Montreal, arts interculturels
Abbreviation | MAI |
---|---|
Established | 1999, 1990 (22 years ago) |
Coordinates | 45°31′N 73°35′W / 45.51°N 73.58°WCoordinates: 45°31′N 73°35′W / 45.51°N 73.58°W |
Montréal, arts interculturels (MAI) is a multidisciplinary cultural organization of Montreal created in 1999.[1] It is located on Jeanne-Mance Street.[2] It opened in 1999,[3] and exhibits contemporary art, dance, music, theatre, painting, sculpture, and video.[4] The mission of MAI is to facilitate and initiate intercultural relations.[5]
Description[]
The MAI is a non-profit organization whose mission is to support and promote intercultural artistic practices in order to enable a dialogue between cultures in Montreal. MAI subsidizes and presents projects in dance, theatre, visual and media arts, spoken word, etc. It accompanies emerging or established artists and particularly supports artists from culturally diverse backgrounds. The organization has a theatre, a gallery, a café and two rehearsal rooms.
History[]
In 1990, the Regroupement pour le développement des pratiques artistiques interculturelles was created. In 1989, the group decided to work on the creation of a new cultural space in Montreal, and it was in Milton Park, on Jeanne-Mance Street, that the MAI was established in 1999. The organization then had a café, a gallery and two rehearsal rooms. In 2005, the MAI inaugurated its artist accompaniment program, which will be renamed "Complices" in 2018. Initially, the program was primarily aimed at Indigenous and culturally diverse artists, but the program has gradually expanded to include artists with disabilities, from linguistic minorities or LGBTQAAI communities.
Missions[]
The MAI's main mission is to encourage dialogue by presenting intercultural artistic approaches to issues of identity, gender, sexual orientation, religion, etc. Thus, the organization has two main missions. The first is to accompany artists in their development and/or promotion in order to stimulate hybrid productions and transversal, multidisciplinary and intercultural approaches. The second mission aims to address a varied audience and to propose a programming as well as inclusive workshops for both connoisseurs and neophytes. To do so, the MAI proposes accompanying programmes as well as an annual programme. Faced with the lack of cultural diversity in the contemporary arts in Quebec, the MAI has also put forward the contemporary arts of the Black communities.
Programmation[]
Each year the MAI proposes a season programmation, featuring some twenty artists. The program includes exhibitions (an average of four per year), dance, music and other performances in the MAI theatre and shows presented outside the walls in partnership with other cultural spaces in Montreal. Several artists who have gained notoriety in Quebec, Canada and sometimes internationally have been part of the programming in previous years, such as Manuel Mathieu, Hannah Claus, , , , , , etc. In recent years, the difficulties for foreign artists to enter Canada have caused some problems for the organization.
The MAI 2018-2019 season is entitled How Deep is Your Love ? and presents nearly thirty events in dance, music, theatre, interdisciplinary arts, spoken word and five exhibitions in visual arts.
