Radha Krishna

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For other uses, see Radha Krishna (disambiguation).
Radha Krishna
Radhakrishna.jpg
Art work depicting Radha and Krishna.
Other namesMadhavi Madhav,
Keshavi Keshav,
Shyama Shyam,
Kishori Kishore,
Gopika Gopinath
Devanagariराधाकृष्ण
Sanskrit transliterationrādhā-kṛṣṇa
Venerated inGaudiya Vaishnavism, Mahanam Sampraday, Nimbarka Sampradaya, Pranami, Pushtimarg, Radha-vallabha, Swaminarayan Sampradaya, Vaishnava-Sahajiya
AffiliationVaishnavism, Krishnaism, Ardhanarishvara, Lakshmi Narayan
AbodeGoloka, Vrindavan, Vaikuntha
Mantra
  • Om Shri Radha Krishnabhyam namah
  • Om Shri Radha Krishnaye namah
  • Om Kleem Radha Krishnaye namah
TextsBrahmavaivarta Purana, Gita Govinda, Padma Purana, Shiva Purana, Gopala Tapani Upanishad, Brahma Samhita, Garga Samhita, Skanda Purana, Devi-Bhagavata Purana, Naradiya Purana
TemplesBankey Bihari Temple, Radha Rani Temple in Barsana, Prem Mandir, Govind Dev Ji Temple in Jaipur, Radha Raman Temple, Shree Govindajee Temple in Imphal, Murlidhar temple in Naggar, Madan Mohan Temple in Karauli, Radha Krishna Vivah Sthali, Bhandirvan, Dwarkadheesh temple Mathura, Radha Madhav Dham, Radha Madhab Temple, Bhakti Mandir Mangarh, Rangeeli Mahal Barsana, List of temples in Bishnupur, ISKCON temples, Swaminarayan temples
FestivalsHoli, Lathmar Holi, Sharad Purnima, Kartik Purnima, Janmashtami, Radhastami, Gopashtami
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Closeup of Vishnu, seated in the lotus position on a lotus. From depiction of the poet Jayadeva bowing to Vishnu, Gouache on paper Pahari, The very picture of devotion, bare-bodied, head bowed, legs crossed and hands folded, Jayadeva stands at left, with the implements of worship placed before the lotus-seat of Vishnu who sits there, blessing the poet.
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Radha-Krishna (IAST rādhā-kṛṣṇa, Sanskrit: राधा कृष्ण) are collectively known within Hinduism as the combined forms of feminine as well as the masculine realities of God.[1] Radha and Krishna are the primeval forms of God and his pleasure potency (Hladini Shakti) respectively in several Vaishnavite school of thought.[2]

In Krishnaite traditions of Vaishnavism, Krishna is referred to as Svayam Bhagavan[3] and Radha is illustrated as the primeval potency of the three main potencies of God, Hladini (immense spiritual bliss), Sandhini (eternality) and Samvit (existential consciousness) of which Radha is an embodiment of the feeling of love towards the almighty Lord Krishna (Hladini).

With Krishna, Radha is acknowledged as the Supreme Goddess. It is said that Krishna is only satiated by devotional service in loving servitude and Radha is the personification of devotional service to the supreme lord. Various devotees worship her with the understanding of her merciful nature as the only way to attain Krishna. Radha is also depicted to be Krishna himself, split into two, for the purpose of his enjoyment. As per Hindu scriptures, Radha is considered as the complete incarnation of Mahalakshmi.[4]

It is believed that Krishna enchants the world, but Radha enchants even him. Therefore, she is the supreme goddess of all and together they are called as Radha-Krishna.[5]

Names[]

14th-century fresco of Radha Krishna in Udaipur, Rajasthan

Vigneshwara cannot be broken into two – Krishna (Devanagari: कृष्ण), the eighth incarnation (Avatar) of Vishnu, and his shakti Radha (Devanagari: राधा) such was the love of Radha towards Krishna that they are one. Krishna in Vrindavana is depicted with Radha standing on his left. Some important names of Radha and Krishna mentioned in scriptures are :-

