Mstyslav Chernov

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Mstyslav Chernov
Мстислав Андрійович Чернов
MstyslavChernov2017.jpg
Mstyslav Chernov, London, 2017
Born1985 (age 36–37)[1][2]
Kharkiv, Ukraine[1]
NationalityUkraine
Occupation
EmployerThe Associated Press
Websitewww.mstyslav.com

Mstyslav Chernov (Ukrainian: Мстислав Андрійович Чернов; born 1985) is a Ukrainian photographer, photojournalist, filmmaker, war correspondent and novelist known for his coverage of Ukrainian revolution, War in Donbass, including the downing of flight MH17, Syrian Civil War, Battle of Mosul in Iraq as well as for his diverse photography exhibitions. Chernov is an Associated Press journalist and the President of the Ukrainian Association of Professional Photographers (UAPF). Chernov's materials have been published and aired by multiple news outlets worldwide, including CNN, BBC, The New York Times, Washington Post, and others. He has both won and been a finalist for prestigious awards, including the Livingston Award, Rory Peck Award and various Royal Television Society awards. Chernov has been wounded several times while working in conflict zones.

Career in photography and journalism[]

Fine-art and documentary photography: 2005—2013[]

Chernov started his career in photography in 2005, working for a local Kharkiv news agency MediaPort.[3][4] He gained notoriety in 2008 when he received the 1st prize at a local photography exhibition "Kharkiv through the eyes of its inhabitants".[5] In the same year, he had his first personal photography exhibition "Musica per somnia," conceived and organized with assistance of Yuriy Yanko, the Director of Kharkiv Philharmonic Society, who was impressed by Chernov's photographs of Sayaka Shoji, a Japanese violinist, then performing with Kharkiv Philarmonics.[4][5] In 2009, Chernov won another first place award in local photo expo "Almost disappearing Kharkiv", covering crumbling examples of the city's older architecture.[6]

Starting in 2008, Chernov worked with Chernobyl Children International, the Novick Cardiac Alliance, photographing cardiac surgeries.[7] Chernov's transition to documentary photography continued. In 2012 he lived in Cambodia, focusing on local health care and cultural projects.[8]

Meanwhile, by 2013, Chernov's work gained national recognition. His 2013 photographs landed him the first place in the Ukrainian contest "Photographer of the Year" in nomination documentary photography.[9] In the same year, Chernov was a winner of the Pentax Awards Ukraine 2013[10] and Best Press Photographer, Ukraine, nomination "portrait".[11] He photographed in over forty countries and had another personal exhibition, Rainy Season, featuring images of the Far East.[12][13]

In 2013, Chernov became the President of the Ukrainian Association of Professional Photographers (UAPF).[1][14] Chernov's installation art project Peeking in Windows – placing enlarged old photographs into windows of abandoned buildings – gained the attention of the national press and was repeated in subsequent years.[14][15][16] In 2013, Chernov was invited to participate in Unframe, an international project around documentary photography.[17]

Journalism[]

In the summer of 2013, while photographing in Istanbul, Turkey, Chernov found himself in the middle of Gezi Park protests. The images of night violence impressed Chernov and triggered a shift from fine-art photography and documentary photography to conflict and war reporting.[18]

  • Chernov's photographs of Gezi Park Protests, Istambul, 2013

  • June 3, 2013

  • June 5, 2013

  • June 15, 2013

  • June 15, 2013

  • June 15, 2013

Euromaidan[]

In late 2013, Ukraine's capital Kyiv became embroiled in mass protests – "Euromaidan" which culminated in bloodshed, Ukrainian Revolution of 2014, and the ousting of the Ukrainian president Viktor Yanukovich. Chernov photographed the action as a MediaPort and Unframe correspondent. As violence intensified, he was attacked and wounded several times. In early December 2013, pro-Yanukovich police targeted and attacked members of the press, injuring Chernov's hand with a baton, tearing up his press credentials, and destroying his photography equipment.[19] In January 2014, ignoring Chernov's insignia that identified him as a member of the press, a pro-Yanukovich policeman deliberately threw a stun grenade into Chernov, injuring his legs and eye with shrapnel.[20][21]

The events in Kyiv attracted considerable international attention. Many international reporters flocked to cover the Ukrainian Revolution which later transitioned into the annexation of Crimea and War in Donbass. Chernov provided the international reporters with local assistance, also starting as a translator and a stringer for The Associated Press.[18][22] Chernov's background in photography and his partnership with other reporters allowed him to polish his video filming skills and become a regular freelancer for Associated Press in May 2014.[22]

  • Chernov's photographs of Euromaidan, 2013—2014

  • Protesters, November 30, 2013

  • Berkut man pointing gut at protesters, January 19, 2014

  • January 22, 2014

  • February 18, 2014

  • Bodies of protesters, February 20, 2014

Career with Associated Press[]

