Nicholas Tabarrok

Nicholas Tabarrok
Nicholas Tabarrok
Nationality	Canada
Occupation	film producer

Nicholas Tabarrok is a film producer who started his producing career with smaller unusual films, made in his native Canada.^[1] Later, larger budget films were made in America, or funded by Americans.

The Hollywood Reporter noted that Tabarrok was skilled at finding funding from government sources, citing his 2018 film Stockholm, as an example.^[2]^[3] Stockholm received funding help from Sweden due to casting Noomi Rapace, and other Swedish actors, and received funding help from Canada, where it was filmed. It reported that American actor Ethan Hawke was the only actor to film any scenes in Sweden—all establishing exterior shots.

Filmography[]

Films and television shows which Tabarrok produced or helped produce.
title	year	notes
	1997
	1997	a short
	1998	a short
	1998
Tribulation	2000
Lakeboat	2000
	2000	a made for tv movie
Quints	2000	a made for tv movie
Left Behind: The Movie	2000
Judgment	2001
	2001	a made for tv movie
	2002	a music video
Left Behind II: Tribulation Force	2002
	2003	a short film
	2004
The Life and Hard Times of Guy Terrifico	2005
Cool Money	2005	a made for TV movie
	2005
	2006
	2006
Weirdsville	2007
	2008
Hank and Mike	2008
Jack and Jill vs. the World	2008
Coopers' Camera	2008
Down to the Dirt	2008
	2008	a short film
	2008	a short film
Defendor	2009
Too Late to Say Goodbye	2009	a made for TV movie
	2009	a made for TV movie
	2009	a television miniseries
A Beginner's Guide to Endings	2010
	2010	a short film
	2011
	2012	a made for TV movie
	2012
Cold Blooded	2012
	2012-2013	a television series
The Art of the Steal	2013
The Calling	2014
The Intruders	2015
	2015
Numb	2015
	2015
Stockholm	2018
The Padre	2018
	2019	a short film
Benjamin	2019	directed by Bob Saget

References[]

^ Jennie Punter (2008-09-03). "Nicholas Tabarrok: Canuck expands Stateside". Variety magazine. Retrieved 2019-09-04.{{cite news}}: CS1 maint: url-status (link)
^ Etan Vlessing (2017-05-18). "Global Filmmakers Flock to Toronto for Movies Set in Los Angeles and Afghanistan". The Hollywood Reporter. Retrieved 2019-09-04. The setting wasn't the only benefit for the production. Stockholm received financial support from Telefilm Canada, the OMDC Feature Film Fund, the Harold Greenberg Fund (for scripts and polishing), an Ontario film tax credit (with a regional bonus) and a federal film tax credit.{{cite news}}: CS1 maint: url-status (link)
^ Etan Vlessing (2018-02-12). "How 'Stockholm' Turned a Toronto Suburb Into the Swedish City". The Hollywood Reporter. Retrieved 2019-09-04. The Hamilton locations were so effective that Hawke was the only actor to travel to the real Stockholm to capture exterior shots. "Stockholm would not have been possible without the support of Telefilm, provincial and federal tax credits and the OMDC," Tabarrok says. "It’s nearly impossible to finance a film this size without the support of government incentives."{{cite news}}: CS1 maint: url-status (link)

[Variety2008-09-03-1] Jennie Punter (2008-09-03). "Nicholas Tabarrok: Canuck expands Stateside". Variety magazine. Retrieved 2019-09-04.{{cite news}}: CS1 maint: url-status (link)

[hollywoodreporter2018-05-18-2] Etan Vlessing (2017-05-18). "Global Filmmakers Flock to Toronto for Movies Set in Los Angeles and Afghanistan". The Hollywood Reporter. Retrieved 2019-09-04. The setting wasn't the only benefit for the production. Stockholm received financial support from Telefilm Canada, the OMDC Feature Film Fund, the Harold Greenberg Fund (for scripts and polishing), an Ontario film tax credit (with a regional bonus) and a federal film tax credit.{{cite news}}: CS1 maint: url-status (link)

[hollywoodreporter2018-02-12-3] Etan Vlessing (2018-02-12). "How 'Stockholm' Turned a Toronto Suburb Into the Swedish City". The Hollywood Reporter. Retrieved 2019-09-04. The Hamilton locations were so effective that Hawke was the only actor to travel to the real Stockholm to capture exterior shots. "Stockholm would not have been possible without the support of Telefilm, provincial and federal tax credits and the OMDC," Tabarrok says. "It’s nearly impossible to finance a film this size without the support of government incentives."{{cite news}}: CS1 maint: url-status (link)

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