Nalo Hopkinson

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Nalo Hopkinson
Nalo Hopkinson in 2007
Nalo Hopkinson in 2007
Born (1960-12-20) 20 December 1960 (age 60)
Kingston, Jamaica
OccupationWriter, editor
LanguageEnglish
NationalityCanadian
CitizenshipCanada
EducationMaster of Arts
Alma materSeton Hill University
GenreScience fiction, fantasy
Notable worksBrown Girl in the Ring
The Salt Roads
Skin Folk
Notable awardsPrix Aurora Award,
Gaylactic Spectrum Award,
John W. Campbell Award for Best New Writer,
Locus Award,
Sunburst Award for Canadian Literature of the Fantastic,
World Fantasy Award
Website
nalohopkinson.com

Nalo Hopkinson (born 20 December 1960) is a Jamaican-born Canadian speculative fiction writer and editor. Her novels (Brown Girl in the Ring, Midnight Robber, The Salt Roads, The New Moon's Arms) and short stories such as those in her collection Skin Folk often draw on Caribbean history and language, and its traditions of oral and written storytelling.

Hopkinson has edited two fiction anthologies (Whispers From the Cotton Tree Root: Caribbean Fabulist Fiction and Mojo: Conjure Stories). She was the co-editor with Uppinder Mehan for the anthology So Long Been Dreaming: Postcolonial Visions of the Future, and with Geoff Ryman for Tesseracts 9.

Hopkinson defended George Elliott Clarke's novel Whylah Falls on the CBC's Canada Reads 2002. She was the curator of Six Impossible Things, an audio series of Canadian fantastical fiction on CBC Radio One.

As of 2013, she lives and teaches in Riverside, California.[1]In 2020, Hopkinson was named the 37th Damon Knight Grand Master.[2]

Early life and education[]

Nalo Hopkinson was born 20 December 1960 in Kingston, Jamaica, to Freda and Muhammed Abdur-Rahman Slade Hopkinson.[3] She grew up in Guyana, Trinidad, and Canada.[4] She was raised in a literary environment; her mother was a library technician and her father a Guyanese poet, playwright and actor who also taught English and Latin.[1] By virtue of this upbringing, Hopkinson had access to writers like Derek Walcott during her formative years, and could read Kurt Vonnegut's works by the age of six.[1] Hopkinson's writing is influenced by the fairy and folk tales she read at a young age, which included Afro-Caribbean stories like Anansi, as well as Western works like Gulliver's Travels, the Iliad, the Odyssey;[5] she was also known to have read the works of Shakespeare around the time she was reading Homer.[6] Though she lived in Connecticut briefly during her father's tenure at Yale University, Hopkinson has said that the culture shock from her move to Toronto from Guyana at the age of 16 was something "to which [she's] still not fully reconciled".[5][7] She lived in Toronto from 1977 to 2011 before moving to Riverside, California where she works as Professor of Creative Writing at University of California Riverside.[8]

Hopkinson has a Masters of Arts degree in Writing Popular Fiction from Seton Hill University, where she studied with her mentor and instructor, science fiction writer James Morrow. She has learning disabilities.[9]

Career[]

Before working as a professor, Hopkinson held jobs in libraries, worked as a government culture research officer, and held the position of grants officer at the Toronto Arts Council.[1] She has taught writing at various programs around the world, including stints as writer-in-residence at Clarion East, Clarion West and . Publishing and writing was stopped for six years due to a serious illness that prevented her from working. Severe anemia, caused by fibroids as well as a vitamin D deficiency, led to financial difficulties and ultimately homelessness for two years prior to being hired by UC Riverside.[1]

In 2011, Hopkinson was hired as an associate professor in creative writing with an emphasis on science fiction, fantasy, and magical realism at University of California, Riverside.[1][3] She became a full professor in 2014.[10]

As an author, Hopkinson often uses themes of Caribbean folklore, Afro-Caribbean culture, and feminism.[5] She is historically conscious and uses knowledge from growing up in Caribbean communities in her writing, including the use of Creole and character backgrounds from Caribbean countries including Trinidad and Jamaica.[5] In addition, Hopkinson consistently writes about subjects including race, class, and sexuality.[1] Through her work, particularly in Midnight Robber, Hopkinson addresses differences in cultures as well as social issues such as child and sexual abuse.[5]

Hopkinson has been a key speaker and guest of honor at multiple science fiction conventions. She is one of the founding members of the Carl Brandon Society and serves on the board.[1][11]

Hopkinson's favorite writers include Samuel R. Delany, Tobias S. Buckell, and Charles Saunders.[1] In addition, inspiration for her novels often comes from songs or poems with Christina Rossetti's poem "Goblin Market" serving as the inspiration for .[1] Personal hobbies include sewing, cooking, gardening, and fabric design.[12] Hopkinson designs fabrics based on historical photos and illustrations.[13]

Awards[]

Hopkinson was the recipient of the 1999 John W. Campbell Award for Best New Writer[14] and the Ontario Arts Council Foundation Award for Emerging Writers.

Brown Girl in the Ring was nominated for the Philip K. Dick Award in 1998, and received the Locus Award for Best First Novel.[15] In 2008 it was a finalist in Canada Reads, produced by the Canadian Broadcasting Corporation.