Names of Radha - Radhika, Radhe, Madhavi, Keshavi, Shyama, Shreeji, Gopika, Kishori, Laadli ji, Radharani, Gaurangi, Madan Mohini, Nitya, Shubhangi, Aparajita, Raseshwari, Brajeshwari, Vrindavaneshwari, Golokeshwari, Krishna Priya, Krishna Kaanta, Krishna Samyukta, KrishnaVallabha, Krishna Stuta and Krishneshwari.[6]

Names of Krishna - Kanha, Madhav, Keshav, Shyam, Gopinath, Kishore, Gaurang, Madan Mohan, Gopal, Kanhaiya, Madhusudan, Hari, Damodar, Murlidhar, Govinda, Raseshwar, Brajeshwar, Vrindavaneshwar, Golokeshwar, RadhaRaman, RadhaVallabh, Radhanath, RadhaKaant and Radheshwar.

Literature[]

Radha Krishna's first literary mention was found in King Hala's Prakrit text Gatha Saptasati which is composed of 700 verses and was written in 1st century A.D.[7][8][9] Later, The popular Gita Govinda written by Jayadeva in 12th century widely depicted Radha and Krishna as a couple.[10][11][12] According to scriptures like Brahma Vaivarta Purana and Garga Samhita, Radha-Krishna are the supreme deities. Content of both the scriptures are majorly based on the divine pastimes of Radha Krishna in Vrindavan and Goloka. The other relevant texts mentioning Radha Krishna are Radhopnishad of Rig Veda, Radhatapani Upanishad of Atharva Veda, Shiva Puran , Brahmanda Puran, Skanda Puran, Padma Puran, Matsya Puran, Devi-Bhagavata Purana, Narada Pancharatra and Brahma samhita. Goddess Radha is also indirectly mentioned in Bhagavata Purana of Sukadeva Goswami along with Lord Krishna under many different names like "Aradhika" and "Gopi".[13] Adi Shankracharya who happened way before Jayadeva also mentioned Goddess Radha in his work called "Achyuta Ashtakam" which is dedicated to Achyuta form of Lord Krishna.

The devotional works of Jayadeva, Nimbarkacharya, Rasik saints like Chaitanya Mahaprabhu along with his six disciple goswamis, Bhakti poet-saints Narsinh Mehta, Vidyapati, Chandidas, Meera Bai, Surdas, Swami Haridas and many more played pivotal role in enlighting society about goddess Radha who is believed to be the feminine form of Krishna himself.[14] According to several Hindu denominations including Gaudiya Vaishnavism, Nimbarka Sampradaya, Pushtimarg, and Swaminarayan Sampradaya, it is believed that Radha is not just one cowherd maiden, but the origin of all the gopis, or divine personalities that participate in the rasa dance.[15]

Shakti and Shaktiman[]

Shree Radha Krishna Ashta Shakthi Mandir at Parashakthi Temple, Pontiac, USA

The common derivation of shakti and shaktiman, i.e. female and male principle in a god implies that shakti and shaktiman are the same.[16] Each and every god has its partner, 'betterhalf' or Shakti and without this Shakti, is sometimes viewed being without essential power.[17] It is a not uncommon feature of Hinduism when worship of a pair rather than one personality constitutes worship of God, such is worship of Radha Krishna. Traditions worshiping Krishna, as svayam bhagavan, who is male, include reference and veneration to his Radha, who is worshiped as supreme. A view that exists of orthodox Krishnaism, the sect of the worship of Krishna, is that Radha is shakti and Krishna is shaktiman and are always found without any tinge of materialistic attributes or cause.[18]

Theology and philosophy[]

Jayadeva worshipping of Radha Krishna.

