List of opera librettists

From Wikipedia, the free encyclopedia

This is an incomplete list of authors who have written libretti for operas. Only librettists with their own articles in Wikipedia are listed. The name of the composer of each opera is also given.

List of operas by librettist's last name[]

A[]

Giuseppe Adami (1878–1946)

  • for Giacomo Puccini: La rondine, Il tabarro, Turandot (with Renato Simoni)
  • for Riccardo Zandonai: La via della finestra
  • for Franco Vittadini: Anima allegra, Nazareth

Jules Adenis (1823–1900)

  • with Henri Caïn
    • for Umberto Giordano: Marcella
  • with Charles Grandvallet
  • with  [fr] (1821–1876)
    • for Jacques Offenbach: Un postillon en gage
  • with J Rostaing
    • for Ernest Guiraud: Sylvie
  • with Jules-Henri Vernoy de Saint-Georges
    • for Georges Bizet: La jolie fille de Perth
  • with A Silvestre and L Bonnemère
    • for Henry Charles Litolff: Les templiers

Franco Alfano (1875–1954)

Louis Anseaume (1721–1784)

George Antheil (1900–1959)

Guillaume Apollinaire (1880–1918)

W. H. Auden (1907–1973)

  • alone:
    • for Benjamin Britten: Paul Bunyan
  • with Chester Kallman (1921–1975)

B[]

Ingeborg Bachmann (1926–1973)

  • for Hans Werner Henze: Der junge Lord, Der Prinz von Homburg

Béla Balázs (1884–1949)

(1766–1832)

Henri Auguste Barbier (1805–1882)

  • for Hector Berlioz: Benvenuto Cellini (with Léon Wailly)

Jules Barbier (1825–1901)

Pierre Beaumarchais (1732–1799)

  • used by Antonio Salieri: Tarare

Vladimir Belsky (1866-1946)

  • for Nikolai Rimsky-Korsakov: Sadko (in part), The Tale of Tsar Saltan, The Legend of the Invisible City of Kitezh and the Maiden Fevroniya, The Golden Cockerel

Sem Benelli (1877–1949)

Hector Berlioz (1803–1869)

Giovanni Bertati (1735–1815)

  • for Domenico Cimarosa: Il matrimonio segreto
  • for Giuseppe Gazzaniga: Don Giovanni Tenorio

Thomas Betterton (1635–1710)

  • for Henry Purcell: Dioclesian, The Fairy-Queen (probably)

Robin Blaser (born 1925)

Édouard Blau (1836–1906)

Arrigo Boito (1842–1918)

  • for Giuseppe Verdi: Simon Boccanegra (revised version), Otello, Falstaff
  • for Amilcare Ponchielli: La Gioconda (writing under the pseudonym/anagram Tobia Gorrio)
  • for his own music: Mefistofele, Nerone
  • for Franco Faccio: Amleto

Jean-Nicolas Bouilly (1763–1842)

Bertolt Brecht (1898–1956)

  • for Paul Dessau: Die Verurteilung des Lukullus
  • for Kurt Weill:
    • alone: Der Jasager, Rise and Fall of the City of Mahagonny,
    • with Elisabeth Hauptmann: Happy End, The Threepenny Opera

Georg Büchner (1813–1837)

  • used by Alban Berg: Wozzeck

Francis Burnand (1836–1917)

  • for Arthur Sullivan: The Chieftain, The Contrabandista, Cox and Box
  • for Edward Solomon: Domestic Economy, Pickwick, The Tiger

Giovanni Francesco Busenello (1598–1659)

  • for Claudio Monteverdi: L'incoronazione di Poppea
  • for Francesco Cavalli: Gli amori d'Apollo e di Dafne, La Didone, La prosperita di Giulio Cesare dittatore , Statira principessa de Persia

Ferruccio Busoni (1866–1924)

C[]

Massimo Cacciari (born 1944)

  • for Luigi Nono: Prometeo

Louis de Cahusac (1706–1759)

Henri Caïn (1859–1937)

