Muriel Rukeyser

From Wikipedia, the free encyclopedia

Muriel Rukeyser
Muriel Rukeyser in 1945
Muriel Rukeyser in 1945
Born(1913-12-15)December 15, 1913
New York City
DiedFebruary 12, 1980(1980-02-12) (aged 66)
New York City
CitizenshipAmerican

Muriel Rukeyser (December 15, 1913 – February 12, 1980) was an American poet and political activist, best known for her poems about equality, feminism, social justice, and Judaism. Kenneth Rexroth said that she was the greatest poet of her "exact generation."[1]

One of her most powerful pieces was a group of poems titled The Book of the Dead (1938), documenting the details of the Hawk's Nest incident, an industrial disaster in which hundreds of miners died of silicosis.

Her poem "To be a Jew in the Twentieth Century" (1944), on the theme of Judaism as a gift, was adopted by the American Reform and Reconstructionist movements for their prayer books, something Rukeyser said "astonished" her, as she had remained distant from Judaism throughout her early life.[2]

Early life[]

Muriel Rukeyser was born on December 15, 1913 to Lawrence and Myra Lyons Rukeyser.[3] She attended the Ethical Culture Fieldston School, a private school in The Bronx, then Vassar College in Poughkeepsie. From 1930 to 32, she attended Columbia University.

Her literary career began in 1935 when her book of poetry Theory of Flight, based on flying lessons she took, was chosen by the American poet Stephen Vincent Benét for publication in the Yale Younger Poets Series.

Activism and writing[]

Rukeyser was one of the great integrators, seeing the fragmentary world of modernity not as irretrievably broken, but in need of societal and emotional repair.

— Adrienne Rich, Essays on Art in Society, A Human Eye

Rukeyser was active in progressive politics throughout her life. At age 21, she covered the Scottsboro case in Alabama, then worked for the International Labor Defense, which handled the defendants' appeals. She wrote for the Daily Worker and a variety of publications, including Decision and Life & Letters Today, for which she covered the People's Olympiad (Olimpiada Popular, Barcelona), the Catalan government's alternative to the Nazis' 1936 Berlin Olympics. While she was in Spain, the Spanish Civil War broke out, the basis of her book Mediterranean. Most famously, she traveled to Gauley Bridge, West Virginia, to investigate the recurring silicosis among miners there, which resulted in her poem sequence The Book of the Dead. During and after World War II, she gave a number of striking public lectures, published in her The Life of Poetry (excerpts here). For much of her life, she taught university classes and led workshops, but she never became a career academic.

In 1996, Paris Press reissued The Life of Poetry, which was published in 1949 but had fallen out of print. In a publisher's note, Jan Freeman called it a book that "ranks among the most essential works of twentieth century literature." In it Rukeyser makes the case that poetry is essential to democracy, essential to human life and understanding.

In the 1960s and 1970s, when Rukeyser presided over PEN's American center, her feminism and opposition to the Vietnam War drew a new generation to her poetry. The title poem of her last book, The Gates, is based on her unsuccessful attempt to visit Korean poet Kim Chi-Ha on death row in South Korea. In 1968, she signed the "Writers and Editors War Tax Protest" pledge, vowing to refuse tax payments in protest against the Vietnam War.[4]

In addition to her poetry, she wrote a fictionalized memoir, The Orgy, plays and screenplays, and translated work by Octavio Paz and Gunnar Ekelöf. She also wrote biographies of Josiah Willard Gibbs, Wendell Willkie, and Thomas Hariot. Andrea Dworkin worked as her secretary in the early 1970s. Also in the 1970s she served on the Advisory Board of the Westbeth Playwrights Feminist Collective, a New York City based theatre group that wrote and produced plays on feminist issues.

Rukeyser died in New York on February 12, 1980, from a stroke, with diabetes as a contributing factor. She was 66.

In other media[]

In the television show Supernatural, Metatron the angel quotes an excerpt of Rukeyser's poem "Speed of Darkness": "The Universe is made of stories, not of atoms."

Speed of Darkness

Jeanette Winterson's novel Gut Symmetries (1997) quotes Rukeyser's poem "King's Mountain".

Rukeyser's translation of a poem by Octavio Paz was adapted by Eric Whitacre for his choral composition "Water Night." John Adams set one of her texts in his opera Doctor Atomic, and Libby Larsen set the poem "Looking at Each Other" in her choral work Love Songs. “Recovering,” for soprano and piano, is a setting by Chester Biscardi of two lines from her “The Poem as Mask: Orpheus” and the entirety of “Recovering”.