From the Vaishnava point of view the divine feminine energy (shakti) implies a divine source of energy, God or shaktiman. "Sita relates to Rama; Lakshmi belongs to Narayana; Radha has her Krishna." As Krishna is believed to be the source of all manifestations of God, "Radha, his consort, is the original source of all shaktis" or feminine manifestation of divine energy.[19]

The first theologo-philosophical justification for worshiping Radha-Krishna was given by Nimbarkacharya, a founder of the Nimbarka Sampradaya in 12th or 13th century.[9] In accordance with the Sahitya Akademi Encyclopaedia, he more than any other acharyas gave Radha a place as a deity.[20]

A number of interpretations according to traditions possess a common root of personalism in the understanding of worship. Specifically Caitanyaite Gaudiya Vaishnava doctrine and mission is fiercely "personalistic," proclaiming the supremacy of Krishna, the identification of Caitanya as Radha-Krishna, the reality and eternality of individual selves, and a method for approaching the absolute reality and the Deity as a person first and foremost.[21]

Radha Krishna painting

Jiva Goswami in his Priti Sandarbha states that each of the Gopis exhibits a different level of intensity of passion, among which Radha's is the greatest.[22]

In his famous dialogs Ramananda Raya describes Radha to Caitanya and quotes, among other texts, a verse from Chaitanya Charitamrta 2.8.100, before he goes on to describe her role in the pastimes of Vrindavana.[23]

The central pivot point of the theology is related to the word rasa. The theological use of the word can be found very early, about two thousand years before the Nimbarka or Caitanya school, in a phrase that the tradition frequently quotes: "Truly, the Lord is rasa" (raso vai sah) of Brahma sutras. This statement expresses the view that God is the one who enjoys the ultimate rasa or spiritual rapture, emotions.[24]

In traditions[]

Radha Krishna idols at Iskcon Temple Pune

Radha Krishna are worshiped in the following Hindu denominations:

Bhagavata[]

Main article: Bhagavata

In Vedic and Puranic literature, Radhas and other forms of the root Radh have meaning of ‘perfection’, ‘success’ and even ‘wealth’. Lord of Success, Indra was referred to as Radhaspati. In references to Mahavishnu as the Lord of Fortune and freely used by Jayadeva as Jaya Jayadeva Hare – the victorious Hari, and ‘Radhaspati’ all found in many places. The word Radha occurs in the Atharva Veda, Taittiriya BrAhmana and Taittiriya Samhita.[25]

Charlotte Vaudeville, in the article Evolution of Love Symbolism in Bhagavatism draws some parallel to Nappinnai, appearing in Godha's magnum opus Thiruppavai and in Nammalwar's references to Nappinnani, the daughter-in-law of Nandagopa. Nappinnai is believed to be the source of Radha's conception in Prakrit and Sanskrit literature although their characteristic relations with Krishna are different. In the ritual dance called Kuravai, Krishna dances with his wife Nappinnai.

"It is a complex relationship, for the devotee is the ‘same as and yet different from’ the Lord, and so even in the joy of union there is the pain of separation. Indeed, the highest form of devotion, according to Yamunacarya, comes not in union but after the union, in the ‘fear of new separation’."[26]

Yasastilaka Champukavya (AD 959) all make references to Radha and Krishna well before Jayadeva's period. There are elaborate references to Radha in Brahma vaivarta and Padma Puranas.[27]

Gaudiya Vaishnava Sampradaya[]

Main article: Gaudiya Vaishnavism
See also: Manipuri Vaishnavism
Drawing of the image of Radharaman,1542 seen as not only Krishna but also as Radha-Krishna.