  • alone:
    • for Jules Massenet: Cendrillon, La Navarraise, Don Quichotte, Roma, Sapho
    • for Franco Alfano: Cyrano di Bergerac
  • with de Croisset – see Francis de Croisset

Italo Calvino (1923–1985)

Ranieri de' Calzabigi (1714–1795)

  • for Christoph Willibald Gluck: Alceste, Orfeo ed Euridice, Paride ed Elena

Salvadore Cammarano (1801–1852)

  • for Gaetano Donizetti: L'assedio di Calais, Belisario, Lucia di Lammermoor, Maria de Rudenz, Maria di Rohan, Pia de' Tolomei, Poliuto, Roberto Devereux
  • for Giuseppe Verdi: Alzira, La battaglia di Legnano, Luisa Miller, Il trovatore (with Leone Emanuele Bardare)
  • for Giuseppe Persiani:
  • for Saverio Mercadante: Elena da Feltre, La vestale, Orazi e Curiazi, Virginia,
  • for Giovanni Pacini: Saffo

Mark Campbell

  • for Mason Bates: The (R)evolution of Steve Jobs
  • for Iain Bell: Stonewall
  • for William Bolcom: Lucrezia, Dinner At Eight
  • for Julian Grant: The Nefarious, Immoral but Highly Profitable Enterprise of Mr. Burke & Mr. Hare
  • for Laura Kaminsky: As One, Some Light Emerges, Today It Rains
  • for Paul Moravec: The Shining
  • for John Musto: Volpone, Later the Same Evening, Bastianello, The Inspector
  • for Rene Orth: Empty the House
  • for Roberto Scarcella Perino: A Sweet Silence in Cremona
  • for Paola Prestini: Edward Tulane
  • for Kevin Puts: Silent Night, The Manchurian Candidate, Elizabeth Cree
  • for Stewart Wallace: Supermax

Michel Carré (1821–1872)

  • alone:
    • for Charles Gounod: Mireille
    • for Jacques Offenbach: La rose de Saint-Flour
  • with Eugène Cormon:
  • with Barbier – see Jules Barbier

Nick Cave (born 1957)

  • for Nicholas Lens: Shell Shock

Ernest Chausson (1855–1899)

  • for his own music: Le roi Arthus

Helmina von Chézy (1783–1856)

  • for Carl Maria von Weber: Euryanthe

Henry Fothergill Chorley (1808–1872)

  • for Arthur Sullivan: The Sapphire Necklace
  • for William Vincent Wallace: The Amber Witch

 [it] (1873–1954)

  • for Giacomo Puccini: La fanciulla del West (with  [it])

Jean Cocteau (1889–1963)

  • for Arthur Honegger: Antigone
  • for Darius Milhaud: Le pauvre matelot
  • for Francis Poulenc: La voix humaine
  • for Igor Stravinsky: Oedipus rex

John M. Coetzee (born 1940)

Colette (1873–1954)

Marco Coltellini (1719–1777)

  • for Christoph Willibald Gluck: Telemaco
  • for Hasse: Piramo e Tisbe
  • for Joseph Haydn: L'infedeltà delusa
  • for Wolfgang Amadeus Mozart: La finta semplice
  • for Antonio Salieri: Armida
  • for Tommaso Traetta: Ifigenia in Aulide, Antigona

Jeremy Commons (born 1933)

  • with Ivan Bootham: The Death of Venus

William Congreve (1670–1729)

  • used by John Eccles: Semele
  • used by George Frideric Handel: Semele
  • used by John Eccles, Daniel Purcell, Gottfried Finger and John Weldon: The Judgement of Paris

Eugène Cormon (1810–1903)

Thomas Corneille (1625–1709)

  • for Marc-Antoine Charpentier: Médée
  • for Jean-Baptiste Lully: Bellérophon (with Bernard Le Bovier de Fontenelle)

Hector-Jonathan Crémieux (1828–1892)

