Nymph of Fontainebleau

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Nymph of Fontainebleau at the Louvre (H. 2.05 m; L. 4.09 m)[1]

The Nymph of Fontainebleau (French: Nymphe de Fontainebleau), also known as the Nymph of Anet (French: Nymphe d'Anet) or the Nymph with the Stag (French: Nymphe au cerf), is a c. 1543 bronze relief (Paris, Louvre, MR 1706[1]), created by the Italian sculptor Benvenuto Cellini for the Château de Fontainebleau in France. It features a long-limbed reclining nude female nymph with a stag, wild boars, dogs, and other animals. It was Cellini's first large scale bronze casting.[2]

History[]

Originally intended to be placed in the tympanum in the arch above the entrance of the Porte Dorée ("Golden Gate") at the Château de Fontainebleau, it was never installed there, but instead was used by the architect Philibert de L'Orme, who put it above the entrance gate (built c. 1552) of the Château d'Anet,[3] where the nymph became identified with Diana, the goddess of the hunt, representing the owner of the château, Diane de Poitiers,[4] and the stag with her lover Henri II of France.

At the time of the French Revolution, the relief was moved from Anet to the Musée des Monuments Français in Paris and later replaced in Anet by a painted plaster cast.[5] In 1797 it was moved to the Louvre, where it was originally installed over the Caryatides Balcony in the Salle des Caryatides of the Lescot Wing, where it remained until 1847, when it was replaced by a cast. It is now located on a landing of the Mollien Staircase above the ground floor of the Denon Wing of the Louvre.[1]

  • The Nymph of Fontainebleau and its replicas

  • Replica at the Château d'Anet

  • Long view showing its location above the entrance gate at Anet

  • Replica in the Salle des Caryatides of the Louvre

  • Long view showing the Nymph above the balcony supported by the four caryatids sculpted by Jean Goujon

  • Long view showing the current location on the Mollien Stairs of the Louvre

  • Close-up view of the original bronze by Cellini

See also[]

Notes[]

  1. ^ a b c "La Nymphe de Fontainebleau", Atlas database, Louvre.
  2. ^ Nova 1996, pp. 141–142. Nova states the sculpture was cast before 2 March 1543. For the name Nymphe d'Anet see Dunlop 1996, p. 96; for the name Nymphe au cerf see Babelon 1989, p. 423.
  3. ^ Nova 1996, p. 141–143.
  4. ^ Wheeler 1979, p. 83.
  5. ^ Roy 1929, p. 303.

Bibliography[]

  • Babelon, Jean-Pierre (1989). Châteaux de France au siècle de la Renaissance. Paris: Picard. ISBN 2708403877.
  • Dunlop, Ian (1996). The Companion Guide to The Country Round Paris. Rochester: New York. ISBN 1900639009. Originally published 1979 as The Companion Guide to the Ile de France. Revised paperback edition 1986. Reissued 1996.
  • Nova, Alessandro (1996). "Cellini, Benvenuto", vol. 6, pp. 139–150, in The Dictionary of Art, 34 volumes, edited by Jane Turner. New York: Grove. ISBN 9781884446009. Also at Oxford Art Online.
  • Roy, Maurice (1929). Artistes et monuments de la Renaissance en France. Richesses nouvelles et documents inédits / I. - 1re partie.. Paris: Librairie ancienne Honoré Champion. OCLC 742870725.
  • Wheeler, Daniel (1979). The Chateaux of France. London: Octopus Books. ISBN 0706412605.
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