Writer Marian Evans and composer Chris White are collaborating on a play about Rukeyser, Throat of These Hours, titled after a line in Rukeyser's Speed of Darkness.

She also served as the principal writer for the Lee R. Bobker-directed film All the Way Home - 1957, a story about a white family who has just put their house on the market and are soon showing it to an interested black family; neighbors begin to gossip and soon the white family becomes the target of harassment and threats by bigoted residents in the community, who do not want a black family in the neighborhood.[5] [6]

The JDT: Journal of Narrative Theory, a publication from Eastern Michigan University, dedicated a special issue to Rukeyser in Fall 2013.[7]

Rukeyser's 5-poem sequence "Käthe Kollwitz" (The Speed of Darkness, 1968, Random House)[8] was set by Tom Myron in his composition "Käthe Kollwitz for Soprano and String Quartet," "written in response to a commission from violist Julia Adams for a work celebrating the 30th anniversary of the Portland String Quartet in 1998."[9]

Rukeyser's poem "Gunday's Child" was set to music by the experimental rock band Sleepytime Gorilla Museum.

Personal life[]

Rukeyser married painter Glynn Collins in 1945. The marriage only lasted six weeks; Rukeyser had the marriage annulled 12 weeks later. [10]

On September 25, 1947, Rukeyser gave birth to son William Laurie Rukeyser (initially named Laurie) as a single woman; she never publicly revealed the father of her son. [11][12]

She was bisexual.[13]

Awards[]

  • Yale Younger Poets Award (1935) with Theory of Flight
  • Harriet Monroe Poetry Award (the first)
  • Guggenheim Fellowship

Works[]

Film

  • Writer of "All the Way Home (1957) | When A Black Family Moves Next Door." [14] [15]


Rukeyser's original collections of poetry
  • Theory of Flight. Foreword by Stephen Vincent Benet. New Haven: Yale Uni. Press, 1935. Won the Yale Younger Poets Award in 1935.
  • Mediterranean. Writers and Artists Committee, Medical Bureau to Aid Spanish Democracy, 1938.
  • U.S. 1: Poems. Covici, Friede, 1938.
  • A Turning Wind: Poems. Viking, 1939.
  • The Soul and Body of John Brown. Privately printed, 1940.
  • Wake Island. Doubleday, 1942.
  • Beast in View. Doubleday, 1944.
  • The Green Wave: Poems. Garden City, NY: Doubleday, 1948. Includes translations of Octavio Paz poems and rari.
  • Orpheus. Centaur Press, 1949. With the drawing "Orpheus" by Picasso.
  • Elegies. New Directions, 1949.
  • Selected Poems. New Directions, 1951.
  • Body of Waking: Poems. NY: Harper, 1958. Includes translated poems of Octavio Paz.
  • Waterlily Fire: Poems 1935-1962. NY: Macmillan, 1962.
  • The Outer Banks. Santa Barbara CA: Unicorn, 1967. 2nd rev. ed., 1980.
  • The Speed of Darkness: Poems. NY: Random House, 1968.
  • 29 Poems. Rapp & Whiting, 1972.
  • Breaking Open: New Poems. Random House, 1973.
  • The Gates: Poems. NY: McGraw-Hill, 1976.


Fiction by Rukeyser
  • Savage Coast : A Novel. Feminist Press, 2013.[16]


Plays by Rukeyser
  • The Middle of the Air. Produced in Iowa City, IA, 1945.
  • The Colors of the Day: A Celebration of the Vassar Centennial. Produced in Poughkeepsie, NY, at Vassar College, June 10, 1961.
  • Houdini. Produced in Lenox, MA, at Lenox Arts Center, July 3, 1973.[17] Published as Houdini: A Musical, Paris Press, 2002.[18]


Children's books
  • Come Back, Paul. Harper, 1955.[19]
  • I Go Out. Harper, 1961. Illustrated by Leonard Kessler. [20]
  • Bubbles. Harcourt, Brace & World, 1967.[21]
  • Mazes. Simon & Schuster, 1970. Photography by Milton Charles.[22]
  • More Night. Harper & Row, 1981. Illustrated by Symeon Shimin. [23]


Memoirs by Rukeyser
  • The Orgy: An Irish Journey of Passion and Transformation. London: Andre Deutsch, 1965; NY: Pocket Books, 1966; Ashfield, MA: Paris Press, 1997.[24]


Works of criticism by Rukeyser
  • The Life of Poetry. NY: Current Books, 1949; Morrow, 1974; Paris Press, 1996.[25]


Biographies by Rukeyser
  • Willard Gibbs: American Genius, 1942. Reprinted by the Ox Bow Press, Woodbridge CT. Biography of Josiah Willard Gibbs, physicist. [20]
  • One Life. NY: Simon and Schuster, 1957. Biography of Wendell Willkie.
  • The Traces of Thomas Hariot. NY: Random House, 1971. Biography of Thomas Hariot.


