Saraswathi Sabatham
Saraswathi Sabatham | |
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![]() Theatrical release poster | |
Directed by | A. P. Nagarajan |
Screenplay by | A. P. Nagarajan |
Based on | Vakkum Vakkum by Pudhumaipithan |
Produced by | A. P. Nagarajan[1] |
Starring | Sivaji Ganesan Gemini Ganesan Savitri Padmini Devika K. R. Vijaya |
Cinematography | K. S. Prasad |
Edited by | M. N. Rajan T. R. Natarajan |
Music by | K. V. Mahadevan |
Production company | Sri Vijayalakshmi Pictures |
Distributed by | Sivaji Films |
Release date |
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Running time | 148 minutes |
Country | India |
Language | Tamil |
Saraswathi Sabatham (transl. Saraswati's oath) is a 1966 Indian Tamil-language Hindu mythological film written and directed by A. P. Nagarajan. It stars Sivaji Ganesan, Gemini Ganesan, Savitri, Padmini, Devika and K. R. Vijaya. The film was released on 3 September 1966 and became a commercial success.
Plot[]
There a dispute between three goddesses about who is the most powerful of them all. Narada, a sage and celestial troublemaker, begins the argument by visiting Saraswati, the goddess of knowledge, and annoys her on purpose by saying that wealth is more important and abundant. Angered, Saraswati states she will prove that knowledge is more important. Narada then goes to Vaikuntha to see Lakshmi, the goddess of wealth, and says that knowledge is more abundant. Lakshmi retorts she will prove that wealth is more important. Narada finally goes to Mount Kailash, seeking Parvati, the goddess of strength, and annoys her by saying that wealth and knowledge are more important. Parvati stresses that strength is more important. Each of the three Goddesses, having been turned against one another by Narada, decide to choose someone on earth and bless them with their respective powers so that each of them can prove their power is the most important and make the other two Goddesses lose. Saraswati blesses a mute person, Vidyapati, by imparting to him all the knowledge in the world and bestows upon him the gift of speech. The king of Vidyapati's kingdom, Selvapuram, is dying and does not have any children. He orders his minister to send the royal Elephant into the streets with a garland and the person whose neck the Elephant puts the garland on will be his successor. Lakshmi makes the royal Elephant put the garland on a beggar girl, Selvambigai, thus making her wealthy. Parvati blesses Veeravallan, a man who has been a coward his whole life, with the gift of strength.
Vidyapati and Selvambigai happen to meet one another at a temple and get into a heated argument about their respective qualities bestowed on them. Vidyapati finds her too arrogant because of her wealth while Selvambigai finds him egotistical due to his knowledge and both leave the temple in a huff. Selvambigai thinks about her argument with Vidyapati and loses control over her horses. Veeravallan spots her and saves her from a near fatal accident. Impressed with his bravery, she makes him the commander-in-chief of the kingdom's army. Selvambigai is impressed by Vidyapati's knowledge as well and decides to make him the kingdom's head poet as she feels his knowledge could be useful for the reputation of Selvapuram.
Selvambigai spends too much of her time engaging in a battle of wits with Vidyapati, which makes Veeravallan believe that she is neglecting her royal duties. He instigates his soldiers into rebellion and puts Vidyapati in prison. Selvambigai secretly goes to the prison and asks him sing in her praise so as to guarantee his freedom; Vidyapati rejects the offer and instead sings in a manner that insults her. Veeravallan learns of the meeting and puts Selvambigai in prison, orders the execution of both her and Vidyapati, and declares himself Selvapuram's ruler. The Gods of the Holy Trinity, Shiva (Haranath), Vishnu (Sivakumar) and Brahma (Sarangkapani) settle the dispute by explaining the importance of knowledge, wealth, and strength combined, and how dangerous it is if each of them are bestowed on human beings separately. Finally, the three Goddesses reconcile and Vidyapati, Selvambigai and Veeravallan realise the importance of wealth, knowledge and strength.