Gaudiya Vaishnava, as the name suggests, usually refers to the region of Bengal. Early Bengali literature gives a vivid description of the depiction and evolution of understanding of Radha and Krishna.[28]

In this Bengali tradition metaphysical status and Radha-worship is considered to be established by Krsnadasa in his Chaitanya Charitamrta where he represents the doctrine that prevailed among the Vrindavan Caitanyaites following Caitanya's demise in 1533. It is believed that Krishna, desiring to experience fully what it is like to love Krishna as Radha does, has appeared as Caitanya Mahaprabhu. And what Radha (appearing as Caitanya) does in her longing for Krishna is to chant his names.[29] One of the self manifested Deities established by Gopala Bhatta Goswami is called Radha Ramana, it is not surprising that Radha Ramana is seen as not only Krishna but also as Radha-Krishna.[30] And worship in his temple, located in the centre of Vrindavana is a perpetual daily affair, involving several prescribed events throughout the day,[31] with the goal of being theoretical and remote, but with aspiration of the possibility to attend and associate directly with Radha and Krishna.[32]

The Manipuri Vaishnavism is a regional variant of Gaudiya Vaishnavism with a culture-forming role among the Meitei people in the north-eastern Indian state of Manipur.[33] There, after a short period of Ramaism penetration, Gaudiya Vaishnavism spread in the early 18th century, especially from beginning its second quarter. Raja Gharib Nawaz (Pamheiba) under the influence of Natottama Thakura's disciples was initiated into the Chaitanya tradition with worship of Radha-Krishna as the supreme deity.[34][35][36] Every village there has a Thakur-ghat and a temple.[37] Manipuri Raas Leela and other dances are a feature of the regional folk and religious tradition and often, for example, a female dancer will portray both Krishna and his consort, Radha, in the same piece.[34][38]

Nimbarka Sampradaya[]

Main article: Nimbarka Sampradaya
The Shankha-Chakra-Tilaka emblems of the Sri Nimbarka Sampradaya.

The Nimbarka Sampradaya worship the youthful form of Krishna, alone or with his consort Radha, is one of the earliest dating at least to the 12th century, just as Rudra Sampradaya does.[39][3][9] According to Nimbarkacharya, a founder of the sampradaya, Radha is the eternal consort of Vishnu-Krishna and there is also a suggestion, though not a clear statement, that she became the wife of her beloved Krishna.[40] Nimbarka rescues Radha from the presumed immoral implication of much of the literature, and gives to her a dignity unattained elsewhere.[41]

The Nimbarka Sampradaya is one of the four bona fide Vaishnavite traditions. Lack of evidence due to the destruction of Mathura and Vrindavan in the 13th century and 14th century has meant that the true dates and origins of this tradition are shrouded in mystery and await investigation.

Radha-Krishna ardhanari—depicted as half-male and half-female

Nimbarka, who is widely held by scholars such as Satyanand Joseph, Prof. Rasik Bihari Joshi, Prof. M. M. Aggrawal etc., to be at least of the same time or before the appearance of Shankaracharya, was the first acharya to worship Radha along with Krishna in Sakhi Bhava Upasana method of worship.[20] In his Vedanta Kamadhenu Dashashloki (verse 6), it is clearly stated that:

ange tu vaame vrishabhaanujaam mudaa viraajamaanaam anuruupasaubhagaam.
sakhiisahasraih parisevitaam sadaa smarema deviim sakalestakaamadaam

The left portion of the body of the Supreme Lord is Shrimati Radha, seated blissfully, as beautiful as the Lord Himself; who is served by thousands of gopis: we meditate on the Supreme Goddess, the fulfiller of all desires.

This theme was taken up by Jayadeva Goswami and other poets of the time who saw the inherent beauty and bliss which constitute this philosophy.[12] In his Gita Govinda Krishna speaks to Radha:

O woman with desire, place on this patch of flower-strewn floor your lotus foot,
And let your foot through beauty win,
To me who am the Lord of All, O be attached, now always yours.
O follow me, my little Radha.

