Quinteto (em forma de chôros)
Quinteto (em forma de chôros) | |
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by Heitor Villa-Lobos | |
![]() Heitor Villa-Lobos | |
English | Quintet (in the Form of a Chôros) |
Catalogue | W231 |
Genre | Chamber music |
Form | Chôros |
Composed | 1928 Paris : |
Published | 1953 Paris : |
Publisher | Max Eschig |
Duration | 11 mins. |
Movements | 1 |
Scoring | Flute, oboe, cor anglais (or horn), clarinet, and bassoon |
Premiere | |
Date | 14 March 1930 |
Location | Salle Chopin, Paris |
Performers | Gaston Crunelle (flute), Louis Mercier (oboe), Paul-Gustave Brun (cor anglais), Louis Cahuzac (clarinet), and Auguste Lenom (bassoon) |
The Quinteto (em forma de chôros) (Fr.: Quintette (en forme de chôros) = Quintet (in the Form of a Chôros)) is a chamber-music composition by the Brazilian composer Heitor Villa-Lobos, written in 1928. Originally scored for five woodwind instruments (flute, oboe, cor anglais, clarinet, and bassoon), it is most often performed in an arrangement for the conventional wind quintet of flute, oboe, clarinet, horn, and bassoon. A performance lasts about eleven minutes.
History[]
Villa-Lobos composed the work in Paris in 1928, during the same period in which he was working on the series of fourteen Chôros. The first manuscript fair-copy score is titled simply "Quintetto para flauta, oboé, corn'inglez, clarinete e fagote". The subtitle was added only after the premiere in 1930.[1] Although it was not originally intended as part of the Chôros series, some writers have treated it as related.[2]
It was first performed on 14 March 1930 at the Salle Chopin in Paris, on the same concert (part of the Festival de Musique Moderne) with the premieres of Chôros bis (for violin and cello), the Cirandas (for piano), and the Chansons typiques brésiliennes. The performers in the Quintet were Gaston Crunelle, flute; Louis Mercier, oboe; Paul-Gustave Brun, cor anglais; Louis Cahuzac, clarinet; and Auguste Lenom, bassoon. The score was only first published in 1953, by Max Eschig, in an edition that includes alternative passages to facilitate the substitution of the (French) horn for the cor anglais.[3][4] This alternative scoring for conventional wind quintet undoubtedly improved chances for performances.[5]
Analysis[]
The Quintet consists of a loose succession of five large sections played continuously, each of which can be parsed into smaller subsections. The change from one large section to the next is marked by a decided change of texture and tempo.[6] A free rhythmic organization, reflected by frequent changes of metre and tempo and reinforced by a deliberate tonal freedom, produces a quality of spontaneity.[7]
References[]
- Peppercorn, Lisa M. (1991). Villa-Lobos: The Music: An Analysis of His Style. Translated by Stefan de Haan. London: Kahn & Averill. ISBN 1-871082-15-3. (White Plains, NY: Pro/Am Music Resources Inc. ISBN 0-912483-36-9).
Footnotes
- ^ Peppercorn 1991, pp. 46, 90.
- ^ E.g. Neves, José Maria. 1977. Villa-Lobos, o choro e os choros. São Paulo: Musicália S.A. p. 84.
Wright, Simon. 1992. Villa-Lobos. Oxford Studies of Composers. Oxford and New York: Oxford University Press. p. 61. ISBN 0-19-315476-5 (cloth); ISBN 0-19-315475-7 (pbk).
Appleby, David P. 2002. Heitor Villa-Lobos: A Life (1887–1959). Lanham, MD, and London: Scarecrow Press. p. 80. ISBN 0-8108-4149-5. - ^ Peppercorn 1991, pp. 90–1.
- ^ Villa-Lobos, sua obra. 2009. Version 1.0. MinC / IBRAM, and the Museu Villa-Lobos. Based on the third edition, 1989.
- ^ Mellers, Wilfrid. 2001. Singing in the Wilderness: Music and Ecology in the Twentieth Century. Urbana and Chicago: University of Illinois Press. p. 87. ISBN 0-252-02529-6.
- ^ Peterson, Elaine Leigh. 2004. "The Quintette en forme de choros by Heitor Villa-Lobos: An Analysis of Stylistic Influences". DMA diss. Greensboro: University of North Carolina at Greensboro. pp. 72, 78, 118-9.
- ^ Béhague, Gerard. 1994. Villa-Lobos: The Search for Brazil's Musical Soul. Austin: Institute of Latin American Studies, University of Texas at Austin. p. 104. ISBN 0-292-70823-8.
Further reading[]
- Grice, Janet. 2004. "Popular Styles in Brazilian Chamber Music: Heitor Villa-Lobos's Quinteto em forma de choros and Oscar Lorenzo Fernândez's Invenções seresteiras". The Double Reed 27:93–102.
- Lee, Sun Jo. 2005. "A Study of Nationalistic Expression of the Choro in Heitor Villa-Lobos’s Chamber Works with Bassoon". DMA diss. Cincinnati: University of Cincinnati.
- Nóbrega, Adhemar Alves da. 1975. Os chôros de Villa-Lobos. Rio de Janeiro: Museu Villa-Lobos.
- Tarasti, Eero. 1995. Heitor Villa-Lobos: The Life and Works, 1887–1959, translated from the Finnish by the author. Jefferson, NC, and London: McFarland & Company, Inc., Publishers. ISBN 0-7864-0013-7.
External links[]
- villalobos.iu.edu Villa-Lobos site at Indiana University: Maintained by the Latin American Music Center
- Compositions by Heitor Villa-Lobos
- 1928 compositions
- Compositions for wind quintet