R. G. Armstrong

From Wikipedia, the free encyclopedia

R. G. Armstrong
R. G. Armstrong in T.H.E. Cat.jpg
Armstrong in T.H.E. Cat (1966)
Born
Robert Golden Armstrong Jr.[1]

(1917-04-07)April 7, 1917
DiedJuly 27, 2012(2012-07-27) (aged 95)
Studio City, California, U.S.
Alma materHoward College
University of North Carolina at Chapel Hill
OccupationActor
Years active1954–2001
Spouse(s)
Ann Neale
(m. 1952; div. 1972)

Susan M. Guthrie
(m. 1973; div. 1976)

Mary Craven
(m. 1993; died 2003)
Children4

Robert Golden Armstrong Jr. (April 7, 1917 – July 27, 2012) was an American character actor and playwright. A veteran performer who appeared in dozens of Westerns during his 40-year career, he may be best remembered for his work with director Sam Peckinpah.[2][3]

Early life[]

Armstrong was born in Pleasant Grove, Alabama, and was reared on a small farm near Birmingham.[4] He came from a family of fundamentalist Christians, and his mother wanted him to be a pastor. After graduating from Hueytown High School in 1935, Armstrong initially enrolled at Howard College, now Samford University in Homewood, Alabama, where he became interested in acting, and then transferred to the University of North Carolina (UNC) at Chapel Hill, North Carolina. While there, he began acting on stage with the Carolina Playmakers. Upon graduating, he attended the Actors Studio.[2]

Armstrong wanted to write, rather than act, and said in 1966, "I struggled so hard to be a serious writer."[5] As a student at UNC he wrote a three-act play that was produced. By 1966, he had written "nine full-length plays, four unpublished novels, and 50 unpublished poems."[5]

Career[]

On Broadway, Armstrong portrayed Dr. Baugh and Big Daddy in Cat on a Hot Tin Roof (1955), Sheriff Talbott in Orpheus Descending (1957), and Captain Keller in The Miracle Worker (1959).[6] He also began writing his own plays, which were performed off-Broadway.

Armstrong's first film appearance was in the 1954 film Garden of Eden; however, it was television where he first earned a name for himself. He guest-starred in virtually every television western series produced in the 1950s and 1960s, including Have Gun - Will Travel, The Californians, Jefferson Drum, The Tall Man, Riverboat, The Rifleman, Zane Grey Theater, Wanted: Dead or Alive, The Westerner, The Big Valley, Bonanza, Maverick (as Louise Fletcher's character's father in the episode which drew the series' largest single viewership, "The Saga of Waco Williams"), Gunsmoke, Rawhide, Wagon Train, and Bat Masterson.

On March 3, 1959, Armstrong was cast as the corrupt and cowardly Lou Stoner, a leading candidate for a territorial governorship in the episode "The Giant Killer" of the ABC/Warner Brothers western series Sugarfoot, with Will Hutchins in the title role.[citation needed]

On November 22, 1960, in the episode "License to Kill" of NBC's Laramie, Armstrong plays Sam Jarrad, a former bounty hunter and a sheriff in Colorado, who comes to Laramie, Wyoming, with a warrant for Jess Harper, played by series co-star Robert Fuller.[citation needed]

In 1960 Armstrong appeared as Angus Emmett on Cheyenne in the episode titled "Alabi for the Scalped Man."[citation needed] Early in 1961, Armstrong was cast in the title guest-starring role of Nathanael Grimm in "The Return of Mr. Grimm" of the ABC/WB western series Cheyenne, starring Clint Walker.[citation needed]

Armstrong appeared on The Twilight Zone, in the episode "Nothing in the Dark" along with Robert Redford. He appeared in three episodes of Perry Mason, twice in the role of the defendant. In 1958, he appeared in the episode "The Case of the Black-Eyed Blonde" as character Matthew Bartlett. In 1959, he played character Harry Bright in "The Case of the Petulant Partner," then in 1962 he played John Gregory in "The Case of the Stand-in Sister." Armstrong also appeared on Alfred Hitchcock Presents, The Everglades, The Andy Griffith Show, The Fugitive, Daniel Boone, T.H.E. Cat, Hawaii Five-O, Starsky and Hutch, The Dukes of Hazzard, Dynasty, and in the miniseries War and Remembrance. Armstrong had a recurring role in the second season of Millennium as a reclusive visionary known only as the Old Man. In the late 1980s, he played the demonic "Uncle Lewis Vendredi" in the Canadian horror series Friday the 13th: The Series.