Midnight Robber was shortlisted for the James R. Tiptree Jr. Memorial Award in 2000[16] and nominated for the Hugo Award for Best Novel in 2001.[17]

Skin Folk received the World Fantasy Award and the Sunburst Award for Canadian Literature of the Fantastic in 2003.[18]

The Salt Roads received the Gaylactic Spectrum Award for positive exploration of queer issues in speculative fiction for 2004, presented at the 2005 Gaylaxicon. It was also nominated for the 2004 Nebula Award.

In 2008, The New Moon's Arms received the Prix Aurora Award (Canada's reader-voted award for science fiction and fantasy)[19] and the Sunburst Award for Canadian Literature of the Fantastic,[20] making her the first author to receive the Sunburst Award twice. This book was also nominated for the 2007 Nebula Award for Best Novel.[21]

In 2020, Hopkinson was named the 37th Damon Knight Grand Master by the Science Fiction and Fantasy Writers of America.[2]

Works[]

Novels[]

Collections and anthologies[]

Short fiction (first publications only)[]

  • "Slow Cold Chick" in anthology Northern Frights 5 (1998)
  • "A Habit of Waste" in anthology Women of Other Worlds: Excursions through Science Fiction and Feminism (1999)
  • "Precious" in anthology Silver Birch, Blood Moon (1999)
  • "The Glass Bottle Trick" in anthology Whispers From the Cotton Tree Root: Caribbean Fabulist Fiction (2000)
  • "Greedy Choke Puppy" and "Ganger (Ball Lightning)" in anthology Dark Matter: A Century of Speculative Fiction From the African Diaspora
  • "Midnight Robber" (excerpt from novel) reprinted in Young Bloods: Stories from Exile 1972–2001 (2001)
  • "Delicious Monster" in anthology Queer Fear II (2002)
  • "Shift" in journal Conjunctions: the New Wave Fabulists.
  • "Herbal" in The Bakkanthology
  • "Whose Upward Flight I Love" reprinted in African Voices
  • "The Smile on the Face" in anthology Girls Who Bite Back: Witches, Mutants, Slayers and Freaks (2004)

Comic book series[]

  • The Sandman Universe: House of Whispers (DC/Vertigo) (2018- )

See also[]

  • Works by Nalo Hopkinson
  • Nalo Hopkinson papers at the Special Collections and University Archives of University of California, Riverside

References[]

  1. ^ Jump up to: a b c d e f g h i j Mindy Farabee, "Nalo Hopkinson's science fiction and real-life family", Los Angeles Times, 21 March 2013.
  2. ^ Jump up to: a b "Nalo Hopkinson Named the 37th SFWA Damon Knight Grand Master". SFWA. 1 December 2020. Retrieved 3 August 2021.
  3. ^ Jump up to: a b "Nalo Hopkinson author biography". Hachette.com. Retrieved 23 November 2013.
  4. ^ Hopkinson, Nalo. The Salt Roads. New York: Warner Books, 2003. ISBN 978-0446533027.
  5. ^ Jump up to: a b c d e "A Conversation With Nalo Hopkinson", SF Site, 2000.
  6. ^ Donna Bailey Nurse, "Nalo Hopkinson: Brown girl in the ring", Quill & Quire, 2003-11.
  7. ^ "Nalo Hopkinson Biography". BookRags.com. Retrieved 5 June 2012.
  8. ^ Profile page Accessed 10 September 2016
  9. ^ "Nalo Hopkinson: 'I'll take my chances with the 21st century'". The Globe and Mail. 21 August 2015. Retrieved 10 October 2015.
  10. ^ "Nalo Hopkinson". UCRiverside Profiles. 2014. Retrieved 1 December 2020.
  11. ^ Gaylaxicon 2006. "Additional Author Guest". Archived from the original on 16 July 2011. Retrieved 22 March 2011.
  12. ^ Sofia Samatar (25 February 2013), "'Write Your Heart Out': An Interview with Nalo Hopkinson", Strange Horizons.
  13. ^ Liptak, Nick (8 January 2010). "Nalo Hopkinson's Other World". The New Yorker. Retrieved 5 June 2012.
  14. ^ "John W. Campbell Award for Best New Writer", Writertopia. Retrieved 21 June 2011.
  15. ^ Nailah King. "20 Black Writers to Read All Year Round". Room. Retrieved 25 July 2020.
  16. ^ "James Tiptree, Jr. Award 2000 Short List". James Tiptree, Jr. Literary Award Council. Archived from the original on 22 July 2012. Retrieved 5 June 2012.
  17. ^ "2001 Hugo Awards". The Hugo Awards. 3 September 2001. Archived from the original on 19 April 2012. Retrieved 5 June 2012.
  18. ^ "2003 Novels and Collections | The Sunburst Award Society". www.sunburstaward.org. Retrieved 3 August 2021.
  19. ^ "Prix Aurora Awards". Archived from the original on 22 July 2011. Retrieved 6 January 2011.
  20. ^ "2008 Sunburst Award Winners". The Sunburst Award Society. 17 September 2008. Archived from the original on 6 October 2015. Retrieved 5 June 2012.
  21. ^ "Nebula Awards 2001". SF Awards Database. Locus Science Fiction Foundation. Retrieved 1 May 2017.
  22. ^ "Experience the extraordinary Chuma Hill cover for the forthcoming Nalo Hopkinson story collection". Tumblr. Retrieved 26 January 2015.

Further reading[]

  • "Making the Impossible Possible: An Interview with Nalo Hopkinson" in Alondra Nelson, ed. Afrofuturism: A Special Issue of Social Text. Duke University Press. ISBN 0-8223-6545-6.

External links[]

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