Season poster | Event name | Artist(s) | Artistic Category | Artist's city |
---|---|---|---|---|
2019-20 Season
Artistic director : Michael Toppings. Theme : Reflect | ||||
Camille: un rendez-vous au delà du visuel[6] · [7] · [8] | Audrey-Anne Bouchard | Theatre | Montreal | |
Fragments d'Ana[9] | Ligia Borges | Theatre | Montreal | |
L'exhumée | Julie Robinson | Visual arts | Montreal | |
Borderlines[10] | Dance | Marrakech | ||
Fa'addebhou li (dresse-le pour moi)[11] | Dance | Beirut, Paris | ||
Jogging[12] | Theatre | Beirut | ||
Carrion[13] | Justin Shoulder | Interdisciplinary | Sydney | |
Faith Hole[14] | Nate Yaffe | Dance | Montreal | |
Colonial Body-Islands | Payam Mofidi | Visual arts | Montreal | |
real's fiction \ dissonant_pleasures[15] | Benjamin Kamino | Danse, Interdisciplinary | Montreal | |
MAD | Motions and Dynamics | 100LUX + Forward Movements | Dance | Montreal | |
One Kind Favor[16] | George Stamos + Karla Etienne + Radwan Ghazi Moumneh | Dance | Montreal | |
The Novels of Elsgüer (Episode 5); if I saw you, I don't Remember | Santiago Tavera + Laura Acosta | Visual arts | Montreal | |
White [Ariane] | Ariah Lester | Theatre, Music | Amsterdam, Caracas | |
Dreamweaver[17] · [18] | Anachnid | Music | Montreal | |
Take d milk, nah? (cancelled COVID-19) | Jivesh Parasram | Theatre | Toronto, Vancouver | |
De l'horizontal au vertical
(cancelled COVID-19) |
José Luis Torres | Visual arts | Montreal | |
Sur ce chemin, tu es sûre de te perdre (cancelled COVID-19) | Diana León | Dance | Montreal | |
Zom-Fam (cancelled COVID-19) | Kama La Mackerel | Performance, Theatre | Mauritius, Montreal | |
Walking at night by myself | Nancy Tam | Interdisciplinary | Vancouver | |
Pomegranate | Dance | Montreal | ||
Strike/thru | Nadia Myre + Johanna Nutter | Interdisciplinary | Montreal | |
2018-19 Season
Artistic director : Michael Toppings. Theme : How Deep is Your Love ? | ||||
Birds Crossing Borders[19] | Khadija Baker | Visual Arts | Montreal | |
Sound of the Beast[20] | Donna-Michelle St. Bernard | Theatre | Toronto | |
Birthmark[21] | Theatre | Montreal | ||
To live as an organ within oneself | Naghmeh Sharifi | Visual arts | Montreal | |
Wamunzo[22] | Zab Magoungou
Compagnie Danse Nyata Nyata |
Dance | Montreal | |
Lévriers[23] | Sophie Gee / Nervous Hunter | Theatre | Montreal | |
Cain & Abel | Arash and Aryo Khakpour / The Biting School | Dance / Theatre | Vancouver | |
In-Ward[24][25] | Alexandra Spicey Landé / Compagnie EBNFLŌH | Dance | Montreal | |
Wàsakozi[26] | Mich Cota | Music | Montreal | |
Le je et le nous / The I and The We, présenté avec Vidéographe | Zoë Chan avec Arnait Video Productions, Shirley Bruno, Tonia Di Risio, Kirsten Leenars, Caroline Monnet, Anala Riley and Karen Tam | Visual arts | Multiples | |
Creatures | Luca Lazylegz Patuelli + Roya the Destroya / Royalazyness | Dance | Montreal, Melbourne | |
Taking Breath | Naishi Wang | Dance | Toronto | |
Numbers increase as we count...[27] | Ülfet Sevdi | Theatre | Montreal | |
Yev | Scapegoat Carnivale Theatre | Theatre | Montreal | |
Malaginto | Marigold Santos | Visual Arts | Montreal, Calgary and Edmonton | |
Own Your Voice[28][29] | Madame Gandhi | Music | Los Angeles | |
The Mixolos Mitchtape Live In Montréal (#MMLinMTL) | Mitcholos Touchie and guests | Spoken word | Vancouver | |
Séancers | Black.art.empowerment Series | New York | ||
$elfie$ | Marikiscrycrycry | London | ||
Afrogalactica, a brief history of the future | Kapwani Kiwanga | Paris | ||
terrestrial | jumatatu m. poe | Philadelphia, New York | ||
Seeds Cast Afar From Our Roots | Angie Cheng, Winnie Ho and Chi Long | Dance and Interdisciplinary | Montreal | |
Exilium[30] | Santiago Tamayo Soler | Taking Place Performance Series | Montreal | |
