Motomami
Motomami | ||||
---|---|---|---|---|
Studio album by | ||||
Released | 18 March 2022 | |||
Recorded | January 2019–August 2021 | |||
Studio | Electric Lady (New York City) | |||
Genre | ||||
Length | 42:17 | |||
Language | Spanish | |||
Label | Columbia | |||
Producer |
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Rosalía chronology | ||||
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Singles from Motomami | ||||
Motomami (stylized in all caps) is the third studio album by Spanish singer-songwriter Rosalía, released on 18 March 2022 through Columbia Records. The concept album features guest vocals from the Weeknd and Tokischa, and is presented as Rosalía's "most personal and confessional album so far."[1]
Four singles were released from the album, with the lead single "La Fama" (featuring the Weeknd) peaking at number two on the US Hot Latin Songs chart, and reaching the top spot on the Spanish charts, marking Rosalía's eighth number-one single in the country.[2] She promoted the album with a Grand Theft Auto Online radio station and a performance on Saturday Night Live, becoming the first Spanish solo act to serve as the show's musical guest. Rosalía plans to further support the album with a world tour.[3]
Background and recording[]
In November 2018, Rosalía released her second studio album El Mal Querer to critical acclaim and commercial success. The concept album, inspired by the 13th-century anonymous Occitan Romance of Flamenca, launched the singer into mainstream stardom.[4] The album received critical acclaim for its avant-garde production, which fused flamenco music with pop and urbano. El Mal Querer was listed in many year-end publications as well as in Rolling Stone's 500 Greatest Albums of All Time. It was also awarded Album of the Year at the 20th Annual Latin Grammy Awards and Best Latin Rock, Urban or Alternative Album at the 62nd Annual Grammy Awards.[5][6]
Recording sessions for the singer's next project began in Los Angeles as early as 2019.[7][8] While on tour that year, Rosalía released a collection of singles. In March, the first of eight, "Con Altura", featuring J Balvin and El Guincho, was released on digital platforms.[9] It topped the charts in Argentina, Venezuela, Spain and Colombia among others and was the second most-watched music video released in 2019 on YouTube as well as the most-watched female music video that year.[10] May saw the release of "Aute Cuture" whereas "Milionària" and "Dios Nos Libre del Dinero" were released in July. In August, a collaboration with Ozuna, "Yo x Ti, Tu x Mi", was released to great commercial success.[11] The singer continued releasing standalone singles such as "A Palé", "Dolerme" and "Juro Que" throughout 2019 and 2020.[12] Rosalía also collaborated twice with Travis Scott; at first on the remix of his track "Highest in the Room" alongside Lil Baby and then on "TKN", the latter of which became her first entry on the Billboard Hot 100.[13][14]
When Dutch radio station 3VOOR12 asked the singer through a Zoom press conference about a possible single compilation or box set, Rosalía expressed total rejection to the idea explaining that "I don't really enjoy records that are just a collection of singles. I usually enjoy records that tell a story and that are alive and involve a lot of thinking."[15] She also revealed that she was "trying really hard to release a new project in 2020" but all of the independent singles released so far wouldn't be included. She continued by saying that "as a musician I feel the responsibility to release a cohesive album, one that makes sense; one in where the songs are linked and share an essence". Rosalía was later seen in the recording studio with Michael Uzowuru, Mike Dean, the Neptunes and Playboi Carti among others.[16][17]
