List of paintings by Edward Burne-Jones
Portrait by George Frederic Watts
This is a list of the paintings of the British Pre-Raphaelite artist Edward Burne-Jones.
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1850s[]
| Image | Title | Year | Collection |
|---|---|---|---|
| 1858 | Private collection (likely)[1] | ||
| 1859 | Private collection (likely)[2] |
1860s[]
- (1860), private collection.[3]
- (1860), Tate Britain, London.[4]
- (1860), Tate Britain, London.[5]
- (1861), Victoria and Albert Museum, London. Listed at Bridgeman Art Library.[6]
- or Girl and Goldfish (1861), Tullie House Museum, Carlisle.[7]
- (1861), Tate Britain, London.[8]
- (1861), Tate Britain, London.[9]
- (1861–62), Birmingham Museum & Art Gallery, Birmingham.[10]
- (1862), Cecil French Bequest, London Borough of Hammersmith and Fulham.[11]
- (1862), private collection.[12]
- (1862), Birmingham Museum & Art Gallery, Birmingham.
- (1862), Tate Britain, London.
- (1863), Museum of Fine Arts, Boston.
- The Merciful Knight (1863), Birmingham Museum & Art Gallery, Birmingham.
- (1865), private collection. Listed at Bridgeman Art Library.[6]
- (1865), Musée d'Orsay, Paris.
- (1865), William Morris Gallery.
- (1865–98), Delaware Art Museum.
- (1865), Manchester Art Gallery, Manchester. Second version (c.1865), Yale Centre for British Art, Hartford. Both listed at Bridgeman Art Library.[6]
- (1866), Cecil French Bequest, London Borough of Hammersmith and Fulham.
- (1866–77), private collection. Later version, completed simultaneously:
- 1873–77 at the Calouste Gulbenkian Foundation, Lisbon.
- (1867), private collection. Listed at Bridgeman Art Library.[6]
- (1867), Cecil French Bequest, London Borough of Hammersmith and Fulham.[13] Three later versions of the same subject (all listed at Bridgeman Art Library).[6]
- 1867 at the Cecil Higgins Art Gallery.
- c1871 at Sheffield Galleries and Museums Trust.
- date unknown, private collection.
- The Love Song (c.1868–73), Metropolitan Museum of Art, New York.
- (1868), private collection. Listed at Bridgeman Art Library.[6]
- (1869), Laing Art Gallery, Newcastle upon Tyne.
- (1869–70), Roy Miles Fine Paintings. Listed at Bridgeman Art Library.[6]
1870s[]
- (1870), private collection. Listed at Bridgeman Art Library.[6]
- (1870), Birmingham Museum & Art Gallery, Birmingham.[14]
- (1870–73), Museo de Arte de Ponce, Puerto Rico. Study in Manchester Art Gallery, Manchester.
- The Wheel of Fortune (1870 onwards), there are at least seven versions of this composition including:[15]
- c.1870 at the , Carlisle.
- c.1870 at the Watts Gallery, Compton.
- 1871–77 at the National Gallery of Victoria, Melbourne. and
- 1871–85 part of the Cecil French Bequest, London Borough of Hammersmith and Fulham.
- 1877–83 at the Musée d'Orsay, Paris.
- c.1882 at the National Museum of Wales, Cardiff (unfinished).
- (c.1870), Watts Gallery, Compton.
- or The Triumph of Love (c.1870), Watts Gallery, Compton.
- (c.1870), Watts Gallery, Compton.
- Flying Figure (c.1870), Cecil French Bequest, London Borough of Hammersmith and Fulham.
- (1870), Fogg Art Museum, Harvard University.
- (1870), Fogg Art Museum, Harvard University.
- (1870–73), private collection.
- or Hope (1871), Dunedin Public Art Gallery, Dunedin. Other versions of this subject:
- 1872–77 at the National Gallery of Victoria, Melbourne
- 1896 at the Museum of Fine Arts, Boston.
- (1871), Victoria and Albert Museum, London. Listed at Bridgeman Art Library.[6]
- (1871), Vancouver Art Gallery.[16]
- (1871), Fogg Art Museum, Harvard University.
- (1872–74), Fogg Art Museum, Harvard University. Second version in private collection. Both listed at Bridgeman Art Library.[6]
- (1872), Ashmolean Museum, Oxford. There are two later versions of this composition (both listed at Bridgeman Art Library):[6]
- Danaë Watching the Building of the Brazen Tower (1872), Fogg Art Museum, Harvard University
- Danae or the Tower of Brass (1887–88), Glasgow Museums, Glasgow.
