Madonna di Senigallia

Madonna di Senigallia
Madonna di Senigallia
Artist	Piero della Francesca
Year	c. 1474
Type	Oil on panel
Dimensions	67 cm × 53.5 cm (26 in × 21.1 in)
Location	Galleria Nazionale delle Marche, Urbino

The Madonna di Senigallia is a painting by the Italian Renaissance master Piero della Francesca, finished around 1474. It is housed in the Galleria Nazionale delle Marche, in the Ducal Palace of Urbino.

History[]

From its small scale the painting was intended for private devotion. It was noticed for the first time in 1822 in the church of the Observant Franciscan convent of Santa Maria delle Grazie just outside Senigallia (Marche), whence the current name.^[1] Senigallia was wrested from Sigismondo Malatesta by Federico Montefeltro: both men were patrons of Piero. The commission was likely from or on behalf of Giovanni Della Rovere, betrothed in 1474 to Giovanna Montefeltro, at which time Federico made Giovanni, lord of Senigallia.^[2] Following its rediscovery the painting was taken to the Ducal Palace, Urbino.

The 1990s restoration showed the high quality of Piero della Francesca's treatment of light,^[3] as well as the influence of Flemish masters on it, both in its oil on panel medium and in details such as the basket with linen gauze, the coral, and the fabric covering the Madonna's head. The light, which realistically enters from the window on the left, is a symbol of the Virgin's conception. The linen in the basket is instead an allusion to her purity, while the case for hosts in the shelf and the necklace and pendant of coral worn by the infant Jesus both hint to the Eucharist sacrifice. The staring, thoughtful immobility of all the characters would be also an allusion to the latter.

References[]

^ Marilyn Lavin notes (Piero della Francesca, 2002, p.288) that the convent was in a state of disrepair at the time the panel was executed (c 1478-80), and the church we see was not built until 1491 after the birth of the heir of Giovanni della Rovere.
^ Lavin, 2002. Piero della Franceca pp288ff.
^ Lavin 2002 p290.

Sources[]

Zuffi, Stefano (1991). Piero della Francesca. Milan: Elemond.

External links[]

Page at artonline.it (in Italian)

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[1] Marilyn Lavin notes (Piero della Francesca, 2002, p.288) that the convent was in a state of disrepair at the time the panel was executed (c 1478-80), and the church we see was not built until 1491 after the birth of the heir of Giovanni della Rovere.

[2] Lavin, 2002. Piero della Franceca pp288ff.

[3] Lavin 2002 p290.

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v t Piero della Francesca
Paintings	Flagellation of Christ (1455–1460) History of the True Cross (c. 1447) Baptism of Christ (c. 1448–1450) Portrait of Sigismondo Pandolfo Malatesta (c. 1451) Saint Julian the Hospitaller (1454–1458) Madonna del Parto (after 1457) Resurrection (c. 1460) Saint Louis of Toulouse (1460) Polyptych of the Misericordia (1460–1462) Hercules (c. 1465) Saint Augustine Altarpiece (1454–1469) Diptych of Federico da Montefeltro and Battista Sforza (c. 1465–1472) Polyptych of Perugia (c. 1470) Brera Madonna (1472–1474) Madonna di Senigallia (c. 1474) The Nativity (c. 1470–1475)
Writings	De Prospectiva pingendi (treatise on perspective) Trattato d'abaco (treatise on arithmetic) De quinque corporibus regularibus (treatise on polyhedra)
Related	The Frescoes of Piero della Francesca (1955 orchestral work)