During 2021, Rosalía released more standalone singles such as "Lo Vas a Olvidar" and "Linda" alongside Billie Eilish and Tokischa, respectively.[18][19] In May, talent manager Rebecca León confirmed that Rosalía wouldn't release an album in 2021.[20] In August, the singer revealed to Santiago Matías that the album "was already taking shape" yet the number of songs was still unknown.[21] She later admitted that she had troubled times with deadlines, as the recording process lasted two years plus the mixing stage being over nine months. Motomami was completed on April 15, 2021. Rosalía also revealed she suffered from writer's block while on tour, with isolation during the COVID-19 pandemic and partly moving with Frank Ocean to New York City helping the process flow despite being homesick.[22][23] The recording process of Motomami was registered on the singer's private Instagram account 'holamotomami'.[24] In October, the singer teased on TikTok that the project will be released "soon" and premiered 30 seconds of the album's lead single.[25] During a fan meet and greet in Mexico in partnership with Exa FM, Rosalía revealed that her new album would be "very different" from its predecessor and that the lead single would be released in November.[26]
Motomami was officially announced on 2 November 2021, the third anniversary of El Mal Querer, along with a 15-second trailer directed by Daniel Sannwald which contained a snippet of the title track as well as a tentative 2022 release date.[27] Sannwald also pictured the album cover, which was revealed on social media on 31 January 2022.[28] On 8 November 2021, Rosalía announced the album's lead single, "La Fama" featuring the Weeknd. It was released on 11 November.[29]
Composition[]
Primarily, Motomami is an experimental pop, alternative reggaeton and avant-garde record.[30][31][32] In an interview with Diego Ortiz for Rolling Stone, Rosalía described the album as a "brave" record that is heavily influenced by reggaeton. She then expressed that the album is the "most personal and confessional album that I've made so far", revolving around lyrical themes of transformation, sexuality, heartbreak, celebration, spirituality, self-respect and isolation.[33] Motomami is largely inspired by the Latin music she danced to with her cousins as a child, and encountered again traveling the world as a budding pop star.[34] During the album's creation, Rosalía drew influences from artists such as Héctor Lavoe, Nina Simone, Patti Smith, Bach, Michèle Lamy, Pedro Almodóvar and Andrei Tarkovsky.[35] Ortiz praised the experimental nature of Motomami, stating that "there's room for everything here. Every element has been hand-sewn to form a skeleton of what modern music should be: art and flavor, dembow, champeta, flamenco, bachata, hip-hop, piano melodies, etc." He then compared "the degree of lyrical, rhythmic and sonic experimentation" to Beastie Boys' Ill Communication (1994) and Moby's Play (1999), and found similarities in Lorde's Pure Heroine (2013) and Nine Inch Nails' The Downward Spiral (1994).[36]
Motomami begins with "Saoko", an alternative reggaeton and experimental track with industrial and avant-jazz elements.[37] The song features heavy synthesizers, distorted pianos and traditional reggaeton drums; while its lyrics celebrate transformation and change.[38] The reggaeton sounds continue into its "slow-building" second track "Candy", where Rosalía sings about a broken relationship over "shimmering" synthesizers.[39] Its third track, "La Fama" featuring Canadian singer-songwriter the Weeknd, is a midtempo bachata influenced by electropop that details the downsides of fame.[40][41] Rosalía returns to her flamenco background in the fourth track "Bulerías", which sees her defending her position as a celebrity over communal chants.[42] The fifth track "Chicken Teriyaki" has been described as a "TikTok dance-ready" reggaeton track where Rosalía raps about a trip to New York City. The song is highlighted for its use of "ironic" and humorous lyricism.[43][44] The sixth track "Hentai" is a "delicate" piano ballad with pulsing electronic beats that explores the pleasures of sexual intercourse and female sexuality.[45][46] The seventh track "Bizcochito" is an alternative reggaeton track that's "so playful it sounds like an ice cream truck rolling through the neighborhood."[47]
Conception[]
