Spain
|
Documentary, co-written by Buñuel and Surrealist poet Pierre Unik, with music by Darius Milhaud
|
In the Icy Wastes of Dialectical Materialism |
Luis Buñuel, Charles de Noailles |
|
France |
Re-edited section of L'age d'or, rendered as comedy and shown in leftist theaters in Eastern Europe; lost.[47]
|
Lot in Sodom |
, Melville Webber |
Friedrich Haak, Hildegarde Watson |
United States |
Experimental short based on Biblical story[48]
|
Mr. Motorboat's Last Stand |
John Flory, Theodore Huff |
Leonard Stirrup |
United States |
Satire[6][43]
|
On the Sunny Side |
Vladislav Vančura |
Filip Balek-Brodský, Hana Bečková |
Czechoslovakia |
Didactic feature film[33][49]
|
Une nuit sur le mont chauve |
Alexandre Alexieff, Claire Parker |
|
France |
First pinscreen animation, also dated to 1934, 1931[50]
|
Oil—A Symphony in Motion |
M.G. MacPherson, Jean Michelson |
|
United States |
Only extant Artkino production[6][35]
|
Oramunde |
Emlen Etting |
Caresse Crosby, Mary Binney Montgomery |
United States |
Dance film[35][51]
|
Poslovi konzula Dorgena (Consul Dorgen's Business) |
Oktavijan Miletić |
Šime Marov, Ivan Alpi-Rauch |
Yugoslavia |
Experimental dramatic short; won a prize awarded by Louis Lumière[52][53]
|
Prostoy sluchay (A Simple Case) |
Vsevolod Pudovkin |
Aleksandr Baturin, Mariya Belousova |
Soviet Union |
Naturalist drama, begun in 1931; silent[54]
|
Pueblo |
Seymour Stern |
|
United States |
Experimental documentary; never finished, Lost film[25]
|
Synchromy |
Mary Ellen Bute, Lewis Jacobs, Joseph Schillinger |
|
United States |
Abstract animation, never completed[55]
|
Tilly Losch in the Dance of Her Hands |
Norman Bel Geddes |
Tilly Losch |
United States |
Dance film, dated 1930-33[35]
|
The Earth Sings |
Karel Plicka, Alexandr Hackenschmied |
|
Czechoslovakia |
Experimentally edited ethnographic semi-documentary, with music score[4]
|
Zéro de conduite
|
Jean Vigo
|
|
France
|
|
1934
|
Atoms of Eternity
|
Čeněk Zahradníček
|
|
Czechoslovakia
|
|
Beyond This Open Road
|
B. Vivian Braun
|
|
United Kingdom
|
|
Café Universal |
Ralph Steiner |
|
United States |
Satire featuring members of The Group Theatre[6]
|
Camera Makes Whoopee |
Norman McLaren |
|
United Kingdom |
Amateur film; montage experiments[56]
|
La Joie de vivre |
Anthony Gross, Hector Hoppin |
|
France |
Stylized, surreal animated film[57]
|
The Furies |
Slavko Vorkapich |
|
United States |
Surreal special effects insert for feature, "Crime without Passion"[58]
|
Hands |
Ralph Steiner, Willard Van Dyke |
|
United States |
Sponsored by the Works Project Administration; also dated 1936-7 and edited into later films[59][14]
|
Happiness (1935 film) |
Aleksandr Medvedkin |
Petr Zinoviev, Elena Egorova |
Soviet Union |
Soviet satire; stylized, silent[60]
|
The Hearts of Age |
William Vance, Orson Welles |
Virginia Nicolson, Orson Welles |
United States |
Amateur experimental film, made at the Todd School, Chicago[35]
|
Kreise (Circles) |
Oskar Fischinger |
|
Weimar Republic |
Abstract animation, exists in two versions, color[15]
|
Liebesspiel |
Oskar Fischinger |
|
Nazi Germany |