Cast[]
- Sivaji Ganesan as Vidyapathy and Narada[2]
- Gemini Ganesan as Veeravallan[2]
- Savitri as Saraswati[3]
- Padmini as Parvati[4]
- Devika as Lakshmi[4]
- K. R. Vijaya as Selvambigai[2]
- V. Nagaiah as Vidyapati's father
- E. R. Sahadevan as a soldier
- Nagesh as the prison warden
- Sivakumar as Vishnu
- Haranath as Shiva
- M. Prabhakar Reddy as Brahma
- Manorama as Malli
Production[]
Saraswathi Sabatham is based on Vakkum Vakkum, a script by Pudhumaipithan that was not produced but instead published.[5]
Soundtrack[]
Saraswathi Sabatham | |||||
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Soundtrack album by | |||||
Released | 1966 | ||||
Label | Bell Records | ||||
Producer | K. V. Mahadevan | ||||
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The music was composed by K. V. Mahadevan, while the lyrics were written by Kannadasan.[6] "Komatha Engal" is set in Abheri, a Carnatic raga.[7]
No. | Song | Singers | Lyrics | Length |
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1 | "Agaramuthala" | T. M. Soundararajan | Kannadasan | 03:10 |
2 | "Deivam Iruppathu Engey" | T. M. Soundararajan | 03:32 | |
3 | "Kalviya Selvama Veerama" | T. M. Soundararajan | 03:37 | |
4 | "Komatha Engal Kulamatha" | P. Susheela | 07:42 | |
5 | "Rani Maharani" | T. M. Soundararajan | 03:12 | |
6 | "Thai Thantha" | P. Susheela | 03:29 | |
7 | "Uruvathaikattidum Kanaadi" | P. Susheela | 03:40 |
Release and reception[]
Saraswathi Sabatham was released on 3 September 1966,[8] and distributed by Sivaji Films.[9] On 17 September, The Indian Express wrote, "Fortified with massive sets, trick photography and sincere attempt at retaining the spirit of the theme Saraswathi Sabatham has before it an assured long run."[4] The film became a commercial success, running for over 100 days in theatres.[10]
Legacy[]
Director K. Chandru's Naveena Saraswathi Sabatham (2013) was initially titled Saraswathi Sabatham, but this was changed after an outburst of objections from Ganesan's fans.[11]
References[]
- ^ Ganesan & Narayana Swamy 2007, p. 147.
- ^ Jump up to: a b c Aravind, CV (20 June 2017). "Revisiting AP Nagarajan, the man who gave us immortal films like 'Thiruvilayadal' and 'Saraswathi Sabatham'". The News Minute. Archived from the original on 16 January 2018. Retrieved 15 September 2020.
- ^ Pillai, Swarnavel Eswaran (2015). Madras Studios: Narrative, Genre, and Ideology in Tamil Cinema. SAGE Publications. p. 256. ISBN 978-93-5150-212-8.
- ^ Jump up to: a b c "Saraswathi Sabatham". The Indian Express. 17 September 1966. p. 3.
- ^ Venkatachalapathy, A.R. (4 September 2017). "Pudumaippithan". Sahapedia. Archived from the original on 22 July 2019. Retrieved 24 September 2020.
- ^ "Saraswathi Sabatham (1966)". Raaga.com. Archived from the original on 15 June 2014. Retrieved 14 June 2014.
- ^ "Peace and prosperity with ragas". The Hindu. 26 November 2004. Archived from the original on 15 September 2020. Retrieved 15 September 2020.
- ^ "Saraswathi Sabatham". The Indian Express. 3 September 1966. p. 3.
- ^ "Saraswathi Sabatham". The Indian Express. 27 August 1966. p. 3.
- ^ Ganesan & Narayana Swamy 2007, p. 241.
- ^ Ramachandran, Mythily (28 November 2013). "'Naveena Saraswati Sabatham,' inspired by 'The Hangover'". Gulf News. Archived from the original on 22 April 2021. Retrieved 15 September 2020.
Bibliography[]
- Ganesan, Sivaji; Narayana Swamy, T. S. (2007) [2002]. Autobiography of an Actor: Sivaji Ganesan, October 1928 – July 2001. Sivaji Prabhu Charities Trust. OCLC 297212002.
External links[]
- 1966 films
- Tamil-language films
- Indian films
- Hindu mythological films
- Films directed by A. P. Nagarajan
- 1960s Tamil-language films
- Films scored by K. V. Mahadevan
- Hindu devotional films
- Films with screenplays by A. P. Nagarajan