Neuter Ality | Yunuen Rhi | Los Angeles | ||
Undress/Re-Dress | Noëmi Lakmaier | London | ||
My Last American Dollar | Keijaun Thomas | New York | ||
Marvelous | Bryan Campbell | Paris | ||
Muy Serio | Carlos Maria Romero | Baranquilla | ||
Vomiting Flowers | Hea R. Kim | Visual arts | Montreal | |
Radio III[31] | Elisa Harkins, Hanako Hoshimi-Caines, Zoë Poluch | Dance and interdisciplinary | Montreal, Stockholm and Oklahoma | |
2016-17 Season
Artistic director : Michael Toppings. Theme : Follow Our Exemple | ||||
L'envers des îles blanches[32] | Interdisciplinary | Montreal | ||
Leila's Death[33] | Dance, performance | Beirut | ||
The Demonstration[34] | Coco Guzmán | Installation | Toronto | |
Made in China[35] | Dance | Vancouver | ||
Islam Chipsy & Eek[36] | Islam Chipsy & Eek | Music | Cairo | |
Traversée[37] | Voyageurs immobiles | Theatre | Montreal | |
Sonido Pesao[38] | Sonido Pesao | Music | Montreal | |
Moi, petite malgache-chinoise[39] | Dance | Montreal | ||
Accordéon[40] | Kaie Kellough | Interdisciplinary | Montreal | |
Love is a whole other creature[41] | Installation multimédia | Montreal | ||
La ruée vers l'autre | Mafane | Conte | Montreal | |
La femme comme champ de bataille[42] (ou du sexe de la femme comme champ de bataille dans la guerre en Bosnie) | Hashtpa Productions | Theatre | Montreal | |
The Sign[43] | Chun Hua Catherine Dong | Taking Place Performance Series | Montreal | |
I Stand In | Julie Valcan | Sydney | ||
It's not a thing[44] | Keyon Gaskin | Portland | ||
Make A Line | Francisco-Fernando Granados | Toronto | ||
50 Bulbs | Hee Ran Lee | New York, Seoul | ||
Lectures on flesh and death (L.O.FAD)[45] | Francis Marion Moseley Wilson | Oberlin, Glasgow | ||
If I were the Apocalypse | Martin O'Brien | London | ||
Uroborus[46] · [47] | (Guillermo Gómez-Peña, Saul Garcia-Lopez et Bailtronica Gomez) | San Francisco | ||
Make Banana Cry | Andrey Tay, Stephen Thompson | Agglomérat Interdisciplinary Series | Montreal, Paris, Calgary | |
Ravemachine | Doris Uhlich, Michael Turinsky | Vienne | ||
AL13B<3 | Fernando Belfiore | Rio de Janeiro, Amsterdam | ||
Aattille | Simon Portigal | Montreal |
Public outreach Public+[]
The Public+ programme was inaugurated in 2009. It aims to propose activities in parallel with the exhibitions and the official MAI programme in order to raise questions and debates or simply to allow interaction.
The MAI's location in , between the Plateau Mont-Royal and downtown, allows it to address a variety of audiences. It is a central district of Montreal where several languages are spoken as well as several communities: academic, residential and professional. The site reflects the MAI's desire to offer inclusive programming and support that brings together various audiences and communities in an ongoing search for exchange.
Artist support program : Complices[]
Each year, the MAI offers to accompany artists by providing financial support or assistance in their professional development or visibility in Montreal. Through its studios, the organization also offers work spaces and residencies to support promising projects and productions. The MAI offers, among other things, support programs twinned with the . The MAI is also a meeting place for artists who can find contact both with the public and with other artists, offering the prospect of collaborative projects.
In 2005, MAI launched its mentorship program (now called "Alliance") for racialized and newly immigrated artists in Canada. Since then, MAI has expanded the scope of this program to include artists of First Nations, Inuit and Métis descent, artists who are deaf or disabled, members of the LGBTQQIP2SAA community, and senior artists.
