Marguerite Humeau

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*Echo*, a matriarch engineered to die. Materials: Polystyrene, white paint, acrylic parts, latex, silicone, nylon, glass artificial heart, water pumps, water, potassium chloride, powder-coated metal stand, sound. Part of FOXP2, Nottingham Contemporary, 2016

Marguerite Humeau (born 1986) is a French artist living in London.

Early life and education[]

She studied at the Royal College of Art, graduating in 2011. Her work focuses on communication between worlds. She has called herself an "Indiana Jones in Google Times".[1]

Career[]

Humeau had her first major solo show at the Palais de Tokyo in 2016,[2] was part of the Manifesta in Zurich in 2016, and showed at Nottingham Contemporary and other major galleries and institutions including the Victoria and Albert Museum.[3]

Lucy, from her Opera of Prehistoric Creatures, was included in The Universal Addressability of Dumb Things[4] curated by Mark Leckey in 2013. She also resuscitated Cleopatra's voice singing a love song of her era for the Serpentine Galleries Extinction Marathon curated by Hans-Ulrich Obrist in 2014.[5]

"Birth Canal" at the New Museum in New York City (2018), was Humeau's first solo exhibition in the United States, and received a positive review in Sculpture magazine.[6]

References[]

  1. ^ "Interview // Marguerite Humeau: Communicating the Creaturely". Berlin Art Link. Retrieved 1 July 2016.
  2. ^ Herriman, Kat (2016-06-24). "Artist to Know: The 29-Year-Old Effortlessly Melding Science and Romance". The New York Times. ISSN 0362-4331. Retrieved 2019-04-28.
  3. ^ "Artist Website". Marguerite Humeau. Retrieved 1 July 2016.
  4. ^ "The Universal Addressability of Dumb Things / Guide Book" (PDF). Research Goldsmiths. Retrieved 1 July 2016.
  5. ^ "Serpentine Galleries Extinction Marathon". Serpentine Galleries. Retrieved 1 July 2016.
  6. ^ Ingram Allen, Jane (March–April 2019). "Marguerite Humeau New Museum". Sculpture. 38: 88–89.

External links[]


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