Marquee Club

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Marquee Club
Enter to Marquee Club on Upper Saint Martins Lane
Marquee Club on Upper Saint Martins Lane in Covent Garden in August 2007
Wikimedia | © OpenStreetMap
LocationLondon
Coordinates51°30′48″N 0°08′02″W / 51.5134°N 0.1339°W / 51.5134; -0.1339Coordinates: 51°30′48″N 0°08′02″W / 51.5134°N 0.1339°W / 51.5134; -0.1339
TypeNightclub
Genre(s)Rock
Opened19 April 1958
Closed2008

The Marquee Club was a music venue first located at 165 Oxford Street in London, when it opened in 1958 with a range of jazz and skiffle acts. Its most famous period was from 1964 to 1988 at 90 Wardour Street in Soho, and it finally closed when at 105 Charing Cross Road in 1996, though the name has been revived unsuccessfully three times in the 21st century. It was always a small and relatively cheap club, located in the heart of the music industry in London's West End, and used to launch the careers of generations of rock acts.

It was a key venue for early performances by bands who were to achieve worldwide fame in the 1960s and remained a venue for young bands in the following decades. It was the location of the first-ever live performance by the Rolling Stones on 12 July 1962.[1][2]

Origins[]

The club was established by Harold Pendleton, an accountant whose love of jazz had led him to become secretary of the National Jazz Federation. Originally it was located in the Marquee Ballroom in the basement of the Academy Cinema in Oxford Street, where dances had been held since the early 1950s. Its decor was designed by Angus McBean with a striped canopy to imitate a marquee. Pendleton took over management of the ballroom, and the first Jazz at the Marquee night was held on 19 April 1958. Johnny Dankworth, Chris Barber, Alexis Korner and Cyril Davies were early resident performers, and Tubby Hayes and Joe Harriott were also regular performers. In 1962 the club began a regular R&B night that occasionally featured visiting American musicians such as Muddy Waters. Pendleton also launched the National Jazz Festival in 1961 in Richmond; this was the precursor to the Reading and Leeds Festivals.[3] By 1963 the club had become most noted for its R&B acts, including Davies, Brian Auger and Manfred Mann–who played there a record 102 times between 1962 and 1976–but Pendleton was forced to find a new venue when his lease expired.[4]

The 1960s: Rock roots[]

The former site of the Marquee Club in Wardour Street, Soho, as it appeared in 2018
Richmond Mews, Soho (2018), where the back loading entrance to the Marquee Club was located and also where the Marquee Studios were housed.
Keith Moon's plaque, 90 Wardour Street

In March 1964, the club moved a short distance to what became its most famous venue, with an entrance at 90 Wardour Street, and the actual music venue housed over two buildings. Almost every major rock band played on the tiny stage here over the next 25 years.

The Marquee in Wardour Street did not have an alcohol licence until 1970.[5] Jack Barrie and agent Kenny Bell came up with the idea of opening a private bar called La Chasse above the Marquee at 100 Wardour Street.[6][7]

Band residencies during the late 1960s included Alexis Korner, Cyril Davies, Chris Barber, the Rolling Stones, the Yardbirds, Led Zeppelin, the Who, King Crimson, the Syn, Mabel Greer's Toyshop, Yes, Jethro Tull, the Jimi Hendrix Experience and Pink Floyd (who played on Sunday afternoons as part of the Spontaneous Underground club).[8] Another band that made regular appearances was the Manish Boys, featuring David Bowie, who first played there in November 1964. Peter Green's Fleetwood Mac gave their first performance there in 1967.[4] To find out who was playing on any given night, you could just call in at the 'Ship' pub a few doors away.[9]

In 1964, Moody Blues manager/producer Alex Murray used a homemade studio in the garage at the back of the club to produce the classic "Go Now" single, which shot to No. 1 at Christmas 1964, and filmed for it the first ever UK pop promo video. The development of Marquee Studios was largely financed by profits from this record.[citation needed] The studio was later used by Elton John, the Groundhogs, the Clash and others.[4] The Rolling Stones, who first appeared at the club in January 1963,[4] returned there on 26 March 1971 after an eight-year hiatus to film a television special.[citation needed]

