Louise Brealey

Louise Brealey
Brealey in 2009
Born	(1979-03-27) 27 March 1979 (age 42) Bozeat, Northamptonshire, England
Occupation	Actress, writer, journalist
Years active	2001–present

Louise Brealey (born 27 March 1979), also credited as Loo Brealey, is an English actress, writer and journalist. She played Molly Hooper in Sherlock,^[1] Cass in Back, Scottish professor Jude McDermid in Clique, Gillian Chamberlain in A Discovery of Witches and Donna Harman in Death in Paradise.

Education[]

Born in Bozeat,^[2] Northamptonshire, England, Brealey won a scholarship for Kimbolton School and went on to read history at Girton College, Cambridge. She trained at the Lee Strasberg Institute in New York City and with clown teacher Philippe Gaulier in Paris.

Writing[]

Brealey has written on cinema, art and music since her teens, contributing reviews and features for magazines including Premiere UK, Empire, SKY, The Face, Neon, and Total Film. She is the editor of Anarchy and Alchemy: The Films of Alejandro Jodorowsky (Creation Books, 2007). Until April 2009, Brealey was the deputy editor of Wonderland magazine.^[3] A freelance Associate Producer, she has written documentary pitches for BBC Arts. In 2013 her first play Pope Joan^[4] was performed by the National Youth Theatre. Her monologue Go Back To Where You Came From was performed as part of Paines Plough Theatre's Come To Where I'm From project in 2018.^[5]

Acting[]

Screen[]

Brealey made her TV debut as Nurse Roxanne Bird in two series of BBC drama Casualty before playing Judy Smallweed in Bleak House. Terry Wogan took Judy and her snaggle-toothed grandfather Smallweed (Phil Davis) to heart, regaling Radio 2 listeners with regular renditions of Davis' catchphrase "Shake me up, Judy!". Brealey followed Bleak House with a comic turn as Anorak, Alistair MacGowan's black-bobbed sidekick, in comedy drama Mayo, described by The Hollywood Reporter as "Agatha Christie does Moonlighting".

Brealey plays pathologist^[6] Molly Hooper in all four series of Steven Moffat and Mark Gatiss's television drama, Sherlock.^[7]

Brealey is often asked to work in accents, playing a doughty Yorkshire doctor in Ripper Street, a Cockney ne'er-do-well in Law & Order: UK, a broken Geordie widow in Inspector George Gently and a ball-breaking Edinburgh academic in Clique.

Brealey played a leading role in the ITV drama The Widow, first broadcast in March 2019.

Stage[]

Her stage debut was at London's Royal Court in 2001 as 14-year-old Sophie in Max Stafford-Clark's production of Judy Upton's Sliding With Suzanne. The Daily Telegraph called her performance "a perfect poignant study of adolescence".

Her portrayal of child prodigy Thomasina in the Bristol Old Vic production of Tom Stoppard's Arcadia in 2005 was described by The Daily Telegraph as "the evening belongs to Loo Brealey's Thomasina".

Brealey worked twice with Sir Peter Hall. First in 2007 on Simon Gray's Little Nell, in which she played the title role opposite Michael Pennington and Tim Pigott-Smith. Based on The Invisible Woman, Claire Tomalin's award-winning biography of Charles Dickens's mistress Ellen Ternan, Little Nell followed Ternan's story from 17 to 44 years of age. Critics described Brealey's work as "impressive" (The Stage), "highly compelling" (The Independent) and "astounding" (British Theatre Guide). The following year, Hall cast her as Sonya in his critically acclaimed Uncle Vanya, the inaugural production at London's Rose Theatre. The Telegraph called hers "a name to watch" and The Independent compared her to Joan Fontaine in Rebecca. The Spectator said: "Brealey uncovers the pathetic poetry beneath the indolent superficialities. Her big disadvantage is that she’s too attractive for ‘plain’ Sonya, but she disguises this by suggesting a lack of sexual allure with awkward giggles, squirrelly movements and a stupefied beaming naivety. All brilliantly done..."

In 2011 Brealey was the sex-mad, short-frocked daughter of Julian Barratt and Doon Mackichan at the Young Vic in Richard Jones's Government Inspector. She next played three lead roles – Cassandra, Andromache and Helen of Troy – in Caroline Bird's sold-out production of The Trojan Women at London's Gate Theatre.^[7] The Times called her performances "electrifying" and The Guardian said she "pulled off a remarkable treble". Brealey talked about the roles in the Evening Standard^[8] and wrote a piece for The Times about the experience of going naked on stage, which went viral.^[9][10]

In February 2014 she starred as Julie in August Strindberg's Miss Julie at the Citizens Theatre in Glasgow.

More recently she won Best Actress at the Manchester Theatre Awards for her role as Marianne in Constellations, directed by Michael Longhurst and played the lead alongside Anne Marie Duff in Marianne Elliott's Husbands and Sons at the National Theatre.

Audio[]

Brealey is the narrator of Caitlin Moran's How to Build a Girl and its sequel , Alex Michaelides’ The Silent Patient, and Kate Mosse's Number One Bestseller Labyrinth. She was Megan in the audiobook edition of The Girl on The Train by Paula Hawkins, which won the 2016 Audie Award for Audiobook of the Year.^[11][12]

TV and film credits[]

Theatre credits[]

References[]

External links[]

• Louise Brealey writing, editing website
• Louise Brealey at Spotlight
• Louise Brealey at IMDb
• Louise Brealey on Twitter
• Louise Brealey at United Agents
• Louise Brealey at the BBC's Casualty site