Millions Like Us

Millions Like Us
Millions Like Us
	Italian theatrical poster
Directed by	Sidney Gilliat and Frank Launder
Written by	Sidney Gilliat; Frank Launder
Produced by	Edward Black
Starring	Eric Portman; Gordon Jackson; Patricia Roc; Basil Radford; Naunton Wayne; Moore Marriott; Joy Shelton; Megs Jenkins; Terry Randall
Cinematography	Jack Cox; Roy Fogwell
Edited by	R.E. Dearing
Music by	Louis Levy
Distributed by	Gainsborough Pictures
Release date	5 November 1943;
Running time	103 min
Country	United Kingdom
Language	English

Millions Like Us is a 1943 British propaganda film, showing life in a wartime aircraft factory in documentary detail. It starred Patricia Roc, Eric Portman, Megs Jenkins, Gordon Jackson and Anne Crawford, was written and directed by Sidney Gilliat and Frank Launder.^[1] According to the British Film Institute database, this film is the first in an "unofficial trilogy", along with Two Thousand Women (1944) and Waterloo Road (1945).

Plot[]

The opening credits show huge crowds of workers going into factories. The narrator begins the film with nostalgic views of crowded beaches and remembering what it was like to eat an orange (unavailable in the war).

Celia Crowson (Roc) and her family go on holiday to the south coast of England in the summer of 1939 staying in the guest house which they come to every year. Soon afterwards the Second World War breaks out and Celia's father (Moore Marriott) joins what was to become the Home Guard and her more confident sister Phyllis (Joy Shelton) joins the Auxiliary Territorial Service.

Fearing her father's disapproval if she moves away from home, Celia hesitates about joining up but eventually her call-up papers arrive. Hoping to join the WAAF or one of the other services, Celia instead gets posted to a factory making aircraft components, where she meets her co-workers, including her Welsh room-mate Gwen Price (Megs Jenkins) and the vain upper middle class Jennifer Knowles (Anne Crawford). Knowles dislikes the work they have to do at the factory, causing friction with their supervisor Charlie Forbes (Eric Portman) which eventually blossoms into a verbally combative romance.

A nearby RAF bomber station sends some of its men to a staff dance at the factory, during which Celia meets and falls in love with an equally shy young Scottish flight sergeant Fred Blake (Gordon Jackson). Their relationship encounters a crisis when Fred refuses to tell Celia when he is sent out on his first mission, but soon afterwards they meet and make up, with Fred asking Celia to marry him. After the wedding they spend their honeymoon at the same south coast resort as the Crowsons went to in 1939, finding it much changed with minefields and barbed wire defending against the expected German invasion.

Just after returning to the factory, they find furnished rooms nearby to set up house together, but then Fred is killed in a bombing raid over Germany. Celia receives the news while working at the factory and at a mealtime shortly afterwards the band plays Waiting at the Church, without realising it had been played at Celia's wedding reception. About to break down, Celia is comforted by her fellow workers, as bombers from Fred's squadron overfly the factory en route to another raid.

Cast[]

Patricia Roc – Celia Crowson
Gordon Jackson – Fred Blake
Anne Crawford – Jennifer Knowles
Basil Radford and Naunton Wayne – Charters and Caldicott
Moore Marriott – Jim Crowson
Eric Portman – Charlie Forbes
Joy Shelton – Phyllis Crowson
John Boxer – Tom
Valentine Dunn – Elsie
Megs Jenkins – Gwen Price
Terry Randall – Annie Earnshaw
Amy Veness – Mrs. Blythe
John Salew – Doctor Gill
Beatrice Varley – Miss Wells
Bertha Willmott – The Singer
Irene Handl – Landlady
Amy Dalby – Mrs Bourne
John Slater - Alec, Man at Dance Hall (uncredited)

Production[]

The film was produced at Gainsborough Studios. Roger Burford had suggested to the producers that they create a film covering the entire British war effort on the homefront. The directors decided the task was too big and that the subject needed a fictional story to tie the material together.^[2] The directors originally wanted to call the film 'The Mobile Woman'. The dance hall scene involved real serving soldiers, airmen and firemen.^[2]

Beethoven's Fifth Symphony is used liberally in the soundtrack.

Reception[]

The film was a hit in the USSR.^[3]

References[]

^ ^a ^b Millions Like Us, In: Programme book for Made in London Early Evening Films at the Museum of London (Museum of London and The National Film Archive), 24th season, 1992.
^ ^a ^b Brown G. Launder and Gilliat, quoted in Programme book for Made in London Early Evening Films at the Museum of London (Museum of London and The National Film Archive), 24th season, 1992.
^ "FILM CABLE FROM LONDON:". Sunday Times (Perth, WA : 1902 – 1954). Perth, WA: National Library of Australia. 17 March 1946. p. 13 Supplement: The Sunday Times MAGAZINE. Retrieved 11 July 2012.

External links[]

[MadeinLondon-1] Millions Like Us, In: Programme book for Made in London Early Evening Films at the Museum of London (Museum of London and The National Film Archive), 24th season, 1992.

[Brown-2] Brown G. Launder and Gilliat, quoted in Programme book for Made in London Early Evening Films at the Museum of London (Museum of London and The National Film Archive), 24th season, 1992.

[3] "FILM CABLE FROM LONDON:". Sunday Times (Perth, WA : 1902 – 1954). Perth, WA: National Library of Australia. 17 March 1946. p. 13 Supplement: The Sunday Times MAGAZINE. Retrieved 11 July 2012.

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