  • with E About
    • for Jacques Offenbach: Le financier et le savetier
  • with Ernest Blum
    • for Jacques Offenbach: Bagatelle, La jolie parfumeuse
  • with Eugène Cormon
  • with Philippe Gille
    • for Jacques Offenbach: Les bergers
  • with Ludovic Halévy
    • for Léo Delibes: Les eaux d’Ems
    • for Jacques Offenbach: La chanson de Fortunio, Jacqueline, Orphée aux enfers, Le pont des soupirs, Le roman comique
  • with Ludovic Halévy, M de Saint-Rémy and Ernest Lépine
    • for Jacques Offenbach: M. Choufleuri restera chez lui le . . .
  • with Adolphe Jaime
  • with Adolphe Jaime and Etienne Tréfeu
  • with Albert de Saint-Albin
    • for Jacques Offenbach: La foire Saint-Laurent

Michael Cristofer (born 1945)

Francis de Croisset (1877–1937)

  • alone:
    • for Reynaldo Hahn: Ciboulette
  • with Henri Caïn

Eric Crozier (1914–1994)

  • for Benjamin Britten: Albert Herring, Billy Budd (with E. M. Forster), The Little Sweep

César Cui (1835–1918)

D[]

Gabriele D'Annunzio (1863–1938)

Lorenzo Da Ponte (1749–1838)

William Davenant (1606–1668)

Giovanni de Gamerra (1743–1803)

  • for Wolfgang Amadeus Mozart: Lucio Silla (revised by Metastasio); Italian adaptation of The Magic Flute
  • for Giuseppe Sarti: Medonte, re di Epiro
  • for Josef Mysliveček: Il Medonte
  • for Antonio Salieri: Palmira, regina di Persia

Constance DeJong (born 1950)

  • for Philip Glass: Satyagraha

Casimir Delavigne

Germain Delavigne

Frederick Delius (1862–1934)

  • for his own music: Fennimore and Gerda, Irmelin, A Village Romeo and Juliet

Philippe Néricault Destouches (1680–1754)

Eduard Devrient (1801–1877)

  • for Heinrich Marschner: Hans Heiling

Gaetano Donizetti (1797–1848)

  • for his own music: Betly, Il campanello di notte, Le convenienze ed inconvenienze teatrali, Don Pasquale (with Giovanni Ruffini)

John Dryden (1631–1700)

  • for Henry Purcell: The Indian Queen (with Robert Howard), King Arthur
  • for Louis Grabu: Albion and Albanius

E[]

Gottfried von Einem (1918–1996)

  • for his own music: Dantons Tod (with Boris Blacher)

Adolphe d'Ennery (1811–1899)

Victor Erofeyev (born 1947)

  • for Alfred Schnittke: Life with an Idiot

Hanns Heinz Ewers (1871–1943)

F[]

Mohammed Fairouz (born 1985)

Duncan Fallowell (born 1948)

  • for Irmin Schmidt composer Gormenghast (opera)

Charles-Simon Favart (1710–1792)

Lorenzo Ferrero (born 1951)

Jacopo Ferretti (1784–1852)

  • for Gaetano Donizetti: L'ajo nell'imbarazzo, Il furioso all'isola di San Domingo, Olivo e Pasquale, Torquato Tasso, Zoraide di Grenata
  • for Saverio Mercadante: Gli amici di Siracusa, Scipione in Cartagine
  • for Giovanni Pacini: Cesare in Egitto
  • for Luigi Ricci: L'orfanella di Ginevra
  • for Lauro Rossi: La figlia di Figaro
  • for Gioachino Rossini: La Cenerentola, Matilde di Shabran
  • for Niccolò Antonio Zingarelli: Baldovino

Ferdinando Fontana (1850–1919)

  • for Giacomo Puccini: Le Villi, Edgar

E. M. Forster (1879–1970)

  • for Benjamin Britten: Billy Budd (with Eric Crozier)

Giovacchino Forzano (1884–1970)

  • for Giacomo Puccini: Suor Angelica, Gianni Schicchi

Frederick the Great (1712–1786)

  • for Carl Heinrich Graun: Montezuma

Christopher Fry (1907–2005)

G[]

Kate Gale (born 1965)

Louis Gallet (1835–1898)

John Gay (1685–1732)

Richard Genée (1823–1895)

