Shakespeare on the Saskatchewan
This article has multiple issues. Please help or discuss these issues on the talk page. (Learn how and when to remove these template messages)
|
Coordinates: 52°07′53″N 106°40′04″W / 52.13145°N 106.6677076°W
Shakespeare on the Saskatchewan | |
---|---|
Genre | Shakespeare in the park theatre two full-length Shakespeare plays |
Dates | first week in July until mid August. |
Location(s) | Saskatoon, Saskatchewan Canada |
Years active | 1985 – present |
Website | Shakespeare on the Saskatchewan |
Shakespeare on the Saskatchewan (Shakespeare on the Saskatchewan Festival)[1] is a yearly summer Shakespeare theatre festival founded in 1985, which takes place in Saskatoon, Saskatchewan, Canada.
History[]
Under its origin of Nightcap Productions, founder and first Artistic Director Gordon McCall brought a group of theatre artists together to put up the first production - A Midsummer Night's Dream in the summer of 1985 on an old lawn bowling pitch near the current festival site. During Gordon's tenure from 1985-1991, the festival saw the production of seven of Shakespeare’s plays plus a remounted national tour - a landmark bilingual production of Romeo & Juliette co-directed with Robert Lepage. These productions celebrated the festival atmosphere and challenged approaches to Shakespeare.
Henry Woolf, British-born actor/playwright/director and past Head of the University of Saskatchewan Drama Department, assumed the role of artistic director of the company in 1991. During Woolf’s years, the company grew to become a multi-faceted festival and theatre company that included music, dance, and workshops, presenting off-season and non-Shakespeare productions, including the North American premiere of Harold Pinter's Ashes to Ashes. His productions over the next ten seasons earned national acclaim and public notoriety. His production of Much Ado about Nothing (1993) set in "The Bug Kingdom" had purists buzzing with anger, but the evil Don John as a black widow spider and Hero as a lovely butterfly captured the imagination of many new patrons. Woolf retired as artistic director in 2001.
After years at the festival as stage manager and production manager, Mark von Eschen stepped into the role of Artistic Director in 2001 and would oversee the longest and most consistent period of the Festival's leadership and artistic output. Mark directed a staggering 28 productions for the festival over his tenure and was known for his personal connection with his audience. From his first A Midsummer Night's Dream to his Indiana Jones inspired Comedy of Errors, audiences had a great time at his shows. In 2004, Mark also stepped into the shoes of Executive Director to take leadership of the company's financial health.
In 2014, the leadership of the organization of the company was passed to Will Brooks as Artistic Producer. Although 2014 was largely in place already, the new team was able to make many steps forward in time for the quickly approaching season: for the first time in years, an additional half week's rehearsal was added on to the company's tight preparation time, and a guest director took the reins of one of the festival's main stage shows. As only the second woman to be at the helm and the first guest director at all since 2000, this was a vital step towards a vision of gender parity for the company. Added to this were innovations like the inclusion of live actor-played music, gender blind casting, education and outreach programs, a re-designed festival mainstage, Above all else this new artistic vision brought with it a revitalized, forward-thinking, and cutting-edge vision for the company.
Recent partnerships with the Gordon Tootoosis Nīkānīwin Theatre, and the company's first all-female production of J. Caesar, and the inclusion of a third devised production earned Shakespeare on the Saskatchewan a Juror's Award for Innovation from the Saskatoon Area Theatre Awards in 2016.
In addition to productions of plays by William Shakespeare and his contemporaries, the festival's activities include: medieval feasts; workshops; tours; art displays; special matinees; and a free community stage. It is a major Canadian tourism summer destination.
Shakespeare on the Saskatchewan is listed as a Major Festival in the book Shakespeare Festivals Around the World by Marcus D. Gregio (Editor), 2004.
In 2019, the city of Saskatoon announced new plans of an overhaul of the Shakespeare on the Saskatchewan location, including a permanent auditorium, dressing room, new bathrooms, concession, and other buildings. 3Twenty Modular, a Saskatoon based design and construction company, among other Saskatoon based companies, has been contracted for the future development of the area.