Translations by Rukeyser
  • Selected Poems of Octavio Paz. Indiana University Press, 1963. Rev. ed. published as Early Poems 1935-1955, New Directions, 1973.
  • Sun Stone. Octavio Paz. New Directions, 1963.
  • Selected Poems of Gunnar Ekelöf. With Leif Sjöberg. Twayne, 1967.
  • Three Poems. Gunnar Ekelöf. T. Williams, 1967.
  • Uncle Eddie's Moustache. Bertolt Brecht. 1974.
  • A Molna Elegy: Metamorphoses. Gunnar Ekelöf. With Leif Sjöberg. 2 volumes. Unicorn Press, 1984.


Edited collections of Rukeyser's works
  • The Collected Poems of Muriel Rukeyser. McGraw, 1978.
  • Out of Silence: Selected Poems. Edited by Kate Daniels. Triquarterly Books, 1992.
  • A Muriel Rukeyser Reader. Norton, 1994.
  • The Collected Poems of Muriel Rukeyser. University of Pittsburgh Press, 2005.

References[]

  1. ^ Poem Hunter. "Muriel Rukeyser." https://www.poemhunter.com/muriel-rukeyser/biography/
  2. ^ "On "To Be a Jew in the Twentieth Century"". Modern American Poetry. University of Illinois at Urbana-Champaign. Retrieved April 6, 2012.
  3. ^ Unger, Leonard; Litz, A. Walton; Weigel, Molly; Bechler, Lea; Parini, Jay (January 1, 1974). American writers: a collection of literary biographies. New York: Scribner. ISBN 0684197855. OCLC 1041142.
  4. ^ "Writers and Editors War Tax Protest" January 30, 1968 New York Post
  5. ^ imdb. "All the Way Home (1957) | When A Black Family Moves Next Door." https://www.imdb.com/title/tt0497706/plotsummary?ref_=tt_ov_pl
  6. ^ All the Way Home (1957) | When A Black Family Moves Next Door. https://www.youtube.com/watch?v=S9e7zXKNNwg
  7. ^ "Muriel Rukeyser: A Living Archive". Eastern Michigan University. December 4, 2013. Archived from the original on January 17, 2014. Retrieved January 16, 2014.
  8. ^ "Käthe Kollwitz". murielrukeyser.emuenglish.org. Retrieved March 1, 2020.
  9. ^ "Darkness & Light, Vol. 3". dramonline.org. Retrieved March 1, 2020.
  10. ^ Reveries Under the Sign of Austen, Two . "Foremother Poet: Muriel Rukeyser (1913-1980)." Author: Ellen and Jim. August 25, 2012. https://reveriesunderthesignofausten.wordpress.com/2012/08/25/foremother-poet-muriel-rukeyser-1913-1980/
  11. ^ Jewish Women Archive. MURIELRUKEYSER - 1913 – 1980. Michael J. Schwartz
  12. ^ Reveries Under the Sign of Austen, Two . "Foremother Poet: Muriel Rukeyser (1913-1980)." Author: Ellen and Jim. August 25, 2012.
  13. ^ https://jewishcurrents.org/muriels-gift/ Muriel’s Gift February 11, 2016 Posted by Helen Engelhardt Rukeyser’s Poems on Jewish Themes by Helen Engelhardt, accessed December 15, 2019
  14. ^ imdb. "All the Way Home (1957) | When A Black Family Moves Next Door." https://www.imdb.com/title/tt0497706/plotsummary?ref_=tt_ov_pl
  15. ^ All the Way Home (1957) | When A Black Family Moves Next Door. https://www.youtube.com/watch?v=S9e7zXKNNwg
  16. ^ Rukeyser, Muriel; Kennedy-Epstein, Rowena (January 1, 2014). Savage coast. ISBN 9781558618206. OCLC 887938693.
  17. ^ "Muriel Rukeyser". Poetry Foundation. March 7, 2017. Retrieved March 8, 2017.
  18. ^ Spangler, David; Rukeyser, Muriel (January 1, 2002). Houdini: a musical. Ashfield, Mass.: Paris Press. ISBN 1930464045.
  19. ^ Rukeyser, Muriel (1955). Come back, Paul. New York: Harper. ISBN 9780916384111.
  20. ^ Jump up to: a b Rosenbaum, Judith (March 20, 2009). "Muriel Rukeyser". Jewish Women's Archive. Retrieved March 4, 2020.
  21. ^ Rukeyser, Muriel (1967). Bubbles. New York: Harcourt, Brace & World. ISBN 9780152128302.
  22. ^ Rukeyser, Muriel; Charles, Milton (January 1, 1970). Mazes. New York: Simon and Schuster. ISBN 067165151X. OCLC 113139.
  23. ^ Rukeyser, Muriel (1981). More Night. Harper & Row. ISBN 9780060251277.
  24. ^ Rukeyser, Muriel (1965). The Orgy. London: Andre Deutsch. ISBN 0-9638183-2-5.
  25. ^ Rukeyser, Muriel (1949). The Life of Poetry. New York City: Current Books inc. ISBN 0-9638183-3-3.