  • with Camillo Walzel
    • for Carl Millöcker: Der Bettelstudent
    • for Johann Strauss II: Cagliostro in Wien, Der lustige Krieg, Eine Nacht in Venedig

Ira Gershwin (1896–1983)

  • with DuBose Heyward:
    • for George Gershwin: Porgy and Bess

Antonio Ghislanzoni (1824–1893)

  • for Giuseppe Verdi: Aida, La forza del destino
  • for Amilcare Ponchielli: I Lituani

Giuseppe Giacosa (1847–1906) and Luigi Illica (1857–1919)

  • for Giacomo Puccini: La bohème, Madama Butterfly, Manon Lescaut (with others, including Leoncavallo), Tosca

W. S. Gilbert (1836–1911)

  • for Arthur Sullivan: The Gondoliers, The Grand Duke, H.M.S. Pinafore, Iolanthe, The Mikado, Patience, The Pirates of Penzance, Princess Ida, Ruddigore, The Sorcerer, Thespis, Trial by Jury, Utopia, Limited, The Yeomen of the Guard
  • for Thomas German Reed: Eyes and No Eyes, No Cards, Our Island Home, A Sensation Novel
  • for Frederic Clay: Ages Ago, Happy Arcadia, Princess Toto, The Gentleman in Black
  • for Alfred Cellier: The Mountebanks, Topsyturveydom
  • for George Grossmith: Haste to the Wedding
  • for Frank Osmond Carr: His Excellency
  • for Edward German: Fallen Fairies
  • for Alberto Randegger: Creatures of Impulse

Philippe Gille (1831–1901)

  • with Edmond Gondinet:
  • with Henri Meilhac:
    • for Jules Massenet: Manon

Alvise Giusti (1709–1766)

  • for Antonio Vivaldi: Motezuma

Nikolai Gogol (1809–1852)

  • used by Modest Mussorgsky: Zhenitba (Marriage)

Carlo Goldoni (1707–1793)

Edmond Gondinet (1828–1888)

Alice Goodman (born 1958)

  • for John Adams: The Death of Klinghoffer, Nixon in China

Vincenzo Grimani (1652/1655–1710)

  • for George Frideric Handel: Agrippina

Sydney Grundy (1848–1914)

Nicolas-François Guillard (1752–1814)

H[]

Daron Hagen (born 1961)

  • for his own music:
    • alone: Cradle Song, from New York Stories, Orson Rehearsed
    • with Barbara Grecki: A Woman in Morocco

Thomas Hales (c.1740–1780)

Ludovic Halévy (1834–1908)

  • for Jacques Offenbach: Ba-ta-clan
  • also see Meilhac and Crémieux

Christopher Hampton (born 1946)

  • for Philip Glass: Appomattox, Waiting for the Barbarians

David Harsent (born 1942)

  • for Harrison Birtwistle: Gawain

Georges Hartmann (1843–1900)

Nicola Francesco Haym (1678–1729)

  • for Giovanni Bononcini: and
  • for George Frideric Handel: Admeto, Amadigi di Gaula, Flavio, Giulio Cesare, Ottone, , Rodelinda, Siroe, Tamerlano Teseo

Philip Hensher (born 1965)

DuBose Heyward (1885–1940)

  • with Ira Gershwin:
    • for George Gershwin: Porgy and Bess

Ernest Hilbert (born 1970)

  • for Stella Sung: The Red Silk Thread, an Epic Tale of Marco Polo, The Book Collector
  • for Daniel Felsenfeld: Summer and All it Brings, The Last of Manhattan

Paul Hindemith (1895–1963)

  • for his own music: Die Harmonie der Welt, Mathis der Maler

Russell Hoban (born 1925)

Hugo von Hofmannsthal (1874–1925)

  • for Richard Strauss: Die ägyptische Helena, Arabella, Ariadne auf Naxos, Elektra, Die Frau ohne Schatten, Der Rosenkavalier

François-Benoît Hoffman (1760–1828)