Production History[]
The following production history is sourced from the Shakespeare on the Saskatchewan website.[2]
Year | Play | Director(s) | Theme or Setting |
---|---|---|---|
1985 | A Midsummer Night's Dream | Gordon McCall | Golf Course |
1986 | The Tempest | Gordon McCall | Futuristic Space |
1987 | Macbeth | Gordon McCall | Modern Day South America |
1988 | The Taming of the Shrew | Gordon McCall | Boomtown Saskatchewan 1910 |
1989 | Romeo and Juliette (Bilingual) | Gordon McCall/Robert Lepage | Bilingual Canadian Community |
1990 | Twelfth Night | Stephen Heatley | Ukrainian Village |
1990 | Othello | Gordon McCall | First Nations theme |
1990 | Romeo and Juliette (on tour) | Gordon McCall | Bilingual Canadian Community |
1991 | As You Like It | Henry Woolf | "Flower Power" era |
1992 | A Midsummer Night's Dream | Henry Woolf | 1920's Gangster Era |
1993 | Much Ado About Nothing | Henry Woolf | "The Bug Kingdom" |
1993 | The White Devil (By John Webster) | Henry Woolf | Traditional |
1994 | Hamlet | Henry Woolf | Modern "punk" world |
1994 | Rosencrantz and Guildenstern Are Dead | Mark von Eschen | Neo-Elizabethan Era |
1995 | The Comedy of Errors | Henry Woolf | turn of the century Turkey |
1995 | Macbeth | Patti Shedden | Post-modern world |
1996 | Twelfth Night | Henry Woolf | Elizabethan Era |
1996 | King Lear | Stephen Heatley | Modern day business world |
1997 | The Tempest | Henry Woolf | Elizabethan Era |
1997 | Julius Caesar | Henry Woolf | Post-Nuclear Apocalypse |
1998 | The Merchant of Venice | Henry Woolf | Edwardian Era |
1998 | Taming of the Shrew | Henry Woolf | Jazz v.s. Rock |
1999 | Romeo and Juliet | Henry Woolf | Neo-Elizabethan Era |
1999 | Festival Frolics | Henry Woolf | |
1999 | A Midsummer Night's Dream | Mark von Eschen | 1950's |
2000 | The Winter's Tale | Henry Woolf | A fictional world |
2000 | Richard III | Mark von Eschen | Heavy Metal theme |
2000 | Festival Frolics | Henry Woolf | |
2001 | Merry Wives of Windsor | Mark von Eschen | Elizabethan Era |
2001 | Love's Labour's Lost | Mark von Eschen | 1960's |
2002 | Hamlet | Mark von Eschen | Elizabethan Era |
2002 | The Alchemist | Mark von Eschen | Traditional |
2003 | As You Like It | Mark von Eschen | Elizabethan Comic Book |
2003 | Measure for Measure | Mark von Eschen | 1603/2003 crossover |
2004 | Macbeth | Mark von Eschen | 11th Century Scotland |
2004 | Much Ado About Nothing | Mark von Eschen | 1875 Canadian Northwest |
2005 | The Comedy of Errors | Mark von Eschen | 1970's Disco |
2005 | Romeo and Juliet | Mark von Eschen | Early Renaissance |
2006 | The Taming of the Shrew | Mark von Eschen | Renaissance Era |
2006 | The Two Gentlemen of Verona | Mark von Eschen | Pre-World War I |
2007 | Julius Caesar | Mark von Eschen | Rome, 42 B.C. |
2007 | Twelfth Night | Mark von Eschen | Age of Rock'n'Roll |
2008 | The Tempest | Mark von Eschen | Mythical "Age of Dragons" |
2008 | Henry IV | Mark von Eschen | England, 1492 |
2009 | Antony & Cleopatra | Mark von Eschen | Ancient Rome/Egypt |
2009 | A Midsummer Night's Dream | Mark von Eschen | WWII Military Base |
2010 | The Merry Wives of Windsor | Mark von Eschen | 1930's Saskatchewan |
2010 | The Merchant of Venice | Mark von Eschen | 1940's Venice |
2011 | The Winter's Tale | Mark von Eschen | Viking Era |
2011 | Love's Labour's Lost | Mark von Eschen | Modern Day University of Saskatchewan Campus |
2012 | Hamlet | Mark von Eschen | Dream World |
2012 | As You Like It | Mark von Eschen | Steampunk |
2013 | The Comedy of Errors | Mark von Eschen | Indiana Jones Inspired |
2013 | Macbeth | Mark von Eschen | 11th Century Scotland |
2014 | Romeo and Juliet | Will Brooks | Timeless & Eternal |
2014 | The Taming of the Shrew | Johnna Wright | 1960's Doo Wop |
2015 | Much Ado About Nothing | Pamela Haig Bartley | Post WWII |
2015 | Othello | Will Brooks | Modern Business Day World |
2016 | J. Caesar (Written by Tracey Power) | Anita Smith | Post-apocalyptic 2416 All Female society |
2016 | A Midsummer Night's Dream | Will Brooks | Circus Themed |
2016 | The Roving Show | Joshua Beadury | Devised piece based on The Tempest |
2017 | Richard III | Skye Brandon | Set in the actual time of Richard III |
2017 | Twelfth Night | Will Brooks | Bluegrass music inspired |
2018 | Hamlet | Kelli Fox | An edgy, slick futuristic world |
2018 | The Merry Wives of Windsor | Greg Ochitwa | Set in a present-day holiday resort |
2018 | Titus A. puppet revenge | Will Brooks | A bloody Titus with puppets on a second stage |
References[]
- ^ "About". www.shakespearesask.com. Retrieved 2017-03-08.
- ^ "Productions". www.shakespearesask.com. Retrieved 2017-03-08.
External links[]
- Festivals in Saskatoon
- Theatre festivals in Saskatchewan
- Summer festivals
- Recurring events established in 1985
- Shakespeare festivals
- 1985 establishments in Saskatchewan