Further reading[]

  • Barber, David S. "Finding Her Voice: Muriel Rukeyser's Poetic Development." Modern Poetry Studies 11, no. 1 (1982): 127–138
  • Barber, David S. "'The Poet of Unity': Muriel Rukeyser's Willard Gibbs." CLIO: A Journal of Literature, History and the Philosophy of History 12 (Fall 1982): 1–15; "Craft Interview with Muriel Rukeyser." New York Quarterly 11 (Summer 1972) and in The Craft of Poetry, edited by William Packard (1974)
  • Daniels, Kate, ed. Out of Silence: Selected Poems of Muriel Rukeyser (1992), and "Searching/Not Searching: Writing the Biography of Muriel Rukeyser." Poetry East 16/17 (Spring/Summer 1985): 70–93
  • Gander, Catherine. Muriel Rukeyser and Documentary: The Poetics of Connection (EUP, 2013)
  • Gardinier, Suzanne. "'A World That Will Hold All The People': On Muriel Rukeyser." Kenyon Review 14 (Summer 1992): 88–105
  • Herzog, Anne E. & Kaufman, Janet E. (1999) "But Not in the Study: Writing as a Jew" in How Shall We Tell Each Other of the Poet?: The Life and Writing of Muriel Rukeyser.
  • Jarrell, Randall. Poetry and the Age (1953)
  • Kertesz, Louise. The Poetic Vision of Muriel Rukeyser (1980)
  • Levi, Jan Heller, ed. A Muriel Rukeyser Reader (1994)
  • Myles, Eileen, "Fear of Poetry." Review of The Life of Poetry, The Nation (April 14, 1997). This page includes several reviews, with much biographical information.
  • Pacernick, Gary. "Muriel Rukeyser: Prophet of Social and Political Justice." Memory and Fire: Ten American Jewish Poets (1989)
  • Rich, Adrienne. "Beginners." Kenyon Review 15 (Summer 1993): 12–19
  • Rosenthal, M.L. "Muriel Rukeyser: The Longer Poems." In New Directions in Prose and Poetry, edited by James Laughlin. Vol. 14 (1953): 202–229;
  • Rudnitsky, Lexi. "Planes, Politics, and Protofeminist Poetics: Muriel Rukeyser's Theory of Flight and The Middle of the Air," Tulsa Studies in Women's Literature, v.27, n.2 (Fall 2008), pp. 237–257, DOI: 10.1353/tsw.0.0045
  • "A Special Issue on Muriel Rukeyser." Poetry East 16/17 (Spring/Summer 1985);
  • Thurston, Michael, "Biographical sketch." Modern American Poetry, retrieved January 30, 2006
  • Turner, Alberta. "Muriel Rukeyser." In Dictionary of Literary Biography 48, s.v. "American Poets, 1880–1945" (1986): 370–375; UJE;
  • "Under Forty." Contemporary Jewish Record 7 (February 1944): 4–9
  • Ware, Michele S. "Opening 'The Gates': Muriel Rukeyser and the Poetry of Witness." Women's Studies: An Introductory Journal 22, no. 3 (1993): 297–308; WWWIA, 7.

External links[]

Retrieved from ""