  • for Luigi Cherubini: Médée
  • for Nicolas Isouard: Les rendez-vous bourgeois
  • for Rodolphe Kreutzer: La mort d'Abel
  • for Jean-Baptiste Lemoyne: Nephté, Phèdre
  • for Étienne Méhul: Adrien, Ariodant, Euphrosine, Le jeune sage et le vieux fou, Stratonice

Basil Hood (1864–1917)

  • for Arthur Sullivan: The Emerald Isle (finished by Edward German after Sullivan's death), The Rose of Persia
  • for Arthur Bruhns (later reset by Franco Leoni): Ib and Little Christina
  • for Cecil Cook: The Willow Pattern
  • for Edward German: Merrie England, A Princess of Kensington

Victor Hugo (1802–1885)

  • for Louise Bertin: La Esmeralda

David Henry Hwang (born 1957)

I[]

Luigi Illica (1857–1919)

  • for Alfredo Catalani: La Wally
  • for Umberto Giordano: Andrea Chénier, Siberia
  • for Pietro Mascagni: Iris, Isabeau, Le maschere
see also Giuseppe Giacosa

Jarosław Iwaszkiewicz (1894–1980)

  • for Karol Szymanowski: King Roger (with the composer)

J[]

Leoš Janáček (1854–1928)

  • for his own music: The Cunning Little Vixen, From the House of the Dead, Jenůfa, The Makropulos Affair, Destiny

Scott Joplin (1868–1917)

  • for his own music: Treemonisha

Étienne de Jouy (1764–1846)

K[]

Georg Kaiser (1878–1945)

Chester Kallman see Auden

Johann Friedrich Kind (1768–1843)

  • for Carl Maria von Weber: Der Freischütz
  • for Conradin Kreutzer: Das Nachtlager in Granada

Kenneth Koch (1925–2002)

Eliška Krásnohorská (1847–1926)

Clemens Krauss (1893–1954)

  • for Richard Strauss: Capriccio

L[]

Antoine Houdar de la Motte (1672–1731)

Ferdinand Lemaire (1832–1879)

Kasi Lemmons (born 1961)

  • for Terence Blanchard: Fire Shut Up In My Bones

Ruggero Leoncavallo (1857–1919)

  • for his own music: Chatterton, I Medici, La bohème, Pagliacci, Zazà
  • for Giacomo Puccini: Manon Lescaut (with others, including Giacosa and Illica)

Doris Lessing (1919–2013)

M[]

Amin Maalouf (born 1949)

Daniel MacIvor (born 1962)

  • for Rufus Wainwright: Hadrian

Maurice Maeterlinck (1862–1949)

Andrea Maffei (1798–1885)

  • for Verdi: I masnadieri

Albéric Magnard (1865–1914)

Jean-François Marmontel (1723–1799)

Henri Meilhac (1831–1897)

Anne-Honoré-Joseph Duveyrier de Mélesville (1787–1865)

Guido Menasci (1867–1925)

Catulle Mendès (1841–1909)

Gian Carlo Menotti (1911–2007)

Joseph Méry (1798–1866)

  • for Giuseppe Verdi: Don Carlos (with Camille du Locle)

Olivier Messiaen (1908–1992)

Pietro Metastasio (1698–1782)

  • used by J. C. Bach, Riccardo Broschi, Johann Adolph Hasse, Josef Mysliveček, and Giovanni Battista Pergolesi, among others: Adriano in Siria
  • used by Christoph Willibald Gluck, Hasse, Mysliveček, and Tommaso Traetta, among others: Antigono
  • used by J. C. Bach, Gluck, Hasse, Mysliveček, and Leonardo Vinci, among others: Artaserse
  • used by Hasse, Vinci, J. C. Bach, and Antonio Vivaldi, among others: Catone in Utica
  • used by Gluck, Hasse, and Mysliveček, among others: Demetrio
  • used by Gluck, Hasse, Niccolò Jommelli, Mysliveček, Traetta, and Vinci, among others: Demofoonte
  • used by Hasse, Nicola Porpora, and Vinci, among others: Didone abbandonata
  • used by Gluck and Wolfgang Amadeus Mozart, among others: Il re pastore
  • used by Gluck, Hasse, Jommelli, and Mysliveček, among others: Il trionfo di Clelia
  • used by Gluck, Hasse, and Porpora, among others:  [de]
  • used by Gluck, George Frideric Handel, Mysliveček, and Porpora, among others: Ezio
  • used by Handel, Hasse, Porpora, and Vinci, among others: Alessandro nelle Indie, also known as Poro, re dell'Indie
  • used by Gluck, Hasse, and Mysliveček, among others: Ipermestra
  • used by Mozart and Mysliveček, among others: La clemenza di Tito
  • used by Hasse, Mysliveček, Giovanni Battista Pergolesi, Traetta, and Vivaldi, among others: L'Olimpiade
  • used by Hasse, Giacomo Meyerbeer, Mysliveček, Porpora, Antonio Salieri, and Vinci, among others: Semiramide riconosciuta
  • used by Handel, Hasse, Porpora, Vinci, and Vivaldi, among others: Siroe rè di Persia