During an interview with Zane Lowe for Apple Music 1, Rosalía described Motomami as a loose concept album that paints a self-portrait of herself. She also revealed that the album is more playful than her previous albums, explaining: "I feel like I haven't done that in the other albums. Also, they were much more serious if that makes sense. And I think that in this one, I was like, 'I really want to find a way to allow my sense of humor to be present.'"[48]
Rosalía shared that she chose the name Motomami because it's "structured in binaries, two types of contrasting energy." The album is separated into two parts; Moto is the divine, experimental, frictional and the strongest part of the album, while Mami is the genuine, personal, confessional and vulnerable part. Rosalía also stated that "feminism is implicit in the intention. It is very much present in some songs, and maybe not some much in some others, because in the end, it's all the emotional journey of the ups and downs an artist can take. There's a lot of my day-to-day life that's why this vindication of women and femininity are implicit."[49][50] Rosalía hopes Motomami "provides a feminist counterbalance to misogyny in music".[51] She also chose to name the album Motomami in honor of her mother, Pilar Tobella, and the company she runs Motomami S.L., which administrates activities around artist representation.[52]
Critical reception[]
Aggregate scores | |
---|---|
Source | Rating |
AnyDecentMusic? | 8.5/10[53] |
Metacritic | 94/100[54] |
Review scores | |
Source | Rating |
AllMusic | [55] |
Clash | 9/10[56] |
Evening Standard | [57] |
i | [58] |
The Independent | [59] |
The Line of Best Fit | 9/10[60] |
Mondo Sonoro | 8/10[61] |
NME | [62] |
The Observer | [63] |
Pitchfork | 8.4/10[64] |
Rolling Stone | [65] |
The Telegraph | [66] |
Motomami was met with widespread acclaim from music critics, who often commended the album's experimentation and genre-bending sounds.[67] At Metacritic, which assigns a normalized rating out of 100 to reviews from professional publications, the album received an average score of 94 based on 15 reviews, indicating "universal acclaim".[54] Aggregator AnyDecentMusic? gave it 8.5 out of 10, based on their assessment of the critical consensus.[53]
In a five-star review, Diego Ortiz of Rolling Stone en Español wrote that Motomami "redefines the concept of the mainstream with its abstract sound exploration, where borders and genres are completely blurred. Undoubtedly, it is one of the most daring and reckless productions of recent years and which in turn paves a new path of almost infinite possibilities."[68] Mark Richardson of The Wall Street Journal agrees, writing, "...for Rosalía, this future-forward strain of pop is swirled together with rap, the Caribbean style reggaetón, dance, and, of course, flamenco—here, folk guitars collide with otherworldly digital processing. She's a visionary in the mode of M.I.A. or Madonna, one who uses her mainstream perch to push music in new directions."[69] Thom Jurek of AllMusic described the record as "provocative and risky as it is creative. It showcases Rosalía as a master, twisting together the contradictory strands of Latin and Anglo pop with traditional and vanguard forms and fresh sounds into a gloriously articulated radical approach that makes for obsessive listening."[55]
Pitchfork crowned Motomami with its "Best New Music" honor, with Julianne Escobedo Shepherd writing, "It feels rare to hear an album that’s so experimental, that aspires to stretch itself out across genres and play with form, and that attains exactly what it sets out to achieve. Rosalía was already a formidable singer, but here she also sounds like she learned that with global superstardom comes the freedom to set her own agenda."[64]
Promotion[]
Tour[]
In October 2021, in the mark of the BIME Pro music conference, tour manager Agustín Boffi revealed that Rosalía will embark on a "world tour in 2022" that has been being prepared "for over a year". Boffi also revealed that the tour crew will be expanded to "over 150 people" compared to the 40 people that were working on her previous concert cycle.[70]