— Jayadeva, Gita Govinda[11]

It is believed, however, that the source of Jayadeva's heroine in his poem remains a puzzle of the Sanskrit Literature. At the same time there are well documented references to works earlier than Gita Govinda, which some count to be more than twenty. The figure of Radha is one of the most elusive in the literature of Sanskrit; she is described only in a few selected passages of Prakrit or Sanskrit poetry, a few inscriptions and a few works on grammar, poetry and drama. Jayadeva has referred to them and created an exquisite lyrical poem of passionate devotion in the twelfth century, and from this poetic beginning a huge movement specific to Bengal began.[42][10]

Radha Krishna looking into the mirror (1800 AD painting)

In this sampradaya, the significance of Radha is not less than the significance of Sri Krsna. Both are conjointly the object to be worshiped in this school of Nimbarka,[43] who is also one of the first commentators on Brahma Sutras under the name Vedanta-Parijata-Saurabha. The later acharyas of the Nimbarka Sampradaya in the 13th and 14th centuries in Vrindavana composed much literature on the Divine Couple. Swami Sri Sribhatta, the elder god-brother of Jayadeva composed the Yugala Shataka for the Dhrupada style of musical presentation like Jayadeva, however unlike Jayadeva who composed his work in Sanskrit, Swami Shribhatta's compositions are in Vraja language, a Hindi vernacular which was understood by all inhabitants of Vraja. Indeed, the rest of the acharyas of this tradition wrote in Vraja language and due to the lack of prevalence of this language in modern times, very little research has been done, even though these Acharyas predate the Six Goswamis of Vrindavan by centuries. Rare exception was Vijay Ramnarace's PhD thesis in 2014.[9]

In any case, the sole object of worship in the Nimbarka Sampradaya is the unified Divine Couple of Shri Radha Krishna. According to the 15th century Mahavani written by Jagadguru Swami Sri Harivyasa Devacharya -

"radhaamkrsnasvaroopaam vai, krishnam raadhaasvarupinam; kalaatmaanam nikunjastham gururoopam sadaa bhaje"

which means "I ceaselessly praise Radha who is none other than Krishna, and Sri Krishna who is none other than Radha, whose unity is represented by the Kaamabeeja and who are forever resident in Nikunja Goloka Vrindavana."[9]

The contribution from the Nimbarka Sampradaya to the philosophy of Radha Krishna is undeniable, as the philosophy and theology originate in it.

Pranami Sampradaya[]

Main article: Pranami

The Pranami Sampradaya (Pranami Panth) emerged in the 17th century in Gujarat, based on the Radha-Krishna-focussed syncretic Hindu-Islamic teachings of Devchandra Maharaj and his famous successor, Mahamati Prannath.[44]

Pushtimarg Sampradaya[]

Main article: Pushtimarg
Krishna with Gopis. Smithsonian Institution

Vallabhacharya, founder of Pushtimarg tradition even before Chaitanya, worshipped Radha, where according to some sects, the devotees identify mainly with the female companion (sakhis) of Radha who are privileged to arrange intimate pastimes for RadhaKrishna.[45]

One of the prominent poets of this tradition, which also called Radhavallabhi, named Dhruvadasa was notable for being principally concerned with the private relationships of Radha and Krishna. In his poetry Caurasi Pad and in the commentaries of his followers, the concentration is in meditation on the unique benefits of constant reflection on the eternal lila.

Radhavallabhis share with their Vaishnava co-religionists a great regard for Bhagavata Purana, but some of the pastimes that are outside the scope of relationships with Radha and gopis do not feature in the concept of this school. Emphasis is placed on the sweetness of the relationship, or rasa.[46]

Radha-vallabha Sampradaya[]

Main article: Radha-vallabha

The Radha-centered Radha-vallabha Sampradaya founded by Hith Harivansh Mahaprabhu in the 16th century occupies a special position among other traditions. In its theology, Radha is worshiped as the supreme deity, and Krishna is in a subordinate position.[47]

Swaminarayan Sampradaya[]

Murti of RadhaKrishna Dev (Center and Right) at the Swaminarayan Temple in Cleveland.