Madeleine Milhaud (1902–2008)

Nicolò Minato (ca. 1630–1698)

  • used by Francesco Cavalli: Orimonte
  • used by Francesco Cavalli, Alessandro Scarlatti and Giacomo Antonio Perti: Pompeo Magno
  • used by Francesco Cavalli, Giovanni Bononcini and George Frideric Handel: Xerse
  • used by Antonio Draghi: Leonida in Tegea, La tirannide abbatuta dalla virtù
  • used by Antonio Draghi and Marc'Antonio Ziani: Chilonida
  • used by Antonio Draghi and Georg Reutter/Antonio Caldara: La patienza di Socrate con due mogli
  • used by Antonio Sartorio, Antonio Draghi and Tomaso Albinoni: La prosperità di Elio Sejano

Paul Muldoon (born 1951)

  • for Daron Hagen: Shining Brow, Vera of Las Vegas, Bandanna, The Antient Concert

Modest Mussorgsky (1839–1881)

  • for his own music: Boris Godunov, The Fair at Sorochyntsi, Khovanshchina, Salammbô

N[]

Émile de Najac (1828–1899)

  • with Paul Burani
  • with Paul Ferrier
    • for Lecocq: La vie mondaine

Charles Nuitter (1828–1899)

O[]

Meredith Oakes (born 1946)

Marc Okrand (born 1948)

Martin Opitz (1597–1639)

P[]

Francesco Maria Piave (1810–1876)

  • for Luigi Ricci and Federico Ricci: Crispino e la comare
  • for Verdi: Aroldo (1857), Il corsaro (1848), I due Foscari (1844), Ernani (1844), La forza del destino (1862 first version), Macbeth (1847 first version), Macbeth (1865 second version), Rigoletto (1851), Simon Boccanegra (1857 first version), Stiffelio (1850), La traviata (1851)

Arthur Wing Pinero (1855–1934)

Myfanwy Piper (1911–1997)

  • for Benjamin Britten: Death in Venice, Owen Wingrave, The Turn of the Screw

James Robinson Planché (1796–1880)

  • for Weber: Oberon

William Plomer (1903–1973)

  • for Benjamin Britten: The Burning Fiery Furnace, Curlew River, Gloriana, The Prodigal Son.

David Pountney (born 1947)

Alexander Preis

  • for Shostakovich: Lady Macbeth of the Mtsensk district, The Nose

Sergei Prokofiev (1891–1953)

  • for his own music:
    • alone: The Fiery Angel, The Gambler, The Love for Three Oranges, Maddalena
    • with Mira Mendelson: Betrothal in a Monastery, The Story of a Real Man, War and Peace
    • with Valentin Katayev: Semyon Kotko

Alexander Pushkin (1799–1837)

  • used by Alexander Dargomyzhsky: The Stone Guest

Q[]

Philippe Quinault (1635–1688)

R[]

Jean Richepin (1849–1926)

Nikolai Rimsky-Korsakov (1844–1908)

  • for his own music: Christmas Eve, Kashchey the Deathless, The Maid of Pskov, May Night, The Noblewoman Vera Sheloga, Sadko, Servilia, The Snow Maiden