Motomami Los Santos[]
On 15 December 2021, a new radio station in Grand Theft Auto V, Motomami Los Santos, premiered as a result of a partnership between the singer and Rockstar Games.[71] This new collaborative project of Rosalía and Arca includes personal favorite songs of both artists as well as songs from their own catalogue.[72][73] It includes tracks from Camarón de la Isla, Daddy Yankee, Caroline Polachek and Aventura among others as well as an unreleased track by Bad Gyal.[74] Kaydy Cain and Rosalía's older sister Pilar make speaking cameos on Motomami Los Santos. Coinciding with the release of the radio station, Los Santos' Eclipse Boulevard displayed many billboards promoting Rosalía's upcoming studio album.[75] A remixed version of "KLK" featuring and Ivy Queen was announced through the station but never premiered.[76]
Track listing[]
Credits adapted from the official website.[77]
No. | Title | Lyrics | Music | Producer(s) | Length |
---|---|---|---|---|---|
1. | "Saoko" |
|
|
| 2:17 |
2. | "Candy" |
|
| 3:13 | |
3. | "La Fama" (featuring the Weeknd) |
|
|
| 3:08 |
4. | "Bulerías" |
|
| 2:35 | |
5. | "Chicken Teriyaki" |
|
| 2:02 | |
6. | "Hentai" |
|
|
| 2:42 |
7. | "Bizcochito" | Vila |
|
| 1:49 |
8. | "G3 N15" | Vila |
|
| 4:12 |
9. | "Motomami" | Vila |
|
| 1:01 |
10. | "Diablo" |
|
|
| 2:45 |
11. | "Delirio de Grandeza" |
|
|
| 2:35 |
12. | "Cuuuuuuuuuute" |
|
|
| 2:30 |
13. | "Como un G" |
|
|
| 4:22 |
14. | "Abcdefg" | Vila | Vila | Rosalía | 1:05 |
15. | "La Combi Versace" (featuring Tokischa) |
|
|
| 2:40 |
16. | "Sakura" | Vila |
|
| 3:21 |
Total length: | 42:17 |
- Notes
- All tracks are stylized in all caps; except "Abcdefg", which is stylized in sentence case, and "Cuuuuuuuuuute", which is stylized as "CUUUUuuuuuute"
- Sample credits
- "Saoko" interpolates "Saoco" (2004) by Wisin and Daddy Yankee
- "Candy" samples "Archangel" (2007) by Burial
- "Delirio de Grandeza" reinterprets "Delirio de Grandeza" (1968) by Justo Betancourt and samples "Delirious" (2009) by Vistoso Bosses featuring Soulja Boy
Release history[]
Region | Date | Format | Label | Ref. |
---|---|---|---|---|
Various | 18 March 2022 | Columbia | [78] | |
15 July 2022 | LP | [79] |
References[]
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- ^ "Rosalía: la gata sobre el asfalto cultural caliente". Vanity Fair (in European Spanish). 6 February 2022. Retrieved 17 March 2022.
- ^ "Rosalía's 'SAOKO' Dips Into Her Reggaeton Roots". Clash Magazine. Retrieved 17 March 2022.
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- ^ ""La Fama"". Pitchfork. Retrieved 17 March 2022.
- ^ "On 'Motomami,' Rosalía scrambles cultural codes and remakes pop in her own boundless image". Los Angeles Times. 18 March 2022. Retrieved 18 March 2022.
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- ^ "Watch Rosalía's Video for New Song "Chicken Teriyaki"". Pitchfork. 24 February 2022. Retrieved 17 March 2022.
- ^ "Listen to Rosalía's intimate new single 'Hentai'". NME. 16 March 2022. Retrieved 17 March 2022.
- ^ Lopez, Julyssa (16 March 2022). "Rosalia Drops Video for 'Hentai,' the Overtly Sexual Song That Divided TikTok". Rolling Stone. Retrieved 17 March 2022.
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- ^ "El gran negocio con el que se forra Rosalía (más allá de la música)". El HuffPost (in Spanish). 7 May 2021. Retrieved 19 November 2021.
- ^ a b "Motomami by Rosalía reviews". Any Decent Music?. Retrieved 18 March 2022.
- ^ a b "Motomami by Rosalía Reviews and Tracks". Metacritic. Retrieved 18 March 2022.
- ^ a b Jurek, Thom (18 March 2022). "Motomami - Rosalía | Songs, Reviews, Credits". AllMusic. Retrieved 17 March 2022.
- ^ Murray, Robin (18 March 2022). "Rosalía - MOTOMAMI". Clash. Retrieved 18 March 2022.
{{cite web}}
: CS1 maint: url-status (link) - ^ Smyth, David (18 March 2022). "Rosalía - Motomami review: Flamenco futurist zooms onwards". Evening Standard. Retrieved 18 March 2022.
{{cite web}}
: CS1 maint: url-status (link) - ^ Solomon, Kate (17 March 2022). "Album reviews: Rosalía, Charli XCX, Pete Doherty and Fédéric Lo". Retrieved 20 March 2022.