Radha-Krishna Dev has a special place in the Swaminarayan Sampraday as Swaminarayan himself referred to Radha Krishna in the Shikshapatri he wrote.[48] Further, he himself ordered the construction of temples in which Radha Krishna have been installed as deities. Swaminarayan "explained that Krishna appears in many forms. When he is together with Radha, he is regarded as supreme lord under the name of Radha-Krishna; with Rukmini he is known as Lakshmi-Narayana."[49] The first temple constructed in the sect, built in Ahmedabad in AD 1822, houses the images of Nara Narayana, forms of Arjuna and Krishna, in the central shrine. The shrine on the left of the hall has murtis of Radha Krishna.[50] According to the philosophy of the tradition there were many female companions of Krishna, gopis, but out of all of them Radha was considered to be the perfect devotee. Those who wish to come close to Krishna must cultivate the devotional qualities of Radha.[51] According to theory the sect has set aside Goloka as the supreme heaven or abode (in fact, in some of their temples, such as the Mumbai Temple, the murtis installed are those of Shri Gaulokvihari and Radhikaji), because there Krishna is supposed to be enjoying himself with his Gopis,[52] who according to the Swaminarayana sampradaya the milkmaids with whom Krishna danced; his relations with them symbolize the relation of God with the devotee in reciprocation.[53]

Vaishnava-Sahajiya[]

Main article: Vaishnava-Sahajiya

Since 15th century in Bengal and Assam flourished Tantric Vaishnava-Sahajiya tradition inspired by Bengali spiritual poet Chandidas, where Krishna is the inner divine aspect of man and Radha is the aspect of woman.[54][55]

The date of Chandidas poem Srikrsnakirtana is still under question however the text remains one of the most important evidences of early portrayal of the popular story of "Lord Krishna's love for the cowherd girl Radha" in Bengali literature and religion. The 412 songs of Srikrsnakirtana are divided into thirteen sections that represent the core of the Radha-Krishna legendary cycle, with many variants providing excellent comparative material. The manuscript clearly suggests that the songs were meant to be song, and implies particular ragas for the recitation. There is considerable debate as to the authenticity of the text that has significant religious meaning.[56]

Outside Hinduism[]

Radha Krishna art inspired by Gita Govinda

In opinion of some Hindu scholars as well as scholars of Hinduism, a golden age existed when Muslims and Hindus created a common culture mainly because some Muslim rulers patronized Sanskrit and translations from Sanskrit into Persian, while there were Muslim poets who criticised Hinduism and personal form of Radha-Krishna.[57]

Temples[]

Radha Krishna at Hare Krishna Golden Temple, Hyderabad
A devotee reading holy book inside the interiors of dedicated to Radha-Krishna 18th-century Lalji Temple, Kalna, West Bengal

In India

Temples of Shri Radha Krishna are prevalent throughout India and the world. But, Braj region including Vrindavan, Barsana, Gokul, Nandgaon and Mathura are considered to be the centers of Radha Krishna worship. Some of the important temples of Radha Krishna in Braj region are -

In Vrindavan — Shri Radha Madan Mohan temple, Shri Govind Dev ji temple, Shri Radha Raman temple, Shri Radha Gokulananda temple, Shri Radha Damodar temple, Shri Bankey Bihari temple, Shri Jugal Kishore temple, Shri Radha Gopinath temple, Shri Radha Shyamasundar temple, Prem Mandir, Shahji temple, Krishna Balram Mandir (Iskcon temple),[58] Nidhivan temple, Seva Kunj temple, Shri Radha Vallabh temple, Kusum Sarovar, Radha Kund, Pagal Baba temple, Shri Radha Raas Bihari Ashtsakhi Temple, Priyakant ju temple and Shri Vrindavan Chandrodaya temple.[59]

Pagal Baba Temple, Vrindavan
Prem Mandir at Night time

In Mathura - Shri Krishna Janambhoomi temple and Shri Dwarkadheesh temple.

In Barsana - Shri Radha Rani Temple (Shreeji temple), Rangeeli Mahal (Kirti Mandir), Shri Maan Mandir (Maan Garh).

In Nandgaon - Shri NandBaba temple.

In Gokul - Shri Nand Yashoda Bhawan, Raman Reti temple.