- The Beguiling of Merlin (1872–77), Lady Lever Art Gallery, Port Sunlight.
- (1872–81), Birmingham Museum & Art Gallery, Birmingham.
- (1872–81), Birmingham Museum & Art Gallery, Birmingham.
- (1872–98), Birmingham Museum & Art Gallery, Birmingham.
- (1875), Museu Calouste Gulbenkian, Lisbon.
- (1876), Tate Britain, London.
- (1876), Lady Lever Art Gallery, Port Sunlight.
- (c.1876), Southampton City Art Gallery. Listed at Bridgeman Art Library.[6]
- (1878), Cecil French Bequest, London Borough of Hammersmith and Fulham.
- (1878), Sudley House, National Museums Liverpool.[17] Two further versions exist one in an unidentified private collection and one in Makins Collection. All are listed at Bridgeman Art Library.[6]
- (c.1878–80), unknown.[18]
1880s[]
- The Golden Stairs (1880), Tate Britain, London.
- (1880), Musée des Beaux-Arts de Nantes
- (1881), Glasgow Museums, Glasgow.
- The Last Sleep of Arthur in Avalon (1881), Museo de Arte de Ponce, Puerto Rico.
- (1882), Worcester Art Museum, Massachusetts.[19] Second version in a private collection (both listed at Bridgeman Art Library.[6]
- (1882), Tate Britain, London.
- The Mill (1882), Victoria and Albert Museum, London.
- The Tree of Forgiveness (1882), Lady Lever Art Gallery, Port Sunlight.
- (c.1882), Tate Britain, London.
- Georgiana Burne-Jones (1883), private collection (?).[20]
- King Cophetua and the Beggar Maid (painting) (1884), Tate Britain, London.
- (1884), Dallas Museum of Art.
- (1886), Tate Britain, London.
- (1886), Manchester Art Gallery, Manchester.
- The Garden of Pan (c.1886), National Gallery of Victoria, Melbourne.
- (1887), Fogg Art Museum, Harvard University.
- The Star of Bethlehem (1887–91), Birmingham Museum & Art Gallery, Birmingham.
- The Nativity (1888), Carnegie Museum of Art, Pittsburgh.
- (1888), Carnegie Museum of Art, Pittsburgh.
- (1889), private collection.
1890s[]
| Image | Title | Year | Collection |
|---|---|---|---|
 |
Sponsa de Libano | 1891 | Walker Art Gallery, Liverpool |
| 1891-8 | Ringling Museum of Art, Florida. | ||
| 1893 | Tate Britain, London. | ||
 |
Love Among the Ruins | 1894 | Wightwick Manor, Wolverhampton |
| 1894 | The Ashmolean Museum, Oxford.
(On loan from Lord Lloyd Webber's private collection) | ||
| 1895 | Royal Museums of Fine Arts of Belgium. | ||
| 1895 | Southampton City Art Gallery, Southampton. | ||
 |
Hope | 1896 | Museum of Fine Arts, Boston. |
| 1896-8 | Birmingham Museum & Art Gallery, Birmingham. | ||
| 1896-7 | Tate Britain, London. |
Series[]
(1865–67)[]
| No. | Image | Title | Collection |
|---|---|---|---|
| 1 | 
|
The King's Daughter | Musée d'Orsay, Paris |
| 2 | The Petition to the King | Hanover College, Indiana | |
| 3 | The Princess Drawing the Lot | Hanover College, Indiana | |
| 4 | The Princess Sabra Led to the Dragon | Private collection | |
| 5 | The Princess Tied to the Tree | Private collection | |
| 6 | 
|
St George Slaying the Dragon | Art Gallery of New South Wales, Sydney. Second version, 1868, in the William Morris Gallery |
| 7 | The Return of the Princess | Bristol City Museum and Art Gallery, Bristol |
The Legend of Briar Rose (1885–90)[]
Farringdon Collection Trust, Buscot Park, Oxfordshire. Four major paintings with 10 "joining panels":
- Briars
- The Briar Wood (1st major painting)
- Briars
- Briars, with Helmet and Greave
- A Terrace, with a Curtain hanging before a flowering Briar
- The Council Chamber (2nd major painting)
- A Terrace, with a Curtain hanging before a flowering Briar
- A Stone Hall with flowering Briars
- The Garden Court (3rd major painting)
- A Stone Hall with flowering Briars
- A Stone Kitchen overgrown with Briars
- A Kitchen with a Cupboard overgrown with Briars
- The Rose Bower (4th major painting)
- A Kitchen, with a Basin, Towel and Briars
(1871–73)[]
Museo de Arte de Ponce, Puerto Rico.