- ^ O'Connor, Roisin; Nugent, Annabel (18 March 2022). "Album reviews: Rosalia – Motomami and Cypress Hill – Back in Black". The Independent. Retrieved 18 March 2022.
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- ^ Iborra, Yeray S. (18 March 2022). "Crítica de "Motomami", lo nuevo de Rosalia". Mondo Sonoro (in Spanish). Retrieved 18 March 2022.
{{cite web}}
: CS1 maint: url-status (link) - ^ Levine, Nick (18 March 2022). "Rosalía – 'Motomami' review: an electrifying serve from a left-field mastermind". NME. Retrieved 18 March 2022.
- ^ Empire, Kitty (20 March 2022). "Rosalía: Motomami review - energy and heartbreak from a first-class voice". The Observer. Retrieved 20 March 2022.
- ^ a b Shepherd, Julianne Escobedo (18 March 2022). "Rosalía: Motomami Album Review". Pitchfork. Retrieved 18 March 2022.
- ^ Lopez, Julyssa (18 March 2022). "Rosalía's 'Motomami' Is Brave, Bawdy, and Completely Uncompromising". Rolling Stone. Retrieved 19 March 2022.
- ^ McCormick, Neil (18 March 2022). "Rosalia is the future of pop". The Daily Telegraph. Retrieved 19 March 2022.
- ^ Coscarelli, Joe (17 March 2022). "Rosalía Reserves the Right to Transform". The New York Times. ISSN 0362-4331. Retrieved 18 March 2022.
- ^ Ortiz, Diego (15 March 2022). "Rosalía redefine el mainstream con MOTOMAMI". Rolling Stone. Retrieved 16 March 2022.
- ^ Richardson, Mark (14 March 2022). "'Motomami' by Rosalía Review: Traditional Roots, Global Ambition". Wall Street Journal. ISSN 0099-9660. Retrieved 17 March 2022.
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- ^ "Rosalía and Arca to Host Grand Theft Auto Online Radio Station". Pitchfork. 13 December 2021. Retrieved 17 December 2021.
- ^ "Rosalía, Arca, and Dr. Dre are highlights of Grand Theft Auto Online: The Contract's soundtrack". The FADER. Retrieved 17 December 2021.
- ^ "'GTA Online' Adds New Music From Dr. Dre, JAY-Z, Snoop Dogg and More". HYPEBEAST. 14 December 2021. Retrieved 17 December 2021.
- ^ Games, Rockstar. "Próximamente en GTA Online: una nueva emisora con ROSALÍA y Arca; Big Boy y DJ Pooh renuevan emisoras y mucho más". Rockstar Games (in European Spanish). Retrieved 17 December 2021.
- ^ LOS40 (13 December 2021). "Rosalía presenta 'Motomami: Los Santos' en el Grand Theft Auto". LOS40 (in Spanish). Retrieved 17 December 2021.
- ^ "Rosalía to host new GTA Online radio station with Arca". Consequence. 13 December 2021. Retrieved 17 December 2021.
- ^ "Motomami credits". rosalia.com. Retrieved 20 March 2022.
- ^ Motomami release formats:
- "MOTOMAMI CD Album". Rosalia Official Online Store. Archived from the original on 18 March 2022. Retrieved 19 March 2022.
- "MOTOMAMI by ROSALÍA". Apple Music (global). Archived from the original on 19 March 2022. Retrieved 19 March 2022.
- ^ "MOTOMAMI Red Transparent Vinyl". Rosalia Official Online Store. Archived from the original on 18 March 2022. Retrieved 19 March 2022.
External links[]
- 2022 albums
- Albums produced by Frank Dukes
- Albums produced by El Guincho
- Albums produced by Pharrell Williams
- Albums produced by Tainy
- Albums produced by the Weeknd
- Columbia Records albums
- Concept albums
- Rosalía (singer) albums
- Spanish-language albums
- Experimental pop albums