Shams-ol-Emareh

Shams-ol-Emareh is one of Tehran’s historical buildings and a remnant of Qajar Dynasty. It is one of the most prominent buildings on the east side of Golestan Palace. It was built around 1830. It is notable for its height, decorations and design.^[1]

Shams-ol-Emareh is 35 meters tall with five floors. It was the tallest building in Tehran when it was built, and the first building using metal in its structure. All the pillars in the upper floors are of cast iron. Shams-ol-Emareh was the symbol of Tehran before Sar dar Baghe Melli was built.^[2]

History[]

Shams-ol-Emareh in old days

Shams-ol-Emareh - Today

Before his visit to Europe, Naser al-Din Shah Qajar, the fourth king of Qajar Dynasty, was thinking of building a mansion in his capital to compete with Isfahan’s Ālī Qāpū. A tall building that he could stand on its roof and see the entire Tehran. By his order, Shams-ol-Emareh building was started in 1865 and was finished in two years. Naser al-Din Shah took his guests to the roof of this building to see the capital. Building’s designer was Moayer al Mamalek and the architecture was Ali Mohammed Kashi. The style of this building is a combination of traditional Iranian and Western architecture.^[3]

The Ministers’ Door[]

Qajar ministers used to take their cabinet meetings in this building. Cabinet members would enter or leave from a particular door so it got the name ministers’ door. The Prime Minister’s carriage car, which was ministers only car, with its seven guards, always stopped in front of this door. This is the only door that its Qajar style façade remains.^[4]

Style[]

The building has two towers in the same shape. Tiling and windows are Iranian style partly benefited from western architecture.

ًRooms[]

First floor contains king’s porch and hall covered with excellent and minimalist mirroring, with rooms on the sides which together resemble ear rings on a human ‘s face. All parts have interesting decorations. These little rooms, with reticular decorations, drawings and mirroring, also can be seen on other floors.^[5]

Decorations[]

A sample of tiling in the porch of the main building

The floor of the king’s porch and façade are decorated with seven color tiling in Qajar style. The tiling shows drawings from Europe’s nature and western architecture, but the stole is Iranian. Pillars’ marble bases are decorated with highlighted motifs of plants and animals faces. It seems these motifs belong to different epochs.^[6]

A tiling work on a wall of Shams-ol-Emareh in Golestan Palace

A seven color tile
Ground floor
Ground floor
Ground floor

The clock of Shams-ol-Emareh[]

This clock was a present to Naser al-Din Shah's palace from Queen Victoria of the United Kingdom. The same palace which was built in European style and was distinguished among all buildings adjacent to Golestan Palace. The clock was mounted on top of Shams-ol-Emareh so as to inform all the people of the small Tehran passing of the time. The loud sound of the clock, however, caused the settlers in the palace to complain. The shah, Finally, ordered to lessen its sound. The attaint work on the clock, however, did not do any good and muted the clock. The clock remained silent for over a hundred years. This silence finally ended on 12 November 2012 after repairs were finished. The clock’s bell sounded again.^[7]

Repairs[]

Shams-ol-Emareh went through a period of repairs which ended in Repairs and maintenance of was finished in 1997. In 1999 the ground floor was opened to the public.^[8]