Ottavio Rinuccini (1562–1621)

  • for Caccini: Euridice
  • for Gagliano: Dafne
  • for Monteverdi: L'Arianna
  • for Peri: Dafne, Euridice

Michael Symmons Roberts (born 1963)

Felice Romani (1788–1865)

  • for Bellini: Adelson e Salvini, Beatrice di Tenda, Bianca e Fernando, I Capuleti e i Montecchi, Norma, Il pirata, I puritani, La sonnambula, La straniera, Zaira
  • for Donizetti: Alina, regina di Golconda, Anna Bolena, L'elisir d'amore, Gianni di Parigi, Lucrezia Borgia, Parisina, Rosmonda d'Inghilterra, Ugo, conte di Parigi
  • for Giacomo Meyerbeer: L'esule di Granata, Margherita d'Anjou
  • for Rossini: Aureliano in Palmira, Bianca e Falliero, Il turco in Italia
  • for Verdi: Un giorno di regno

Giulio Rospigliosi (later Pope Clement IX) (1600–1669)

  • for Stefano Landi: Il Sant'Alessio
  • for Marco Marazzoli and Virgilio Mazzocchi: Chi soffre, speri
  • for Luigi Rossi: Il palazzo incantato
  • for Michelangelo Rossi:
  • with Giacomo Rospigliosi
    • for Antonio Maria Abbatini and Marco Marazzoli:

Gaetano Rossi (1774–1855)

  • for Rossini: La cambiale di matrimonio, Tancredi, Semiramide
  • for Simon Mayr: L'amor coniugale
  • for Saverio Mercadante: Il giuramento
  • for Meyerbeer: Il crociato in Egitto
  • for Pacini: Carlo di Borgogna
  • for Donizetti: Maria Padilla (with Gaetano Donizetti), Linda di Chamounix

Jean-Jacques Rousseau (1712–1778)

  • for his own music: Le devin du village

Pierre-Charles Roy (1683–1764)

Alphonse Royer (1803–1875)

S[]

Jules-Henri Vernoy de Saint-Georges (1799–1875)

Emanuel Schikaneder (1751–1812)

Arnold Schoenberg (1874–1951)

Eugène Scribe (1791–1861)

  • alone
  • with Germain Delavigne
    • for Gounod: La nonne sanglante
  • with Charles-Gaspard Delestre-Poirson
    • for Rossini: Le comte Ory
  • with Charles Duveyrier
  • with Jules-Henri Vernoy de Saint-Georges
    • for Auber: Les diamants de la couronne

Sandra Seaton

  • for William Bolcom's From The Diary of Sally Hemings

Michel-Jean Sedaine (1719–1797)

Peter Sellars (born 1957)

  • for John Adams: Doctor Atomic

Elkanah Settle (1648–1724)

  • for The World in the Moon (1697) and The Virgin Prophetess, or The Fate of Troy (1701)

Thomas Shadwell (c. 1642–1692)

William Shakespeare (1564–1616)

Richard Brinsley Sheridan (1751–1816)

  • for Thomas Linley the younger and Thomas Linley the elder: The Duenna

Renato Simoni (1875–1952)

  • for Puccini: Turandot (with Giuseppe Adami)
  • for Francesco Cilea: Il ritorno dell'amore

Montagu Slater (1902–1956)

  • for Benjamin Britten: Peter Grimes

Temistocle Solera (1815–1878)

  • for Verdi: Oberto, Conte di San Bonifacio, Nabucco, I Lombardi alla prima crociata, Giovanna d'Arco, Attila

Antonio Somma (1809–1864)

  • for Verdi: Un ballo in maschera

Gertrude Stein (1874–1946)

B. C. Stephenson (1838–1906)

  • for Arthur Sullivan: The Zoo
  • for Frederic Clay: The Bold Recruit, Out of Sight, The Pirates Isle
  • for Alfred Cellier: Charity Begins at Home, Doris, Dorothy, The Masque of Pandora

Cesare Sterbini (1784–1831)

