Shelly Silver

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This article is about an artist and professor. For the politician, see Sheldon Silver.
Shelly Silver
Born1957
Brooklyn, New York
EducationCornell University
OccupationArtist, professor
Websitehttp://shellysilver.com

Shelly Silver (born 1957 in Brooklyn, NY) is an American artist who works with film, video, and photography. Her art has been exhibited and broadcast throughout the U.S., Europe and Asia. She is Associate Professor of Visual Arts at Columbia University School of the Arts.

Biography[]

Silver attended Cornell University, graduating in 1980 with a B.A. in Intellectual History, and a B.F.A. in Mixed Media and subsequently attended the Whitney Museum of American Art Independent Studio Program.[1] She has worked as a commercial video editor. In the 1990s, she lived in Germany, France, and Japan.

Silver has taught video art at the German Film and Television Academy, the New York University Tisch School of the Arts, The Cooper Union for the Advancement of Science and Art, and presently at Columbia University. She has received awards and fellowships from the Guggenheim Foundation, the NEA, NYSCA, NYFA, the DAAD, the Jerome Foundation, the Japan Foundation and Anonymous was a Woman. She currently lives in New York City.[2]

Art[]

Silver uses a mixture of fiction, documentary, and experimental genres to investigate questions of cultural identity. She experiments with perspective, exploring the power dynamics that exist between filmmakers and their subjects. Her role as a traveler and an outsider inspired the works she made abroad, such as Former East/Former West (1994) and 37 Stories About Leaving Home (1996). Her recent work centers on New York’s Chinatown.[3]

Meet the People (1986)[]

The film consists of testimonials from fourteen individuals representing average New Yorkers talking about their daily lives. The film mimics the documentary genre, but at the end of the film, the credits reveal that all fourteen subjects are actors reading from a script written by Silver.[4]

Former East/Former West (1994)[]

Consisting of hundreds of street interviews done in Berlin two years after the Reunification, this documentary is a portrait of citizen attitudes about what it means to be German at that particular moment in history.[5]

37 Stories About Leaving Home (1996)[]

Silver blends interviews with Japanese women describing their lives with a folktale of a young woman who is stolen by an Oni who is later saved by her mother.[6]

small lies, Big Truth (1999)[]

In this work Silver pairs audio of narrators (four couples) reading the testimonials of Monica Lewinsky and President Bill Clinton as published in the Starr Report with found footage of zoo animals.[7]

suicide (2003)[]

This feature-length fictional film follows a filmmaker through malls, airports, and train stations in Central America, Asia, and Europe as she searches for a reason to live. The role of the filmmaker is played by Silver herself.[8]

What I’m Looking For (2004)[]

A series of photographs representing the results of a request posted to an online dating service: “I'm looking for people who would like to be photographed in public revealing something of themselves...”[9]

in complete world (2008)[]

“Deceptively simple in its formal rigor, the film focuses on timbres of voices and shapes of faces, investing without reservation in the extended, non-sound-bite take in which all the strangeness, pathos, tang and perspicacity of demonic speech unfolds. Spliced between the interviews, black screens backed by city sounds both link and separate the speakers; the city is a matrix, but all will be drowned out if we don’t listen carefully.” -Haim Steinbach[10]

TOUCH (2013)[]

Silver constructs the fictional story of a gay man who has returned to New York after fifty years to care for his dying mother. The narration of the film is an essay told from the man’s point of a view, an amalgam of research and interviews.[11]

A Strange New Beauty (2017)[]

The Lamps (2015)[]

Frog Spider Hand Horse House (2013-2017)[]

Details of human bodies and animals in a peri-urban environment - dancing and motionless, alive and dead. Like her ambivalent plans, as beautiful as they are sharp, the visual poem composed by Shelly Silver shows the fragility of beings in the very expression of their vitality, the pulse and the possibility of its cessation. ()[12]

Turn (2018)[]

This Film (2018)[]

Score for Joanna Kotze (2019)[]

a tiny place that is hard to touch 触れがたき小さな場所 (2019)[]

Girls/Museum (2020)[]

“At once a social inquiry, a critical essay in art history and a poised, even sculptural study of people, paintings and space, Girls/Museum is thought-provoking, engaging and visually striking” -Jonathan Romney[13]

