One Thousand and One Second Stories

hideThis article has multiple issues. Please help or discuss these issues on the talk page. (Learn how and when to remove these template messages) This article needs additional citations for verification. Please help by adding citations to reliable sources. Unsourced material may be challenged and removed. Find sources:  –  ·  ·  · scholar · JSTOR (May 2014) (Learn how and when to remove this template message) This article's tone or style may not reflect the encyclopedic tone used on Wikipedia. See Wikipedia's guide to writing better articles for suggestions. (March 2020) (Learn how and when to remove this template message) (Learn how and when to remove this template message)

One Thousand and One Second Stories (一千一秒物語, Issen Ichibyō Monogatari) is a collection of seventy short stories written by Inagaki Taruho. Fully published in 1923, the tales do not necessarily connect and are written in a fantastical nature, often presenting completely impossible situations and actions.

The stories[]

Each short tale is written in a way that defies basic reasoning and logic. For example, a running theme throughout the stories is the narrator's constant conflict with the character Mr. Moon, the personification of the Moon, who has been given several human qualities including the ability to walk, talk and even fight with his fists. Often the black narrator will retaliate against Mr. Moon by shooting at him with his water pistol. Other times, the narrator will encounter shooting stars that have fallen out of the sky or have been knocked out of their flight by a thrown rock. After close inspection, the narrator deems the stars are junk and proceeds to throw them into the trash.

The stories seem to lack both a plot and an easily followable or connecting narrative. There is no pattern for the length of the stories as they can comprise anything from a few short words of conversation to an entire two pages of text.

Titles[]

Each of the seventy stories was given its own title in Japanese and later translated into English. However some of the titles, such as Un Mémoire and Un Chanson ďEnfants are translated into French, adding to the general lack of order or pattern of any kind in the book.

Understanding the text[]

Though lacking any logical setup or rational story, Inagaki attempts to defend the purpose of the tales with one very short story entitled Un Énigme:

-onamoonlitnightabutterflyturnedintoadragonfly

-"Huh?"

-blowthedragonflysnose

-"Whadya say?"

-rapthefishinapapertissue

-"Say, whadya mean?"

-nonsenseisayhasavalue

The last line of the short story, nonsense i say has a value, is widely believed to be Inagaki's own statement about the stories he has created, and the meaning, although seemingly devoid, they contain.

References[]

• Guy, David (August 16, 1996). "One Thousand and One-Second Stories". The New York Times.