John Gee, a former accountant and journalist, became the manager of the Marquee Club during the 1960s and was a pivotal part of helping create what the Melody Maker termed "the most important venue in the history of pop music".[5] Gee championed certain groups that played at the club such as Ten Years After and Jethro Tull, and wrote the liner notes for Ten Years After's eponymous 1967 debut album. Jethro Tull named the B-side of their second single, "A Song For Jeffrey", a jazz-flavoured instrumental, "One for John Gee". Gee introduced the bands to the audience before they appeared on stage. He left the Marquee Club in 1970 to take a job in the offices of Radio Luxembourg. Jack Barrie, who was the former manager of the Soho bar La Chasse, took over as the manager of the Marquee in 1970.[5]

The 1970s[]

The Marquee Club also nurtured a large social scene based around the record industry, with record company heads and their A&R representatives visiting the venue on a daily basis, often talent spotting. The venue also attracted many famous musicians and recording artists who simply used the VIP Bar to socialise in. The Marquee staff became an integral part of the club as much as the bands that performed there.[citation needed]

The Faces performed at The Marquee on 7 December 1970. Queen performed at the club three times in the beginning of their career. First on 8 January 1971, then on 20 December 1972, and on 9 April 1973, as their first gig after signing with the Trident record company.[10][11] In 1972, Status Quo took to the stage with a blistering set, including "Paper Plane", the video for which was filmed during this gig. On 18, 19 & 20 October 1973, Be-Bop Deluxe and String Driven Thing appeared on the same bill in 1974, David Bowie filmed The 1980 Floor Show at the Marquee for the American NBC TV late night show The Midnight Special.[12] NBC used the Marquee Studios (housed beside the venue) as dressing rooms for the cast.

Although never a seminal punk venue, the club nevertheless embraced the burgeoning punk rock movement of the late 1970s and regularly promoted punk and new wave nights into the 1980s. Bands such as Sex Pistols, X-Ray Spex, the Boys, Eddie and the Hot Rods, the Stranglers, Generation X, London, the Police, XTC, Skrewdriver, the Sinceros, Buzzcocks, the early Adam & the Ants, the Jam, Joy Division, the Sound and the Cure all trod the famous Wardour Street stage. Mainstream rock acts like Dire Straits (on their first tour, 5 and 6 July 1978),[13] Alexis Korner, Steve Hillage, Rory Gallagher, Racing Cars, the Enid, Hanoi Rocks, the Tyla Gang, Universe and Karakorum (featuring Martin Chambers, later of the Pretenders) also appeared regularly at the venue.

The 1980s[]

During the early to mid-1980s the Marquee became an important venue to the new wave of British heavy metal (NWOBHM). Def Leppard played their first show on the Pyromania World Tour here, and included a different setlist from the rest of the shows on that tour. There was a glam revival spearheaded by Hanoi Rocks, the Babysitters, the Quireboys and others. NWOBHM bands, such as Angel Witch, Diamond Head, Witchfynde Silverwing and Praying Mantis were regulars. Iron Maiden played at the club in 1980 and were filmed performing for LWT documentary 20th Century Box (introduced by a very young Danny Baker). Metallica performed their first UK show at the venue on 27 March 1984. In April 1985 Robin Trower recorded the majority of his live album Beyond the Mist at the Marquee Club. This album also includes two new studio tracks and an extended 10-minute version of "Bridge of Sighs".

The Marquee was the central venue of the progressive rock revival of the early 1980s. It was here that the then-unsigned Marillion began to gain a wider fan base and press interest by playing frequent two-night residencies to a sold-out crowd. Other neo-progressive rock acts of the time regularly headlining at the club included Twelfth Night, Solstice and Pallas, often supported by acts such as Pendragon or IQ who would in later years become leading lights of the "neo-prog" scene. Other progressive bands regularly playing the Marquee at this time included Quasar, Mach One, Haze, Cardiacs, Legacy of Lies and Liaison (who were not strictly prog but seemed to become linked to the movement).

During this period the club held heats and the final of Melody Maker's "band contests". New wave and indie bands appeared, including "Two Pints of Lager and a Packet of Crisps Please" one-hit wonders Splodgenessabounds and the almost-cult band the Hummers. In 1985, Wham! filmed the video for "I'm Your Man" there, clearly showing the Marquee name.

Final location, closure and subsequent re-use of the name[]

In 1988 Harold Pendleton sold the club to Billy Gaff, the former manager of Rod Stewart.[4] The Wardour Street site was sold for redevelopment (it is now Meza and Floridita with a cigar retail shop, Spanish restaurant and Cuban restaurant and some flats), and the Marquee Club was forced to move again, this time to a larger venue at the former Cambridge Circus Cinematograph Theatre, 105 Charing Cross Road.[14] During this period, American progressive metal band Dream Theater recorded their first live album, Live at the Marquee, at the venue on 23 April 1993. Additionally, American group All Mod Cons: A Tribute to the JAM drew the largest ever crowd at this location in October 1993. This site was subsequently bought for redevelopment and the club closed in 1996. A Wetherspoons pub named "The Montagu Pyke" now occupies the building.

