Luigi Da Porto

From Wikipedia, the free encyclopedia
Frontispiece of Giulietta e Romeo from 1530. by Luigi da Porto

Luigi Da Porto (1485 in Vicenza – May 10, 1529) was an Italian writer and storiographer, better known as the author of the novel Novella novamente ritrovata with the story of Romeo and Juliet, later reprised by William Shakespeare for his famous drama.[1]

Commemorative stone, Contrà Porti, Vicenza

Da Porto wrote the novel in his villa in Montorso Vicentino near Vicenza before June 1524. The title of the book was Historia novellamente ritrovata di due nobili amanti ("Newly found story of two noble lovers"), published posthumously and anonymously about 1531 in Venice and dedicated to his cousin Lucina Savorgnan.[2] The origin of the story of the two unlucky lovers is disputed, however Da Porto probably took the inspiration from a tale by Masuccio Salernitano called Mariotto e Ganozza, introducing many modern elements reprised by Shakespeare's drama.

Some inspiration may have stemmed from da Porto's own experiences: on 25 1511, the day before the bloody Fat Thursday in Udine, he apparently fell in love with the sixteen-year-old Lucina Sarvognan who enchanted a ball with her singing. The conflicts between and within Friulian clans were however at a critical point. Da Porto was very close to his uncle , unfortunately though, when he met Lucina, Antonio's relationship with her guardian was at a nadir.[3] Years later, badly wounded and paralyzed from his battles, Luigi wrote the novella in his villa. Although the setting of the story is Verona, the inspiration for the idea of two warring families came from the two castles of Montecchio Maggiore, which he could see from his window in his villa. He dedicated the work to Lucina, who by then had been married off to Francesco Savorgnan, Antonio's nephew.[4]

Da Porto set the story in Verona (at that time, a strategic city for Venice), in the age of (1301–1304), but from some detail, the urban structure resembles more that of Udine.[5] He created the names of Romeo (later Romeus) and Giulietta (soon to be Juliet in England) and even created the characters of Mercutio, Tybalt, Friar Laurence, and Paris.

References[]

  1. ^ Peter Brand, Lino Pertile (1996). The Cambridge History of Italian Literature. Cambridge University Press. p. 227. ISBN 0-521-43492-0.
  2. ^ Prunster, Nicole (2000). Romeo and Juliet Before Shakespeare: Four Early Stories of Star-crossed Love. Toronto: Centre for Reformation and Renaissance Studies. p. 2-3. ISBN 0772720150.
  3. ^ Clough, Cecil H.; Hale, John R.; Chambers, David; Mallett, Michael (1993). Love and war in the Veneto: Luigi da Porto and the True Story of Giulietta e Romeo. War, Culture and Society in Renaissance Venice: Essays in Honour of John Hale. Londra: A&C Black. pp. 99–128. ISBN 1852850906.
  4. ^ Muir, Edward (1998). Mad Blood Stirring: Vendetta and Factions in Friuli During the Renaissance. Johns Hopkins University Press. p. 86-89. ISBN 0801858496.
  5. ^ Comelli, Albino; Tesei, Francesca (2012). Giulietta e Romeo: l’origine friulana del mito. Scandicci: L’Autore Libri Firenze. ISBN 978-88-517-2544-0.
Retrieved from ""