By July 2014, Chernov already worked as an independent multi-format (text, photo, and video) journalist for The Associated Press.[22] Russian military intervention to Donbass had created another conflict zone in Ukraine, and Chernov covered War in Donbass in 2014, becoming one of very few journalists who reported the conflict from both sides.[23][24][25]

On his third day working as an independent AP journalist, Malaysia Airlines Flight 17 was shot down in the area, and Chernov provided first images of the incident. Chernov's reporting played an essential role in The Associated Press' coverage of the event.[22] For his coverage of the event, Chernov was awarded "Young Talent of the Year" Award by Royal Television Society.[22]

In subsequent years as an AP journalist and war correspondent, Chernov covered the war in Syria and the Battle of Mosul in Iraq[18] as well as the European migrant crisis in Greece, Macedonia, Slovenia, Croatia, Hungary, Austria, and Germany.[17] In 2017, in Mosul, a sniper bullet pierced through Chernov's camera and stuck in his ballistic vest.[24] Chernov's Iraqi videos were finalist entries for Rory Peck Award in 2017[26][27] and for Royal Television Society awards in 2017 and 2018.[28][29]

Chernov's reports were published worldwide, including being picked up by The Independent,[30] The Seattle Times,[31] Military Times,[32] Navy Times,[33] Washington Examiner.[34] Chernov's photographs were also published in the New York Times, Washington Post, Wall Street Journal, Forbes, Guardian, Daily Telegraph, Dailymail, Le Monde, Deutsche Welle, Die Zeit, and others, and his videos were aired on BBC, EuroNews, CNN, Fox News, Sky News, Al Jazeera, and others.[17] In 2016, a Royal Television Society judge commented that "given the range, volume, and global distribution of [Chernov's] footage, there may have been days last year when we watched [Chernov's reporting] all day."[35]

  • Samples of Chernov's documentary photographs, 2015—2016

  • Mourning of fighters, Donetsk, Ukraine, June 2015

  • Syrian refugees in Hungary, September 2015

  • The aftermath of Paris Terrorist Attacks, November 2015

  • Mosul, Iraq, November 2016

  • Mosul, Iraq, November 2016

Chernov's style[]

Outside observers note Chernov's deep compassion to humanity that makes his imagery influential. They also note the vast spectrum of his creative work and his "exceptional eye for detail."[36]

A Ukrainian photographer and a photography exhibition curator in Kharkiv, Vladimir Ogloblin, commented on Chernov's work: "Mstyslav has exceptionally deep vision [sic] it's obvious that he feels for the people on his photographs. Mstyslav has a good intuition, a rare gift, how to convey in photographs what he sees."[37]

The Director of the European news section of The Associated Press, Caro Kriel, said: "Through his involvement in some critical stories, Chernov has quickly proved himself to be a rare, multiformat journalist with an uncanny ability to develop a story in the most difficult conditions. He is a natural visual storyteller and his signature trait – compassion for humanity that suffuses almost every image – has ensured that his work has had an immediate impact."[22]

A judge of Royal Television Society Awards commented that "[Chernov] has an exceptional eye for detail and a full range of shots across his portfolio, capturing emotion and conveying the fear and sometimes panic that was at the heart of so many news events last year."[35]

Chernov himself believes that war should not be glamorized but pictured as is. Commenting on his own work, Chernov noted that he doesn't necessarily enjoys war journalism, but feels that he's at the right place, albeit his work might transition at some point to a different kind of photography, for example, to working for National Geographic.[24]

Chernov prefers to work "light," carrying simpler, smaller equipment, that could always be on him and ready to shoot at all times. He works with small cameras and usually doesn't use a tripod.[27]

Writing[]

In January 2020, Chernov presented his psychological novel Dreamtime (Ukrainian: Часи сновидінь), a 500-page fiction conceived and written over an 8-year period.[38][39] Alluding to aboriginal Dreamtime, the novel examines societies' collective experiences ("dreams") with war and conflict and is loosely based on real events that Chernov witnessed during the War in Donbass, the Migration crisis in Europe and others.[40][39] It features four intertwined plot lines that span across vast geography from Eastern Ukraine to Southern Europe, then to Southeast Asia, yet united by a common theme of internal conflict resolution.[38][39] The novel was launched in Kyiv as a focal point of a video art exhibition devoted to the role of media in creating public collective experiences.[40][41] The novel was credited for its creative literary application of dreams to showcase protagonists' psyches and for its "serious" and "masterly prose."[40][42]

Awards[]