Ballboy at the Marquee Club on 13 August 2005

The Marquee was relocated in 2001 by Billy Gaff and entrepreneur Doug Palfreeman to Angel, Islington in a purpose-built space. It was then sold on to Dave Stewart of the Eurythmics. However, with Stewart's team this hit financial difficulties and closed in 2003, less than a year after it had opened. It is now

Under new owner entrepreneur Nathan Lowry The Marquee Club re-opened in 2004 in the heart of London's West End at One Leicester Square above MTV's TRL studio. Jimmy Page re-opened the club. The opening night was called the Breakthrough Weekender featuring dozens of new/unsigned artists. A Jimi Hendrix exhibition ran for three months featuring a huge collection of original guitars and unseen footage at the club before being auctioned by Mick Fleetwood's auction company Fleetwood Owen. The club successfully featured over 500 new and established bands during its time here, including Razorlight, the Feeling, and the Magic Numbers. Many music industry launches were held at the club including the Download Festival featuring Ozzy, Green Day, Billy Idol and Snow Patrol. Both MTV and the club closed with the Marquee citing licensing problems with Westminster Council. It continued as a pop up in St Martins Lane for another year until closing in 2008. Lowry continues to hold the exclusive brand rights.

Bibliography[]

  • Bob Brunning (1986) Blues: The British Connection, London: Helter Skelter, 2002. ISBN 1-900924-41-2
  • Bob Brunning, The Fleetwood Mac Story: Rumours and Lies, Omnibus Press, 2004, foreword by B.B. King
  • Dick Heckstall-Smith (2004) The Safest Place in the World: A Personal History of British Rhythm and blues, Clear Books, ISBN 0-7043-2696-5. First Edition: Blowing The Blues – Fifty Years Playing The British Blues
  • Christopher Hjort Strange Brew: Eric Clapton and the British blues boom, 1965–1970, foreword by John Mayall, Jawbone (2007). ISBN 1-906002-00-2
  • Paul Myers: Long John Baldry and the Birth of the British Blues, Vancouver: GreyStone Books, 2007
  • Harry Shapiro Alexis Korner: The Biography, London: Bloomsbury Publishing PLC, 1997. Discography by Mark Troster

References[]

  1. ^ "The Rolling Stones 40 years anniversary Marquee Club, London, July 12, 1962", The Rolling Stones Fan Club of Europe. It's Only Rock'n Roll.
  2. ^ Jim Farber (12 July 1962). "The Rolling Stones – The Rolling Stones celebrate 50 years". New York Daily News. Retrieved 28 June 2014.
  3. ^ Barroso, K. "Marquee Promotions' Festivals". TheMarqueeClub.net. Archived from the original on 2 July 2013.
  4. ^ Jump up to: a b c d e Solly, Bob (April 2014). "The Crucible". Record Collector (426). pp. 38–46.
  5. ^ Jump up to: a b c "Journalist and manager who helped make the Marquee Club in Soho the epicentre of British rock in the 1960s". The Independent. 26 July 2014.
  6. ^ Mabel Greer's Toyshop (interview) by Valerie Siebert Author End, 30 January 2015
  7. ^ Thompson, Howard (5 November 2008). "La Chasse". North Fork Sound. Retrieved 15 August 2021.
  8. ^ Miles, Barry (2002). In the Sixties. London: Jonathan Cape. ISBN 9780224062404.
  9. ^ Barroso, K. (January 2007). "Interview with Peter Banks of Yes". TheMarqueeClub.net. Archived from the original on 28 October 2007.
  10. ^ Rassadyn, Andrey (1994). About Queen. Moscow, Russia: Mir Vokrug Nas. p. 336. ISBN 5900809013.
  11. ^ "Queen Concerts 20.12.1972". QueenConcerts.com.
  12. ^ David Bowie's 1980 Floor Show (retrieved 2 July 2018)
  13. ^ "Dire Straits tour 1978". Tours. Canada: Mark Knopfler official site. Archived from the original on 22 April 2009. Retrieved 13 February 2010.
  14. ^ "The Bioscope: the cinema king". 19 November 2008. Retrieved 18 June 2015.

External links[]

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