Samira Tewfik

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Samira Tewfik
Samira Tewfik - 1960s.jpg
Samira Tewfik in the 1960s
Born
Samira Ghastin Karimona

(1944-02-17) 17 February 1944 (age 77)
Umm Haratayn, Syria
Nationality Lebanon
Musical career
GenresArabic music, Bedouin music
Occupation(s)Singer, actress
InstrumentsVocals
Associated actsSabah, Fairuz, Wadi al-Safi

Samira Tewfik Hatoum (Arabic: سميرة توفيق‎; born 17 February 1944), better known by her stage name Samira Tewfik (Arabic: سميرة توفيق‎, surname also spelled Tawfik, Tawfiq, Toufiq or Taoufiq) is a Lebanese singer who gained fame in the Arab world for her specializing in singing in the Bedouin dialect of Jordan.[1] She has also acted in a number of Arab films.[2]

Biography[]

Samira was born into a Christian Syrian family in the village of Umm Haratayn in the Suwayda region of Syria. Samira’s real name is Shamiya Tewfik Hatoum. [3] As a young girl, she would frequently visit her older sister who was married in Lebanon. As a child, she enjoyed Classical Arab music and was particularly a fan of Farid al-Atrash. She often climbed a tree at her sister’s home in Lebanon and sang his songs aloud. She was heard by musician Albert Ghaoui, who was impressed with her voice and asked her family to become her musical mentor. Ghaoui introduced Samira to the Egyptian musician Tawfiq Bayoumi who taught her the tawashih musical form. Samira’s immediate family members were not fond of her singing as during her early years, singing was considered ungodly for women. Bayoumi gave her the stage name "Tawfiq" (or "Tewfik") ("Success") and changed her first name to Samira in order to hide her identity from family members who threatened her life. Her first hit on Radio Beirut was a song originally sung by Bayoumi called Maskin Ya Qalbi Yama Tlaawat ("Oh My Heart How You Have Suffered").[4]

She struggled for success in Lebanon,[3][5] due to the highly popular competing acts of Fairuz, Sabah and Wadi al-Safi,[3] but she excelled after basing herself in Jordan in the 1960s and 1970s.[5][3] There, the Jordanian Broadcasting Authority (JBA) employed her with the request that she sing in the Bedouin dialect. The JBA trained her to sing in the local dialect to make her music genuinely sound Transjordanian.[5] Her first song played by Jordanian radio was her first hit, Maskin Ya Qalbi Yama Tlaawat. Samira performed her first concert at a Jordanian village called Ainata and the following day was invited to perform at an event attended by King Hussein. King Hussein became a fan of her Bedouin tunes and mawawil.[4] She became the representative of Jordanian music to the Arab world by singing with the rustic, Bedouin dialect.[1]

Samira would often perform in flamboyant, Bedouin-style dress, which gave her a "Bedouin aura" according to Joseph Massad,[6] although the type of dress she wore did not resemble actual Bedouin clothing. She became famous in Jordan for the nationalist-inspired songs Diritna al-Urduniya ("Our Jordanian Tribal Land") and Urdunn al-Quffiya al-Hamra ("Jordan of the Red Kuffiyah"), both songs that sought marry the concepts of the traditional nomadic culture and a Jordanian sense of nationhood.[6] Her most commercially successful love song was Al Eyn Mulayitain ("Two Trips to the Water Spring"), which was about a rural girl who crosses a bridge multiple times a day ostensibly to collect water for her family, but with the actual intent of meeting a young man she is in love with.[7] She had the honour of her song "Ballaa Tsoubou Hal Kahwa" being played on the radio station 'Radio Del Mundo' which brought her music to a wider audience.

Samira is generally considered the first major artist to represent Jordanian music and make it popular in the Arab world, and her Bedouin style inspired other artists to follow suit in Jordan.[6] Nonetheless, Samira's popularity was not matched by other Jordanian singers until the early 1990s with the singer Umar al-Abdallat.[8]

Samira lived in Hazmiyeh during her adulthood, a town and suburb of Beirut. The Hazmiyeh Municipality threw her an honorary celebration on 20 July 2015.[9]

References[]

  1. ^ Jump up to: a b Shoup, John A. (2007). Culture and Customs of Jordan. Greenwood Publishing Group. ISBN 9780313336713.
  2. ^ Samira Tewfik, IMDb
  3. ^ Jump up to: a b c d Swedenburg, Ted (3 February 2014), Samira Tawfiq Sings to Jordan's Red Kufiya, Hawgblawg
  4. ^ Jump up to: a b Balaha, Sayed, Samira Tawfik: The Bedouin Voice, Balaha Records Entertainment
  5. ^ Jump up to: a b c Suleiman, Yasir (2013). Language and Society in the Middle East and North Africa. Routledge. p. 36. ISBN 9781317849377.
  6. ^ Jump up to: a b c Massad, Joseph A. (2001). Colonial Effects: The Making of National Identity in Jordan. Columbia University Press. p. 72. ISBN 9780231505703.
  7. ^ Suleiman, Yasir (2013). Language and Society in the Middle East and North Africa. Routledge. p. 218. ISBN 9781317849377.
  8. ^ Massad, Joseph A. (2001). Colonial Effects: The Making of National Identity in Jordan. Columbia University Press. p. 254. ISBN 9780231505703.
  9. ^ "Hazmieh Honors Samira Tawfik", As-Safir (in Arabic)

Bibliography[]

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