Alliance is a unique mentoring model in Canada. Through grants, Alliance provides support for the professional and creative development of artists (hybrid artistic practices) within a solid and flexible structure. The support grants are designed for and by artists, defined and managed with the artists and/or collectives, who determine the services they need, in a short or long term format (3 to 18 months). Since 2005, more than 317 artists, companies and/or collectives have been supported by the Alliance program: accomplice, associate, collaborator, co-conspirator, and ultimately development centre - providing a safe and secure space for professional and creative development within a solid, yet flexible structure (recipients are selected annually by a committee following a public call for proposals).
It was within this support structure, in 2018, that MAI also began to position itself as a producer (through La Ruche, a platform through which funds are injected into research, creation and/or production of artist residencies, with funds placed directly in the hands of the artists). This role as a production partner, relatively new for MAI, focuses on facilitation, navigating between the artist's vision and his or her capacities, valuing the relationship while rethinking the binarities. Since September 2018, MAI has co-produced the following Canadian shows: Lévriers by , Numbers increase as you count by Ülfet Sevdi, Seeds Cast Afar From Our Roots by , Winnie Ho, & Chi Long, Radio III by , Zoë Poluch & Hanako Hoshimi-Caines, Real's Fiction by , and the international co-production terrestrial with .
References[]
- ^ Dominique Auzias; Jean-Paul Labourdette (2011). Montréal City Trip 2011 (in French). Le Petit Futé. p. 88. ISBN 2746930447.
- ^ Hélène Laperrière (2003). Promenades montréalaises (in French). Les Editions Fides. p. 161. ISBN 2762124662.
- ^ Valérie Fortier (2010). Montréal 2010-2011. Le Petit Futé. p. 272. ISBN 2746925796.
- ^ Dominique Auzias; Jean-Paul Labourdette (2008). Montréal 2009-2010 (in French). Le Petit Futé. p. 279. ISBN 2746923149.
- ^ Dominique Auzias; Jean-Paul Labourdette (2012). Montréal 2012-2013 (in French). Le Petit Futé. p. 229. ISBN 2746938693.
- ^ Deshaies, Sarah (2019-09-18). "A blindfolded theatre experience". Cult MTL. Retrieved 2020-02-26.
- ^ "L'art sans la vue". La Presse+ (in French). 2019-08-31. Retrieved 2020-02-26.
- ^ ""Camille": plongée dans un théâtre intérieur". Le Devoir (in French). Retrieved 2020-02-26.
- ^ ""Fragments d'Ana": souvenirs morcelés". Le Devoir (in French). Retrieved 2020-02-26.
- ^ "Festival Altérité, pas à pas! à Tangente". JEU Revue de théâtre (in French). 2019-06-28. Retrieved 2020-02-26.
- ^ "La construction du corps masculin". www.fugues.com (in French). Retrieved 2020-02-26.
- ^ "Un corps à soi". Le Devoir (in French). Retrieved 2020-02-26.
- ^ Rosenthal, Nora (2019-10-30). "Queer speculative fiction at the Monument-National". Cult MTL. Retrieved 2020-02-26.
- ^ "Recherche sur le corps et le vocabulaire queer". www.fugues.com (in French). Retrieved 2020-02-26.
- ^ ""Real's fiction/dissonant pleasures": moi, l'autre et la chorale". Le Devoir (in French). Retrieved 2020-02-26.
- ^ "La gentillesse comme puissance d'agir chez George Stamos". Le Devoir (in French). Retrieved 2020-02-26.
- ^ "Album en primeur : Un rêve éveillé dans l'univers d'Anachnid". URBANIA (in French). Retrieved 2020-02-26.
- ^ Rousseau, Marie-Lise (2020-02-24). "Anachnid a tissé son premier album, "Dreamweaver", comme une toile". Journal Métro (in French). Retrieved 2020-02-26.
- ^ "Birds Crossing Borders de Khadija Baker". Réseau Art Actuel (in French). Retrieved 2020-02-24.
- ^ "Sound of the Beast : une pièce qui vous déroutera". JEU Revue de théâtre (in French). 2018-10-01. Retrieved 2019-11-19.
- ^ Burke, Jim (2018-11-02). "Playtime's over for The Children in Centaur's post-Apocalyptic drama". Montreal Gazette. Retrieved 2019-11-19.