- The Briar Wood
- The Council Chamber
- The Rose Bower
[]
- The Garden Court, Bristol City Museum and Art Gallery, Bristol.
- The Council Chamber, Delaware Art Museum, Wilmington.
- The Rose Bower, Hugh Lane Gallery of Modern Art, Dublin.
(1870–76)[]
Fogg Art Museum, Harvard University:
Pencil study
| Image | Title |
|---|---|
|
The First Day |
|
The Second Day |
|
The Third Day |
| The Fourth Day | |
|
The Fifth Day |
| The Sixth Day |
(1868–70)[]
Joseph Setton Collection (private), Paris – now owned by Lord Lloyd Webber:
| No. | Image | Title |
|---|---|---|
| 1 |  |
The Heart Desires |
| 2 |  |
The Hand Refrains |
| 3 |  |
The Godhead Fires |
| 4 |  |
The Soul Attains |
Pygmalion and the Image Series or "Pygmalion and Galatea Series" (1875–78)[]
Birmingham Museum & Art Gallery, Birmingham:
| No. | Image | Title |
|---|---|---|
| 1 |  |
The Heart Desires |
| 2 |  |
The Hand Refrains |
| 3 |  |
The Godhead Fires |
| 4 |  |
The Soul Attains |
(1875-90s)[]
Only four of the paintings were completed in oil, although full size gouache studies were rendered of all the images.[23]
- The Call of Perseus, full size study in Southampton Art Gallery.[24]
- Perseus and the Graiae completed work in oil at Staatsgalerie, Stuttgart.[25] Study in private collection, sketches at the Cecil Higgins Gallery and a full size study Southampton Art Gallery.
- The Arming of Perseus or Perseus and the Nereids (Sea Nymphs), study in Southampton Art Gallery.[26]
- The Finding of Medusa, full size study in Southampton Art Gallery.[27]
- The Death of Medusa, full size study in Southampton Art Gallery.[28]
- The Birth of Pegasus and Chrysaor, full size study in Southampton Art Gallery.
- The Rock of Doom, completed work in oil at Staatsgalerie, Stuttgart;[29] full size study in Southampton Art Gallery.
- The Doom Fulfilled, completed work in oil at Staatsgalerie, Stuttgart;[30] full size study in Southampton Art Gallery. Perseus and Andromeda (1876) Art Gallery of South Australia, Adelaide. Same composition as Doom Fulfilled.[31]
- The Baleful Head, completed work in oil at Staatsgalerie, Stuttgart;[32] full size study in Southampton Art Gallery.
- Atlas turned to Stone, full size study in Southampton Art Gallery
Portraits[]
- (1870), private collection.[33]
- (1870)[34]
- (1895–96), National Gallery of Victoria, Melbourne. Second version in a private collection (both listed at Bridgeman Art Library).[6]
- (1886),[35]
Undated[]
- , Tate Britain, London.
- , Fogg Art Museum, Harvard University.
- , National Museum of Wales, Cardiff (unfinished).
- . Listed at Bridgeman Art Library.[6]
References[]
- ^ [1] Archived May 15, 2006, at the Wayback Machine
- ^ Czech. "A Knight and his Lady by EDWARD COLEY BURNE-JONES – Art & Antiques Online". CINOA. Archived from the original on 2007-09-28. Retrieved 2013-11-15.
- ^ "Sir Edward Burne-Jones. Girls in a Meadow. Detail – Olga's Gallery". Abcgallery.com. Retrieved 2013-11-15.
- ^ "'Sidonia von Bork 1560', Sir Edward Coley Burne-Jones, Bt". Tate. Retrieved 2013-11-15.
- ^ "'Clara von Bork 1560', Sir Edward Coley Burne-Jones, Bt". Tate. Retrieved 2013-11-15.
- ^ Jump up to: a b c d e f g h i j k l m n o p "bridgeman.co.uk". bridgeman.co.uk. Archived from the original on 2013-08-22. Retrieved 2013-11-15.
- ^ [2][dead link]
- ^ "'Clerk Saunders', Sir Edward Coley Burne-Jones, Bt". Tate. Retrieved 2013-11-15.
- ^ "'The Annunciation and the Adoration of the Magi', Sir Edward Coley Burne-Jones, Bt". Tate. Retrieved 2013-11-15.