  • for Gioachino Rossini: The Barber of Seville, Torvaldo e Dorliska

Richard Strauss (1864–1949)

  • for his own music: Guntram, Intermezzo, Salome (adapted from Oscar Wilde)

Igor Stravinsky (1882–1971)

  • for his own music: Renard, Le rossignol

Alessandro Striggio (1573–1630)

John Millington Synge (1871–1909)

  • used by Ralph Vaughan Williams: Riders to the Sea

T[]

Giovanni Targioni-Tozzetti (1863–1934)

Nahum Tate (1652–1715)

  • for Purcell: Dido and Aeneas

Modest Ilyich Tchaikovsky (1850–1916)

  • for Eduard Nápravník: Dubrovsky
  • for Sergei Rachmaninoff: Francesca da Rimini
  • for Pyotr Ilyich Tchaikovsky: Iolanta, The Queen of Spades

Emmanuel Théaulon (1787–1841)

  • with de Rancé [fr]
    • for Luigi Cherubini: Blanche de Provence
    • for Ferdinando Paer: Blanche de Provence
    • for Franz Liszt: Don Sanche

Michael Tippett (1905–1998)

  • for his own music: The Ice Break, King Priam, The Knot Garden, The Midsummer Marriage, New Year

Andrea Leone Tottola (?–1831)

Étienne Tréfeu (1821–1903)

V[]

Albert Vanloo (1846–1920)

  • for Edmond Audran
  • with William Busnach: L'oeuf rouge
  • for Emmanuel Chabrier
  • for Alexandre Charles Lecocq
  • with William Busnach: Ali-Baba
  • with Georges Duval: La belle au bois dormant
  • with Eugène Letterier: La Camargo, Giroflé-Girofla, La jolie persane, Le jour et la nuit, La marjolaine, La petite mariée
  • for Offenbach
  • with Eugène Letterier: Mam'zelle Moucheron
  • with Leterrier and A Mortier: Le voyage dans la lune

Giambattista Varesco (1735–1805)

Ralph Vaughan Williams (1872–1958)

Royce Vavrek

Paul Verlaine

Jules-Henri Vernoy de Saint-Georges (1799–1875) – see above under S

Voltaire (1694–1778)

W[]

Richard Wagner (1813–1883)

Camillo Walzel (1829–1895) pseudonym F Zell

Thornton Wilder (1897–1975)

Albert Willemetz (1887–1964)

Ernst von Wolzogen (1855–1934)

  • for Richard Strauss: Feuersnot

Y[]

(born 1953)

  • for Philip Glass: The Fall of the House of Usher, The Juniper Tree

Z[]

 [it] (1873–1943)

  • for Giacomo Puccini: La fanciulla del West (with  [it])

Franco Zeffirelli (1923–2019)

  • for Samuel Barber: Antony and Cleopatra

Alexander von Zemlinsky (1871–1942)

Apostolo Zeno (1668–1750)

  • used by Handel: Faramondo
  • used by Hasse: Antioco
  • used by Hasse and Holzbauer: Lucio Papirio
  • used by Holzbauer: Il Don Chisciotte, Sesostri, re d'Egitto, Vologeso
  • used by Alessandro Scarlatti and Antonio Vivaldi: Griselda

Julius Zeyer (1841–1901)

Bernd Alois Zimmermann (1918–1970)

  • for his own music: Die Soldaten

Peter Zinovieff

  • for Harrison Birtwistle: The Mask of Orpheus

Émile Zola (1840–1902)

  • for Alfred Bruneau: Messidor, L'ouragan

Stefan Zweig (1881–1942)

  • for Richard Strauss: Die schweigsame Frau

General sources[]

  • The New Grove Dictionary of Opera, ed. Stanley Sadie (London, 1992) ISBN 0-333-73432-7
  • The Oxford Dictionary of Opera, by John Warrack and Ewan West (1992), 782 pages, ISBN 0-19-869164-5
  • Kenyon, Nicholas; Walsh, Stephen (1993). Holden, Amanda (ed.). The Viking Opera Guide. London: Viking. ISBN 0-670-81292-7.

See also[]

  • Literaturoper
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