Abstract animation, first exhibited posthumously; silent[15]
|
Man of Aran
|
Robert J. Flaherty
|
|
Ireland
|
Fictionalised documentary
|
Marijka nevěrnice (Faithless Maritza) |
Vladislav Vančura |
Hana Maria Pravda |
Czechoslovakia |
Semi-experimental feature[33][61]
|
Muratti Greift Ein (Muratti Gets in the Act) |
Oskar Fischinger |
|
Nazi Germany |
Dancing cigarette animation, Gasparcolor[15]
|
Prisoner |
Roman Freulich |
George Sari, Jack Rockwell |
United States |
Expressionistic short, made in Hollywood, lost film[6]
|
Quadrate (Squares) |
Oskar Fischinger |
|
Nazi Germany |
Abstract animation, silent, Gasparcolor[15]
|
Rhythm in Light |
Mary Ellen Bute |
|
United States |
Abstract animation[62]
|
Ein Spiel in Farben (A Play in Colors) |
Oskar Fischinger |
|
Nazi Germany |
Abstract animation, a.k.a. Studie No. 11a, color[15]
|
Studie Nr. 13 (Coriolan Fragment) |
Oskar Fischinger |
|
Nazi Germany |
Abstract animation, unfinished[15]
|
Sweet Land of Liberty |
Leo Hurwitz |
|
United States |
Satirical documentary; Lost film[63]
|
Žijeme v Praze (We Live in Prague) |
Otakar Vávra |
|
Czechoslovakia |
City film[64]
|
1935
|
A Colour Box
|
Len Lye
|
|
United Kingdom
|
|
Colour Cocktail |
Norman McLaren |
|
United Kingdom |
Abstract animation; lost film[65]
|
Ghost Town: The Story of Fort Lee |
Theodore Huff, Mark Borgatte |
|
United States |
Semi-documentary[23]
|
Gypsy Night |
Josef Berne, Harold Hecht |
|
United States |
Musical short, set in a Gypsy camp, color[66]
|
The Hands on Tuesday |
Čeněk Zahradníček |
|
Czechoslovakia |
[67][33]
|
Hollywood |
Vic Kandel, Robert Del Duca |
|
United States |
Satire, Lost film[63]
|
Kinetic Molpai |
Ted Shawn |
Ted Shawn and his Men Dancers |
United States |
Modern dance film[68]
|
Komposition in Blau (Composition in Blue) |
Oskar Fischinger |
|
Nazi Germany |
Abstract animation in Gasparcolour[15]
|
November |
Otakar Vávra, Alexandr Hackenschmied |
|
Czechoslovakia |
[69][33]
|
Muratti Privat |
Oskar Fischinger |
|
Nazi Germany |
Dancing cigarette animation, black and white[15]
|
Pie in the Sky |
Ralph Steiner, Elia Kazan, Molly Day Thatcher, Irving Lerner |
Elia Kazan, Russell Collins |
United States |
Satire[70]
|
Pink Guards On Parade |
Oskar Fischinger |
|
Nazi Germany |
Abstract advertisement, Gasparcolor, unfinished; recreation on video made in 2000 by William Moritz[15]
|
Poison |
Man Ray |
Man Ray, Meret Oppenheim |
France |
Double "portrait" film of Ray and Oppenheim[71]
|
Polychrome Phantasy |
Norman McLaren |
|
Canada |
Abstract animation, color[72]
|
Synchromy No. 2 |
Mary Ellen Bute, Ted Nemeth |
|
United States |
Abstract animation[73]
|
Zwarcie (Short Circuit) |
Stefan Themerson, Franciszka Themerson |
|
Poland |
Abstract animation, music by Witold Lutoslawski, Lost[3]
|
1936
|
145 W 21 |
Rudy Burckhardt |
Paul Bowles, Aaron Copland |
United States |
[74]
|
The Birth of the Robot
|
Len Lye
|
|
United Kingdom
|
|
Black and White Rhapsody |
Martin Frič |
|
Czechoslovakia |
City film[33]
|
Dada |
Mary Ellen Bute, produced by Ted Nemeth |
|
United States |
Abstract animation, black and white[75]
|
Hell Unlimited |
Helen Biggar, Norman McLaren |
