Louise Augustine Gleizes

From Wikipedia, the free encyclopedia
A photo of "Augustine" by Albert Londe from Iconographie Photographique

Louise Augustine Gleizes (born 21 August 1861), known as Augustine or A, was a very famous woman in the late 19th century, due to neurologist Jean-Martin Charcot publicly exhibiting her symptoms as a hysteria patient while she was held at the Salpêtrière Hospital in Paris.[1][2]

Life[]

Louise Augustine Gleizes had worked as a kitchen maid, and was sent to the Salpêtrière Hospital at age 14 on 21 October 1875.[1][2] Before this, she had been in a nurse's care in early life, and after, she was a nurse in a religious boarding school where she suffered corporal punishment.[1] She was molested when she was 10 years old and raped by her mother’s lover when she was 13.[1]

While she was a patient of the Salpêtrière Hospital, Charcot, who treated her, would hypnotize her so she would demonstrate her supposed hysteria.[2] Sigmund Freud and Edgar Degas, among others, came to see this.[2] Photographs were taken of her then, which became known as the most infamous visual representations of women's experiences of hysteria.[2][3] Hysteria included expressions of uncontrolled emotions, interpersonal manipulations, sexual assertiveness, and seizures, including postures of a physiological contortion.[4] The photographic images of Gleizes as evidence toward Charcot's case conceptualization, the 'truth' of hysteria in women, and the performative gestures of psychological suffering thus solidified the women's experiences of distress and continue to influence diagnoses.[4][5][6]

Current discourse organizes Gleizes symptoms in light of the sexual abuse and other violence she experienced as a younger woman. In light of this victimization, the nature of her "performance" as a patient becomes questionable when judged by ethical standards of practice. Of further ethical note, when Gleizes no longer agreed to be photographed, she was admitted to solitary confinement in the Hospital. In 1880, she escaped the hospital, disguised in men's clothes.[7] After that she was never seen again.[2] Charcot's work with her made him more famous, and he remains best remembered for it.[2]

In popular culture[]

Jean-Luc Godard compares the figure of Lilian Gish in the film Way Down East to Gleizes (referred to as "Augustine at Salpetrière") in his documentary series Histoire(s) du cinéma.

Winona Ryder appears to mimic Gleizes film stills in the 1992 adaptation of Bram Stoker's Dracula as she begins to experience early states of vampirism.[citation needed]

A 2012 French historical drama film, Augustine, is about a love affair between Charcot and Gleizes.[2][7][8][9] In reality, there was no sexual relationship between her and Charcot,[7] although questions have been raised about the ethics of her treatment and the overt sexualization that Charcot and other staff demanded of her, and her poor treatment when she refused to continue the performance.[10]

The play Photographs of A by Daniel Keene, about her, was performed in 2014 at Melbourne Theatre Company’s NEON Festival.[2][11]

Further reading about her[]

  • Medical Muses: Hysteria in Nineteenth-Century Paris, by Asti Hustvedt (2011)
  • Volume 2 of the Iconographie Photographique de La Salpêtrière, published in 1878.

References[]

  1. ^ Jump up to: a b c d Olivier Walusinski, MD, Jacques Poirier, Hubért Duchy (January 12, 2013). "Film Review, 'Augustine'". European Neurology. Retrieved 2017-08-26.CS1 maint: multiple names: authors list (link)
  2. ^ Jump up to: a b c d e f g h i Entertainment (2014-06-14). "Medical history's mystery woman finds her voice". Smh.com.au. Retrieved 2017-08-26.
  3. ^ Goetz, C.G. (1991). "Visual art in the neurologic career of Jean-Martin Charcot". Archives of Neurology. 48: 421–425. doi:10.1001/archneur.1991.00530160091020. PMID 2012518.
  4. ^ Jump up to: a b Hustvedt, A (2011). Medical muses: Hysteria in nineteenth-century Paris. Norton & Co.
  5. ^ Jones, Amelia (2010). The Feminism and Visual Culture Reader. New York NY: Routledge. pp. 248–258, 300–308.
  6. ^ "The History of Hysteria: Sexism in Diagnosis". May 18, 2017.
  7. ^ Jump up to: a b c "Alice Winocour's Augustine | Fiction and Film for French Historians". H-france.net. 2013-07-01. Retrieved 2017-08-26.
  8. ^ Scott, AO (16 May 2013). "Doctor and patient: a gothic love story". The New York Times. Retrieved 21 December 2013.
  9. ^ Olsen M (21 May 2013). "French actress-singer Soko finds quiet showcase in 'Augustine'". Los Angeles Times. Retrieved 21 December 2013.
  10. ^ Hustvedt, A (2011). Medical muses: Hysteria in nineteenth-century Paris. New York, NY: Norton 7 Co.
  11. ^ Melbourne Theatre Company (2014-07-06). "Photographs of A". Mtc.com.au. Retrieved 2017-08-26.

Categories[]

Retrieved from ""