- ^ Severn Internet Services – www.severninternet.co.uk. "Watercolour – The Backgammon Players – Birmingham Museums & Art Gallery Information Centre". Bmagic.org.uk. Retrieved 2013-11-15.
- ^ "Beyond Burne-Jones | The Cecil French Bequest Gallery". Lbhf.gov.uk. Archived from the original on 2012-02-07. Retrieved 2013-11-15.
- ^ Art Renewal Centre - The Madness of Sir Tristram
- ^ "Beyond Burne-Jones | The Cecil French Bequest Gallery". Lbhf.gov.uk. Archived from the original on 2012-02-07. Retrieved 2013-11-15.
- ^ Severn Internet Services – www.severninternet.co.uk. "Watercolour – Phyllis and Demophoon – Birmingham Museums & Art Gallery Information Centre". Bmagic.org.uk. Retrieved 2013-11-15.
- ^ "Beyond Burne-Jones | The Cecil French Bequest Gallery". Lbhf.gov.uk. Archived from the original on 2012-09-12. Retrieved 2013-11-15.
- ^ "Edward Burne-Jones, Fides". Projects.vanartgallery.bc.ca. Archived from the original on 2012-02-07. Retrieved 2013-11-15.
- ^ "Fine art images for reproduction – Bridgeman art images & historical footage for licensing". Bridgeman.co.uk. Archived from the original on 2008-02-16. Retrieved 2013-11-15.
- ^ https://web.archive.org/web/20061023072750/http://www.artmagick.com/archive/artists/burne/pic/1841.aspx. Archived from the original on October 23, 2006. Retrieved April 24, 2007. Missing or empty
|title=(help) - ^ "Worcester Art Museum – Earth Mother". Worcesterart.org. Retrieved 2013-11-15.
- ^ https://web.archive.org/web/20060328034757/http://www.artmagick.com/archive/artists/burne/pic/2210.aspx. Archived from the original on March 28, 2006. Retrieved April 24, 2007. Missing or empty
|title=(help) - ^ "Archived copy". Archived from the original on 2010-12-21. Retrieved 2007-04-24.CS1 maint: archived copy as title (link)
- ^ Martin, John Franklin (1 January 1997). "Two Scenes from Burne-Jones's 'St George' Series Rediscovered". The Burlington Magazine. 139 (1130): 330–334. JSTOR 887315.
- ^ "The Beautification of Ugliness in Burne-Jones's Perseus Cycle". Victorianweb.org. 2004-10-26. Retrieved 2013-11-15.
- ^ "Perseus by Sir Edward Coley Burne-Jones, Bt ARA". Victorianweb.org. 2004-12-08. Retrieved 2013-11-15.
- ^ "Perseus and the Graiae". Victorianweb.org. 2004-12-08. Retrieved 2013-11-15.
- ^ "Perseus and the Sea Nymph by Sir Edward Coley Burne-Jones, Bt ARA". Victorianweb.org. 2004-12-08. Retrieved 2013-11-15.
- ^ "The Finding of Medusa by Sir Edward Coley Burne-Jones, Bt ARA". Victorianweb.org. 2004-12-08. Retrieved 2013-11-15.
- ^ "The Death of Medusa by Sir Edward Coley Burne-Jones, Bt ARA". Victorianweb.org. 2004-12-08. Retrieved 2013-11-15.
- ^ "The Rock of Doom by Sir Edward Coley Burne-Jones, Bt ARA". Victorianweb.org. 2004-12-08. Retrieved 2013-11-15.
- ^ "The Doom Fulfilled by Sir Edward Coley Burne-Jones, Bt ARA". Victorianweb.org. 2004-12-08. Retrieved 2013-11-15.
- ^ https://web.archive.org/web/20060920073220/http://www.artgallery.sa.gov.au/gallery2/main.php?g2_itemId=276. Archived from the original on September 20, 2006. Retrieved April 24, 2007. Missing or empty
|title=(help) - ^ "The Baleful Head by Sir Edward Coley Burne-Jones, Bt ARA". Victorianweb.org. 2004-12-08. Retrieved 2013-11-15.
- ^ [3]
- ^ "Portrait of Maria Zambaco". ArtMagick. Archived from the original on 2016-06-25.[self-published source]
- ^ Natasha. "Burne-Jones, Portrait of Katie Lewis". Jssgallery.org. Retrieved 2013-11-15.
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- Paintings by Edward Burne-Jones