- ^ "Wamunzo: en création | Un film de Marlene Millar et Philip Szporer". La Fabrique culturelle (in French). Retrieved 2019-11-19.
- ^ ""Lévriers": Courir après le succès". Le Devoir (in French). Retrieved 2020-02-25.
- ^ "Prix de la danse de Montréal : Paul-André Fortier récompensé". La Presse (in French). 2019-10-29. Retrieved 2019-12-13.
- ^ "Prix de la danse de Montréal: Paul-André Fortier par tous les temps". Le Devoir (in French). Retrieved 2019-12-13.
- ^ Rosenthal, Nora (2019-01-23). "A reflection of light: in conversation with Mich Cota". Cult MTL. Retrieved 2020-02-24.
- ^ ""Numbers Increase As We Count": femmes en séries". Le Devoir (in French). Retrieved 2020-02-25.
- ^ ""Own Your Voice; Don't be Afraid" | The McGill Daily". Retrieved 2020-02-25.
- ^ G, Madame; hi (2019-03-30). "Madame Gandhi Live at the MAI, Montréal, Québec". Madame Gandhi | BLOG. Retrieved 2020-02-25.
- ^ ""Exilium": défaut de collectivité". Le Devoir (in French). Retrieved 2020-02-25.
- ^ Rosenthal, Nora (2019-05-30). "Indigenous electronic music meets playful post-postmodern dance". Cult MTL. Retrieved 2020-02-25.
- ^ "SORTIES CULTURELLES DU 09/09 AU 21/09". Quartier Libre (in French). Retrieved 2019-08-12.
- ^ ""Leila's Death" : Montréal gagnée par l'ataba". Touki Montréal (in French). Retrieved 2019-08-12.
- ^ "Queer Artist Coco Riot Talks Myths, Minotaurs". Medium. Retrieved 2019-08-12.
- ^ "Made in China". Wen Wei Dance. Retrieved 2019-08-12.
- ^ "Les spectacles de la semaine". Voir.ca (in French). Retrieved 2019-08-12.
- ^ "Traversée". Télé Québec (in French). Retrieved 2019-08-12.
- ^ "No te pierdas el próximo concierto de Sonido Pesao en Montreal". Hispano City (in Spanish). Retrieved 2019-08-12.
- ^ "" Moi, petite Malgache-Chinoise " de Claudia Chan Tak présenté à MAI". Le Lien MULTIMÉDIA :: le portail des professionnels du numérique au Québec (in French). Retrieved 2019-08-12.
- ^ Montréal, So (2019). "So Montréal – Quoi faire à Montréal ? Quand ? Où ?". So Montréal (in French). Retrieved 2019-08-12.
- ^ "Maia Iotzova, artist, filmmaker". Maia Iotzova - Мая Йоцова. Retrieved 2019-08-12.
- ^ Labrèche, Ariane. ""La femme comme champ de bataille" : le corps territorial". Le Journal de Montréal. Retrieved 2019-08-16.
- ^ "The Sign – Chun Hua Catherine Dong". Retrieved 2019-08-16.
- ^ "keyon gaskin | American Realness". Retrieved 2019-08-16.
- ^ Montréal, So (2019). "So Montréal – Quoi faire à Montréal ? Quand ? Où ?". So Montréal (in French). Retrieved 2019-08-16.
- ^ "Le MAI accueille huit artistes internationaux pour la série d'arts performatifs "Prendre place" | Bible urbaine" (in French). 2017-03-14. Retrieved 2019-08-16.
- ^ "Uroborus". The Dance Current. Retrieved 2019-08-16.
External links[]
- 1999 establishments in Quebec
- Art galleries established in 1999
- Art in Montreal
- Art museums and galleries in Quebec
- Contemporary art galleries in Canada
- Music venues completed in 1999
- Performing arts centres in Canada
- Sculpture galleries in Canada
- Theatres completed in 1999
- Theatres in Montreal
- Organizations based in Montreal