|
United Kingdom |
Anti-war political short[76]
|
The New Architecture and the London Zoo
|
László Moholy-Nagy
|
|
United Kingdom
|
|
Redes |
Emilio Gómez Muriel, Fred Zinnemann |
Silvio Hernández, Rafael Hinojosa |
Mexico |
Cinematography by Paul Strand, music by Silvestre Revueltas; Eisenstein-influenced revolutionary film[77]
|
Rose Hobart |
Joseph Cornell |
Rose Hobart |
United States |
Collage film[78]
|
1937
|
Even—As You and I |
LeRoy Robbins, Harry Hay |
Hy Hirsh |
United States |
|
Escape |
Mary Ellen Bute, produced by Ted Nemeth |
|
United States |
Abstract animation, color[79]
|
Monsieur Fantômas
|
Ernst Moerman
|
|
Belgium
|
|
An Optical Poem |
Oskar Fischinger |
|
United States |
Abstract animation, distributed by MGM, color[15]
|
Parabola |
Mary Ellen Bute, Ted Nemeth, Bill Nemeth, Rutherford Boyd |
|
United States |
Abstract animation[80]
|
Przygoda Czlowieka Poczciwego (The Adventure of a Good Citizen) |
Stefan Themerson, Franciszka Themerson |
|
Poland |
Satire[3]
|
Seeing the World No. 1: A Trip to New York CIty |
Rudy Burckhardt |
|
United States |
City film[10]
|
Silnice spívá (The Highway Sings) |
Elmar Klos, Alexandr Hackenschmied |
|
Czechoslovakia |
Experimental advertising film[4]
|
1938
|
Bookstalls |
Joseph Cornell |
|
United States |
Collage film, title added posthumously; Silent[10][81]
|
Carousel: Animal Opera |
Joseph Cornell |
|
United States |
Collage film[10]
|
The Children's Jury |
Joseph Cornell |
|
United States |
Collage film, Silent[10]
|
The Children's Trilogy: Cotillion, The Midnight Party, The Children's Party |
Joseph Cornell |
|
United States |
Collage film, put into a final form by Larry Jordan ca. 1967-70, Silent[10]
|
Family Film
|
José Val del Omar
|
|
Spain
|
|
Fragment from Caroland's Mansion |
Frank Stauffacher |
|
United States |
[82]
|
Jack's Dream |
Joseph Cornell |
|
United States |
Collage film, put into a final form by Larry Jordan ca. 1970[10]
|
N or NW
|
Len Lye
|
|
United Kingdom
|
|
Thimble Theater |
Joseph Cornell |
|
United States |
Collage film, title added posthumously; Silent[10]
|
Tree Trunk to Head |
Lewis Jacobs |
Chaim Gross |
United States |
Semi-documentary, silent[83]
|
1939
|
The City |
Ralph Steiner, Willard Van Dyke |
|
United States |
City film for New York World's Fair, written by Pare Lorentz[84]
|
Dance of the Colors |
Hans Fischinger |
|
Germany |
Abstract animation, color[15]
|
Haiti |
Rudy Burckhardt |
|
United States |
[85]
|
Love on the Wing |
Norman McLaren |
|
United Kingdom |
Abstract animation, color[86]
|
Scherzo |
Norman McLaren |
|
United Kingdom |
Abstract animation, color[87]
|
Spare Time
|
Humphrey Jennings
|
|
United Kingdom
|
Short documentary about British people at leisure, inspired by Mass Observation
|
Spook Sport |
Mary Ellen Bute, Ted Nemeth, Norman McLaren |
|
United States |
Abstract animation, color, animation by McLaren[88]
|
Stars and Stripes |
Norman McLaren |
|
United Kingdom |
Abstract animation, color[87]
|
Time in the Sun
|
Marie Seton
|
|
United Kingdom
|
Composite film, made of footage shot by Sergei Eisenstein for Qué vivá México![89]
|