“As a watcher, you are involved and encouraged to think or think along without the documentation having an instructive effect. This is also achieved with the help of the permanent change of intersection between proximity and distance, i.e. overall image and detail of the image. Silver thus offers the opportunity to view the individual works of art again from an almost intimate proximity.” -Wiebke Drescher[14]

“The fact that such young women recognize their own captivity or their desires of carefreeness in the pictures deepens the character of each individual narrator with every minute. You learn about their fears and dreams. More than just snapshots of large masterpieces are created, because they form snapshots of a young generation and you get to know them briefly but intensively.” -Johanna Klima[15]

Exhibitions[]

Silver’s art has been exhibited in venues such as the Museum of Modern Art, the International Center of Photography, the Museum of Contemporary Art, Los Angeles, the Yokohama Museum of Art, the Pompidou Centre, the Kyoto National Museum, the Institute of Contemporary Arts, the Museo Reina Sofia, and the London, Singapore, New York, Moscow, and Berlin film festivals. Her work has been broadcast on BBC/England, PBS/USA, Arte, Planete/Europe, RTÉ/Ireland, SWR/Germany, and Atenor/Spain.[16]

Filmography[]

Year Title Length
1986 Meet the People 16min.
1989 Things I Forget to Tell Myself 2min.
1990 We 4min.
1989 getting in. 3min.
1991 The Houses That Are Left 52min.
1994 April 2 10min.
1994 Fragments Various
1994 Former East/Former West 62min.
1996 37 Stories About Leaving Home 52min.
1999 small lies, Big Truth 19min.
2003 1 70min.
2003 suicide 70min.
2004 What I'm Looking For 15min.
2008 in complete world 53min.
2009 5 Lessons and 9 Questions About Chinatown 10min.
2013 TOUCH 68min.
2015 The Lamps 4min.
2017 A Strange New Beauty 51min. 2017 Frog Spider Hand Horse House 50min.
2018 Turn 4min.
2018 This Film 7min.
2019 a tiny place that is hard to touch 触れがたき小さな場所 39min.
2019 Score for Joanna Kotze 4min.
2020 Girls/Museum 71min.

References[]

  1. ^ "Archived copy". Archived from the original on 2014-02-03. Retrieved 2014-02-01.CS1 maint: archived copy as title (link)
  2. ^ <"Archived copy". Archived from the original on 2010-11-22. Retrieved 2014-02-05.CS1 maint: archived copy as title (link)>
  3. ^ <http://www.eai.org/artistTitles.htm?id=256>
  4. ^ Sarrazin, Stephen. Shelly Silver: Video. Museum for Art & History, 2001, p. 30-35.
  5. ^ <Wilder, Charly. The Berlin Wall: How Today’s Art Reflects 20 Years of Memories. Esquire Magazine, August 19, 2009.>
  6. ^ <Huber-Sigwart, Ann. Dialogue: Shelly Silver. n.paradoxa, International Feminist Art Journal, January 2002. Volume 9.>
  7. ^ <Smith, Roberta. Art in Review. The New York Times, December 12, 1997.>
  8. ^ <Scott, A.O. Video Artists Escape Hollywood Sensibility to Explore Their Inner Worlds. The New York Times, July 23rd, 2003>
  9. ^ <Bellour, Raymond. The Time in Movement. Viva Fotofilm, 2010, p 207-212>
  10. ^ <https://static1.squarespace.com/static/55fb7a98e4b0fa9f9a7f7a45/t/56628258e4b08333d1f0eb6a/1449296472253/artforum+steinbach+solo.tif.pdf>
  11. ^ <https://www.faz.net/asv/blinkvideo/portrait-in-the-neighboring-rooms-shelly-silver-and-fantasy-verite-12639310-p2.html>
  12. ^ <http://www.film-documentaire.fr/4DACTION/w_fiche_film/44834_1/>
  13. ^ <https://www.screendaily.com/reviews/girls/museum-dok-leipzig-review/5154186.article>
  14. ^ <https://radiomephisto.de/news/girlsmuseum-virtueller-museumsbesuch-68688>
  15. ^ <https://www.luhze.de/2020/10/30/ein-film-zum-schweigen/>
  16. ^ <http://www.imaionline-katalog.de/servlet/return/Silver-Shelly_Bio_GB.pdf?oid=53806&contenttype=application/pdf>

External links[]

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