While working on The Westerner in 1960, Armstrong met the up-and-coming writer/director Sam Peckinpah. The two men immediately struck up a friendship. Peckinpah recognized Armstrong's inner turmoil regarding the religious beliefs of his family and utilized that to brilliant effect in his films. Armstrong would almost always play a slightly unhinged fundamentalist Christian in Peckinpah's films, usually wielding a Bible in one hand and a shotgun in the other. This character archetype appeared in Ride the High Country (1962), Major Dundee (1965), and perhaps most memorably in Pat Garrett and Billy the Kid (1973). However, Armstrong also appeared in The Ballad of Cable Hogue (1970), playing a more likeable character.

Even outside of Peckinpah's work, Armstrong became a tier-one character actor in his own right, appearing in dozens of films over his career, playing both villains and sympathetic characters. Some of his more memorable roles outside of Peckinpah's films include a sympathetic rancher in El Dorado (1966), Cap'n Dan in The Great White Hope (1970), outlaw Clell Miller in The Great Northfield Minnesota Raid (1972), a bumbling outlaw in My Name is Nobody (1973), a secret Satanic cultist sheriff in Race with the Devil (1975), The Car (1977), as well as Children of the Corn (1984), Red Headed Stranger (1986) with Willie Nelson, and as General Phillips in Predator (1987). He appeared in several of Warren Beatty's films, including Heaven Can Wait (1978), Reds (1981), and as the character Pruneface in Dick Tracy (1990).

Despite being typecast as gruff and violent characters throughout his career, Armstrong is well known for having had a warm and affable personality offscreen.[citation needed] He semi-retired from films and television in the late 1990s, but he continued to be active in off-Broadway theater in New York and Los Angeles, until finally retiring from acting in 2005 because of near-blindness due to cataracts.

In 1991, Armstrong gained critical praise for his portrayal of the title character in the music video for Enter Sandman from famous heavy metal band Metallica.

Personal life and death[]

Armstrong was married three times: his first wife was Ann Neale, with whom he had four children; he was then married to Susan Guthrie until 1976; he was married to his third wife, Mary Craven, until her death in 2003. Armstrong died of natural causes at the age of 95 on July 27, 2012 at his home in Studio City, California.[2]

Selected filmography[]

Selected Television[]

Year Title Role Notes
1962 Rawhide Gantry Hobson Season 5, Episode 6, "Incident of the Lost Woman"

References[]

  1. ^ Catalog of Copyright Entries. Part 1. [C] Group 3. Dramatic Composition and ... - Library of Congress. Copyright Office - Google Books. September 19, 1940. Retrieved July 29, 2012.
  2. ^ Jump up to: a b c Slotnik, Daniel E. (July 31, 2012). "R. G. Armstrong, Character Actor in Westerns, Dies at 95". The New York Times. Retrieved July 31, 2012.
  3. ^ Faulk, Kent (July 29, 2012). "R.G. Armstrong, prolific character actor from Birmingham, dies". The Birmingham News. Retrieved July 31, 2012.
  4. ^ Weddle, David (December 18, 2000). If They Move . . . Kill 'Em!: The Life and Times of Sam Peckinpah - David Weddle - Google Books. ISBN 9780802137760. Retrieved July 29, 2012.
  5. ^ Jump up to: a b "R. G. Armstrong Explains Problems". The Idaho Sunday Statesman. Idaho, Boise. October 16, 1966. p. 99. Retrieved June 1, 2021 – via Newspapers.com.
  6. ^ "R. G. Armstrong". Internet Broadway Database. The Broadway League. Archived from the original on June 1, 2021. Retrieved June 1, 2021.

Further reading[]

  • Humphreys, Justin (2006). "R. G. Armstrong". Names You Never Remember, With Faces You Never Forget : Interviews with the Movies' Character Actors (softcover) (First ed.). Albany, GA: BearManor Media. pp. 10–43. ISBN 978-1-62933-094-5.

External links[]

Retrieved from ""