Screen Studies Group, London

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Screen Studies Group, London
Goldsmiths Main Building.jpg
Goldsmiths University: Head of the SSG, Dr Rachel Moore.
TypeConsortium - research university
Established2001
StudentsUndergraduates, Postgraduates, Phd Candidates
Location
London
,
United Kingdom

Coordinates: 51°30′43.00″N 0°06′58.00″W / 51.5119444°N 0.1161111°W / 51.5119444; -0.1161111
CampusUrban
WebsiteScreen Studies Group

The University of London Screen Studies Group (SSG) is a research consortium in film studies, founded in 2001. Member institutions include Goldsmiths, Birkbeck, University College London, King's College London, Royal Holloway, SOAS, Queen Mary, and the London School of Economics.[1][2][3][4]

Bibliography[]

Among the works published under the aegis of the SSG, are found:

  • Menotti Gonring, Gabriel; Jasper, R C; Crisp, Virginia. Besides the Screen: Moving Images Through Distribution, Promotion and Curation. London, Palgrave Macmillan, 2015, p.3. ISBN 9781137471024:

"First, we would like to thank the Goldsmiths Graduate School, Middlesex University and the London Screen Studies Group, without whose funding and endorsement".[5][6]

"The idea behind this book [...] supported by the University of London's Screen Studies Group".[7]

  • Elkins, James; Valiavicharska, Zhivka; Kim, Alice. Art and Globalization. Penn State University Press, 2010, p.214 ISBN 9780271037165:

"the University of London Screen Studies Group held a two-day conference called “Geographies of Film Theory". This lead [...]"[8]

[...] organized by Shakuntala Banaji and myself as a coproduction of LSE and UCL under the aegis of the Screen Studies group.[9][10]

This book itself took form in a number of conversations both formal and informal. I am particularly indebted to Laura Mulvey [SSG coordinator] for the Screen Studies research group at the School for Advanced Studies at the University of London.[11]

Sources[]

  1. ^ "Screen Studies Group". Goldsmiths. 2 September 2018. Retrieved 17 November 2018.
  2. ^ Motsaathebe, Gilbert; Chiumbu, Sarah H. (2021). Television in Africa in the Digital Age. Springer Nature. ISBN 978-3-030-68854-7.
  3. ^ O'Connell, Dióg (2010). New Irish Storytellers: Narrative Strategies in Film. Intellect Books. ISBN 978-1-84150-312-7.
  4. ^ McNeill, Isabelle (23 May 2012). Memory and the Moving Image. Edinburgh University Press. ISBN 978-0-7486-8949-1.
  5. ^ Crisp, V.; Gonring, G. Menotti; Jasper, R. C. (16 January 2015). Besides the Screen: Moving Images through Distribution, Promotion and Curation. Springer. ISBN 978-1-137-47102-4.
  6. ^ Crisp, V.; Gonring, G. Menotti; Jasper, R. C., eds. (2015). Besides the Screen: Moving Images through Distribution, Promotion and Curation. Palgrave Macmillan UK. ISBN 978-1-349-50082-6.
  7. ^ Khatib, Lina (31 January 2013). Storytelling in World Cinemas: Contexts. Columbia University Press. ISBN 978-0-231-85025-4.
  8. ^ Elkins, James; Valiavicharska, Zhivka; Kim, Alice (2010). Art and Globalization. Penn State Press. ISBN 978-0-271-03716-5.
  9. ^ Cinema's Military Industrial Complex (1 ed.). University of California Press. 2018. ISBN 978-0-520-29150-8. JSTOR 10.1525/j.ctt1zk0mxk.
  10. ^ Wasson, Haidee; Grieveson, Lee (19 January 2018). Cinema's Military Industrial Complex. Univ of California Press. ISBN 978-0-520-96526-3.
  11. ^ RODOWICK, D. N.; Rodowick, David Norman (30 June 2009). The Virtual Life of Film. Harvard University Press. ISBN 978-0-674-04283-4.


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