External video
video icon Chernov's documentary from Iraq, Rory Peck Award Finalist, YouTube video
Year Award Category Result Ref
2020 Royal Television Society Award Camera Operator of the Year Nominated [43][44]
2019 APME: Powerful Stories Use of video 1 [45]
2019 Livingston Award International Reporting Finalist [46]
2018 Royal Television Society Award Camera Operator of the Year Nominated [28]
2017 Royal Television Society Award Camera Operator of the Year Nominated [29]
2017 Rory Peck Award Finalist [26][27]
2016 Royal Television Society Award Camera Operator of the Year Won [35]
2015 Ukrainian photographer of the year (2014) Reportage 1 [23]
2015 Royal Television Society Award Young Talent of the Year Won [47]
2014 Ukrainian photographer of the year (2013) Reportage 1 [9][48]
2014 Humanity Photo Award (HPA) (2013) Finalist [17]
2013 Pentax Awards, Ukraine Won [10]
2013 PRESSzvanie Awards, Ukraine Portrait Won [11][49][50]
2013 International FIPP FREMANTLE Portrait Photography Contest, Australia Portrait Finalist [17]
2013 Ukrainian photographer of the year (2012) Documentary photography 2 [51]
2013 Panasonic Photo Contest, Ukraine Won [17]
2009 Almost disappearing Kharkiv, Kharkiv, Ukraine 1 [6]
2008 Kharkiv through the eyes of its inhabitants, Kharkiv, Ukraine 1 [5]

Exhibitions[]

Year Name Location Ref
2020 Production of Dreams, or What the Modern Media Machine Offers Kyiv, Ukraine (with Igor Chekachkov) [52][53]
2019 The Ukrainian Revolution Khmelnytskyi, Ukraine [2]
2017 Ukraine on Fire Düsseldorf [54]
2015 Maidan – Valor, Will and Pain Kharkiv, Ukraine [55]
2015 I'm a Volunteer at Heart Sumy, Ukraine [56]
2014 Red, International Red Cross Kyiv, Ukraine [17]
2013 Euromaidan: freedom territory Riga, Latvia [17]
2013 Rainy Season Kharkiv, Ukraine [3][12][13]
2008 Musica per Somnia Kyiv, Ukraine [4][5]

See also[]

References[]

  1. ^ a b c UAPF 2019.
  2. ^ a b Museum Space, February 19, 2019.
  3. ^ a b Kharkiv City Council, March 14, 2013.
  4. ^ a b c Kharkov city portal, March 21, 2008.
  5. ^ a b c d Kolesnik 2008.
  6. ^ a b Simonenko 2008.
  7. ^ Unframe, March 12, 2013.
  8. ^ Unframe, November 11, 2013.
  9. ^ a b Foto.ua, March 26, 2014.
  10. ^ a b Foto.ua, December 27, 2013.
  11. ^ a b Ukrainian News, April 23, 2013.
  12. ^ a b Center for Culture and Art 2013.
  13. ^ a b 057.ua 2013.
  14. ^ a b Gorchins'ka 2013.
  15. ^ Zharenov 2015.
  16. ^ Zhuravleva 2015.
  17. ^ a b c d e f g h Unframe, 2019.
  18. ^ a b c Gordіenko 2018.
  19. ^ Kornienko 2013.
  20. ^ Evening Kharkiv, January 27, 2014.
  21. ^ MediaPort, January 22, 2014.
  22. ^ a b c d e f Imregi 2015.
  23. ^ a b Foto.ua, July 2, 2015.
  24. ^ a b c Meshherjakova 2018.
  25. ^ The VASA Project, June 2, 2014.
  26. ^ a b BBC 2017.
  27. ^ a b c Romanek 2017.
  28. ^ a b Television, February 28, 2018.
  29. ^ a b Television, March 1, 2017.
  30. ^ The Independent 2014.
  31. ^ The Seattle Times 2019.
  32. ^ Military Times 2017.
  33. ^ Navy Times 2017.
  34. ^ Washington Examiner 2014.
  35. ^ a b c Television, February 17, 2016.
  36. ^ Business Insider, February 18, 2016.
  37. ^ Dikan' 2013.
  38. ^ a b Landesman 2020.
  39. ^ a b c Gordon Boulevard 2020.
  40. ^ a b c Nikitenko 2020.
  41. ^ Pugach 2020.
  42. ^ Ukrainian literary newspaper 2020.
  43. ^ Television 2020.
  44. ^ MediaSapiens 2020.
  45. ^ Sellers-Earl 2019.
  46. ^ Riley 2019.
  47. ^ Television, February 18, 2015.
  48. ^ Photonews Post 2014.
  49. ^ Foto.ua, April 29, 2013.
  50. ^ Unframe, May 13, 2013.
  51. ^ AdMe.ua, March 1, 2013.
  52. ^ Kyiv Post 2020.
  53. ^ Vogue Ukraine 2020.
  54. ^ Kin-Top 2017.
  55. ^ Kharkiv Regional Administration, February 18, 2015.
  56. ^ Kas'janenko 2015.

Literature cited[]

External links[]

This article is based on the text donated by the Wenard Institute under CC-BY-4.0 license.

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