M. Balfas

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M. Balfas
M Balfas Kesusastraan Indonesia Modern dalam Kritik dan Essai 1 (1962) p228.jpg
BornMuhammad Salim Balfas
(1922-12-25)25 December 1922
Jakarta, Indonesia
Died5 June 1975(1975-06-05) (aged 52)
Jakarta, Indonesia
OccupationAuthor
LanguageIndonesian
CitizenshipIndonesian
Period1940s–1975
GenreShort stories, children's

Muhammad Salim Balfas (25 December 1922 – 5 June 1975), better known as M. Balfas, was an Indonesian writer and literary critic.

Biography[]

Balfas was born in Krukut, Batavia (now Jakarta), Dutch East Indies, on 25 December 1922.[1] He came from an ethnic Betawi family of Arab descent. Little is known about his early life, except that he graduated from a Dutch-run high school (MULO) in 1940.[2]

Balfas began his writing career in the 1940s. His first short stories were published in Asia Raja, the official newspaper of the Japanese occupation government, in 1943. He later began contributing poems, stories, and essays to the Indonesian-run magazine Pembaroean.[3] During the Indonesian National Revolution, Balfas found employment as a reporter. He also headed the magazine Masyarakat.[2]

In 1952 Balfas released Dr. Tjipto Mangunkusumo, a biography of the resistance leader of the same name;[1] it was published by Djambatan as part of series of biographies of revolutionary leaders.[4] That same year he released Lingkaran-Lingkaran Retak (Cracked Circles), a collection of five short stories, led by "Anak Revolusi" ("Child of the Revolution").[1][5] In 1953, with Sudjati S.A., he established the magazine Kisah, which exclusively published short stories. He continued as one of the magazine's editors, with HB Jassin and Idrus, until it stopped printing in 1956.[2]

In 1956 Balfas published the children's story Suling Emas (The Golden Flute). The following year he wrote an adult-oriented radio drama, Tamu Malam (Nighttime Guest). In 1960 he published another children's story, Anak-Anak Kampung Jambu (Children of Jambu Village).[1] In 1961, he helped Jassin establish the magazine Sastra; the following year he moved to Malaysia.[2]

From 1962 to 1967 Balfas worked at Voice of Malaysia. While living in Malaysia he published his only novel, Retak: Lahirnya Sebuah Mythe (Cracked: The Birth of a Myth); it was originally entitled Aku Bukan Nabi (I am Not a Prophet).[1]

In 1968, Balfas, dissatisfied with life in Malaysia, moved to Australia to teach at the University of Sydney.[2] In 1975 he took a year's leave to research the history of Indonesian literature.[3] Balfas died in Jakarta on 5 June 1975 after being hospitalised for a fit of asthma.[1][2] He was buried in Karet Bivak Cemetery.[3] He left behind an unfinished manuscript entitled Si Gomar;[2] Dutch scholar of Indonesian literature A. Teeuw describes the work as Balfas' most interesting.[6]

Themes[]

Lingkaran-Lingkaran Retak dealt with underprivileged groups,[7] while Retak dealt with humanism and sacrifices for one's ideology. For this, Teeuw classifies Balfas as part of the '45 Generation of Indonesian literature.[6] Jassin wrote that "Anak Revolusi", which he considered to "create its own universe",[a] showcased the basic ideology and world-view Balfas used in his other works.[5] This included a belief that life was full of unexpected events, as opposed to everyone having a predetermined destiny.[4]

Personal life[]

Balfas married three times. His third marriage, in 1968, was to an Australian woman named Wendy. Together they had two children; the couple also raised Balfas' five children from the first and second wives.[3]

In Hungarian popular culture[]

Due to his surname's similarity to the Hungarian word balfasz, a vulgar term for an incompetent or stupid man (literally "left dick"), there is a long-running urban legend in Hungary which claims editors of the Világirodalmi Lexikon (Lexicon of World Literature) made up Balfas as an easter egg to include in their book.

Although he was indeed a real person, the relative unknownness of Balfas and his writings in Hungary make it likely that he was included in the lexicon solely because of his surname and not his artistic merit.

Notes[]

  1. ^ Original: "... menciptakan dunianya sendiri ..."

References[]

Footnotes
  1. ^ Jump up to: a b c d e f Eneste 2001, p. 145.
  2. ^ Jump up to: a b c d e f g Language Centre, M. Balfas.
  3. ^ Jump up to: a b c d Tempo 1975, Balfas Berpulang.
  4. ^ Jump up to: a b Jassin 1985, p. 212.
  5. ^ Jump up to: a b Jassin 1985, p. 211.
  6. ^ Jump up to: a b Teeuw 1980, p. 289.
  7. ^ Teeuw 1980, p. 288.
Bibliography
  • "Balfas Berpulang" [Balfas Passes Away]. Tempo (in Indonesian). 28 June 1975. Archived from the original on 11 April 2012. Retrieved 11 April 2012.
  • Eneste, Pamusuk (2001). Buku Pintar Sastra Indonesia [Handbook of Indonesian Literature] (in Indonesian) (3rd ed.). Jakarta: Kompas. ISBN 978-979-9251-78-7.
  • Jassin, HB (1985). "M. Balfas: Manusia Bugil" [M. Balfas: Naked People]. Kesusastraan Indonesia Modern dalam Kritik dan Esei II [Modern Indonesian Literature in Critiques and Essays II] (in Indonesian). Jakarta: Gramedia. pp. 211–214. OCLC 36434233.
  • "M. Balfas" (in Indonesian). Language Centre, Ministry of Education. Archived from the original on 11 April 2012. Retrieved 11 April 2012.
  • Teeuw, A. (1980). Sastra Baru Indonesia [New Indonesian Literature] (in Indonesian). 1. Ende: Nusa Indah. OCLC 222168801.
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