In Bhandirvan - Shri Radha Krishna Vivah Sthali.

Some other important Radha Krishna temples across India are - Shri Radha Govind Dev ji temple in Jaipur, Lalji Temple in Kalna, Hare Krishna Golden Temple in Hyderabad, Murlidhar Krishna Temple in Naggar, Shri Govindajee temple in Imphal, Madan Mohan temple in Karauli, Mayapur Chandrodaya Mandir in Nadia, Swaminarayan temple Gadhada in Botad, Swaminarayan temple Vadtal in Kheda, Iskcon Bangalore, Iskcon Chennai, Iskcon Delhi, Radha Damodar Temple, Junagadh, Bhakti Mandir Mangarh, Swaminarayan temple Mumbai, Iskcon temple Mumbai, Iskcon temple Ujjain, Swaminarayan temple Bhuj, Iskcon temple Patna, Swaminarayan temple Dholera near Ahmedabad, Radha Krishna temple of Baroh in Kangra, Historical temples in Bishnupur of Bankura district including Rasmancha, RadheShyam temple, Jor Bangla and Radha Madhab Temple.

Radha (right), Krishna (center) at Swaminarayan temple Gadhada, Gujarat

Outside India

There are number of traditions that spread the worship of Radha Krishna across world, be it associated with migration or preaching activities of sadhus. There are around 850 Iskcon temples spread across the world which promotes the worship of Radha Krishna.[60] Similarly, Swaminarayan Sampradaya has also established many temples outside India in which Radha Krishna Dev are worshipped. Radha Madhav Dham in Austin, Texas built by Jagadguru Kripalu Parishat is one of the biggest Radha Krishna temple in Western hemisphere.

Radha Krishna temple in Wheeling, West Virginia

Popular songs and prayers[]

Radha Krishna art inspired by Gita Govinda

The Shri Radhika Krishnastaka (also called the Radhashtak) is a hymn. It is said that the reciter can get to Krishna via Radha by chanting it. The other popular songs and prayers include — Yugalashtakam written by Jiva Goswami which glorifies the love and inseperability of the divine couple Radha Krishna and Jayadeva's much acclaimed work Gita Govinda which was written in the 12th century and is still the part of temple songs of Jagannath temple, Puri.[61] Radhe Krishna — the maha-mantra of Nimbarka Sampradaya is as follows:

Rādhe Kṛṣṇa Rādhe Kṛṣṇa
Kṛṣṇa Kṛṣṇa Rādhe Rādhe
Rādhe Shyām Rādhe Shyām
Shyām Shyām Rādhe Rādhe

See also[]

Footnotes[]

  1. ^ Bryant, Edwin Francis (2007). Krishna: A Sourcebook. Oxford University Press. ISBN 978-0-19-803400-1.
  2. ^ Kar, Nishamani (2001). "Sriradha: A Study". Indian Literature. 45 (2 (202)): 184–192. ISSN 0019-5804.
  3. ^ Jump up to: a b Hardy 1987, pp. 387–392.
  4. ^ Rosen 2002, p. 50
  5. ^ Rosen 2002, p. 52 Chaitanya-charitamritaAdi-lila 4.95 Archived 2008-08-24 at the Wayback Machine,
  6. ^ "Names of Srimati Radharani".
  7. ^ Jash, Pranabananda (1979). "RADHA-MADHAVA SUB-SECT IN EASTERN INDIA". Proceedings of the Indian History Congress. 40: 177–184. ISSN 2249-1937.
  8. ^ Gokhale, Namita; Lal, Malashri (2018-12-10). Finding Radha: The Quest for Love. Penguin Random House India Private Limited. ISBN 978-93-5305-361-1.
  9. ^ Jump up to: a b c d e Ramnarace 2014.
  10. ^ Jump up to: a b Love Song of the Dark Lord: Jayadeva's Gītagovinda 1977.
  11. ^ Jump up to: a b Archer 2004, 5.2 The Gita Govinda.
  12. ^ Jump up to: a b Datta 1988, pp. 1414–1423.
  13. ^ Archer 2004, 5.1 The Triumph of Radha.
  14. ^ Archer 2004, 5.3 Later Poetry; Hardy 1987, pp. 387–392; Rosenstein 1997; Schwartz 2004, p. 49; Hawley 2005.
  15. ^ Schweig 2005, p. 43
  16. ^ Surendranath Dasgupta, A History of Indian Philosophy (1991) p. 31
  17. ^ Santilata Dei, Del Santilata, Vaisnavism in Orissa (1988) p. 167
  18. ^ Kakoli Basak, (1991) Rabindranath Tagore, a Humanist - p. 11
  19. ^ Rosen 2002, p. 54
  20. ^ Jump up to: a b Datta 1988, p. 1415.
  21. ^ Valpey 2006, p. 110
  22. ^ Schweig 2005, p. 125
  23. ^ Schweig 2005, p. 126
  24. ^ Schweig 2005, p. 79
  25. ^ "Lord Krishna and Rama in the Primary Vedas – ISKCON Desire Tree - Devotee Network". www.iskcondesiretree.com. Retrieved 2017-06-09.
  26. ^ Charlotte Vaudeville, "Evolution of Love Symbolism in Bhagavatism", Journal of the American Oriental Society LXXXII (1962), 39
  27. ^ "Musical Saints of India" (PDF). Retrieved 2013-12-27.
  28. ^ Chatterji, S.K. (1936). "Purana Legends and the Prakrit Tradition in New Indo-Aryan". Bulletin of the School of Oriental Studies. 8 (2): 457–466. doi:10.1017/S0041977X00141096. JSTOR 608054. literary study of their lyric literature of Bengal Vaishnavism, has given a useful conspectus of the "Historical Development of the Radha-Krishna Legend"
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References[]

Further reading[]

  • Kakar, Sudhir (Jan-June 1985). "Erotic fantasy: the secret passion of Radha and Krishna", Contributions to Indian Sociology (New Series) 19, no.1. pp. 75-94.
  • Miller, Barbara Stoller (1982). "The divine duality of Radha and Krishna", in The Divine Consort: Radha and the Goddesses of India, eds. J. S. Hawley and D. M. Wulff. Berkeley: University of California Press. pp. 13–26.
  • Goswami, Sri Rupa. Bhakti-Rasamrta-Sindhuh. Vrindaban: Institute of Oriental Philosophy, 1965.
  • Ligier, Frédéric; Masson, Annick Le Scoëzec (2016). Les Amours de Râdhâ, Musique et poésie inspirées de miniatures de l'École de Kangra, Paris: Garamond.
  • Mishra, Baba (1999). "Radha and her contour in Orissan culture". In Orissan history, culture and archaeology. In Felicitation of Prof. P.K. Mishra. Ed. by S. Pradhan. (Reconstructing Indian History & Culture 16). New Delhi. pp. 243–259.
  • Patnaik, Debi Prasanna (1955). "Concept of Radhakrishna in the Panchasakha Literature". Proceedings of Indian Oriental Conference. 18: 406–411.
  • Prabhupada, A. C. Bhaktivedanta Swami. Krsna: The Supreme Personality of Godhead. [A Summary Study of Srila Vyasadeva's Srimad-Bhagavatam, Tenth Canto.] Los Angeles: Bhaktivedanta Trust, 1970. 2 vols.
  • Vaudeville, Ch. (1962). "Evolution of Love-Symbolism in Bhagavatism". Journal of the American Oriental Society. 82 (1): 31–40. doi:10.2307/595976. JSTOR 595976.
  • Wilson, Frances, ed. The Love of Krishna: The Krsnakarnamarta of Lilasuka Bilvamangala. Philadelphia: University of Pennsylvania Press, 1975.
  • Wulff, D. M. The Divine Consort: Radha and the Goddesses of India, Berkeley: University of California Press. 1982

External links[]

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