Shizuka (band)

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This article is about the band. For the person, see Shizuka Miura. For other uses, see Shizuka.

Shizuka
  • 静香
  • 靜香
Two men and a woman stand in front of a wall.
Three of Shizuka's former members.
From left to right:
Maki Miura, Shizuka Miura, Jun Kosugi.
Background information
OriginTokyo, Japan
Genres
Years active
  • 1992–2010
Labels
  • PSF
  • Persona Non Grata
  • Last Visible Dog
  • Fra, Inc.
  • An'archives
Associated acts
Past members

Shizuka (静香（しずか）, /ʃiːzuːkɑː/; Japanese pronunciation: [ɕizɯᵝka̠]) was a Japanese rock band founded in Tokyo in circa 1992.[1][2][a] The group made atmospheric, psychdelic-noise songs,[4] and was regarded for its distinctive style in the Tokyo psychedelic music scene.[1][5] The band produced four albums in its eighteen years of existence,[1] and generally remained undocumented and unknown.[2][6]

Shizuka started around 1992 as a solo musical project by Shizuka Miura (vocals and rhythm guitar),[a][b][c] but she soon formed a duo with Maki Miura (lead guitar).[d] Afterward, the band was formed with the joining of Jun Kosugi (drums)[e] and Tomoya Hirata (bass),[citation needed] and later established with Tetsuya "Seven" Mugishima (bass) who replaced the first bassist.[f][7] The group had many lineup changes throughout its history, having been Shizuka and Maki the only permanent members up until Shizuka's death in early 2010.[1][2]

Shizuka's musical style was characterized by psychedelic music, folk music, noise rock, and acid rock,[6][8][4] some of which were influences from the underground rock scene in Japan.[4] This influence was performed by the veteran musician Maki Miura[c] through his psych-noise guitar playing,[9][2] and by underground drummer Jun Kosugi.[10][5] In contrast, Shizuka Miura, as the frontwoman and only singer, featured slow, chanted, and tremulous vocals—characteristics that connoted sadness and a "haunting, gothic atmosphere".[1][8][4]

Of Shizuka's four albums, Heavenly Persona (天界のペルソナ, Tenkai no Perusona) (1994) was the band's debut and only studio album.[11] The other three were live albums: Live Shizuka (1995);[2][8] Tokyo Underground '95 (2000);[8] and Traditional Aesthetics (伝承美学, Denshō Bigaku) (2008).[6][12] They also had two video albums released: Shizuka (静香) in 1995, and Endless Dream (終わりのない夢, Owari no Nai Yume) in 2010.[5][13]

History[]

1992–1994: Early years[]

In circa 1992, Shizuka Miura started making music[a] with support from Maki Miura (a veteran musician[c] from underground acts like Fushitsusha[14] and Les Rallizes Dénudés)[g] who had adapted a poem of hers to music which prompted Shizuka into learning music composition.[h] Shizuka initially wrote three songs[α] that she used for the first[j] of three concerts she independently organized and performed in.[b] Maki attended the third performance of hers and had positive impressions of it, which led to Shizuka and Maki forming a musical duo.[d]

Around 1993,[citation needed] Fushitsusha drummer Jun Kosugi[14] joined them.[e] In circa September 1993, they appeared in the Tokyo Flashback 3 (a various artists compilation album released by PSF Records) with the song "Glass Ribbon Unraveled" (ほどかれた娥羅子のリボン, Hodokareta Gara-shi no Ribon).[15] Also in about that year, bassist Tomoya Hirata joined the group.[citation needed] With this formation, Shizuka performed at live house Manda-La2 in Tokyo on 8 November 1993. On 12 August 1994, they played at Japan's Studio AMS. Both performances were self-released in circa 1995 on the Hi8 videocassette format with the title Shizuka (静香). It was later remastered by music producer Tetsuya Tanaka and reissued in Japan on the DVD-Video format by his label Fra, Inc. in December 2009, titled Hikyoku no Seiseki: Live at Manda-La2 1993 & Studio Ams 1994.[16]

1994: Heavenly Persona[]

On 22 November 1994, Shizuka's debut and only studio album, Heavenly Persona (天界のペルソナ, Tenkai no Perusona), was released in Japan by PSF Records.[17][9][18][11] It was conceptualized by Shizuka Miura[19] and dedicated to Japanese dollmaker  [ja].[k][β] The album received positive criticisms by Mason Jones,[18] and Steven Lowenthal and Peter Kolovos wrote on NPR that Heavenly Persona "features some of the most straightforward—yet equally magical—music within the PSF catalog".[17]

Musically, Heavenly Persona opens with a harsh-noise psychedelic jam led by Maki Miura's distorted guitar, but soon after the album introduces the atmospheric, traditional folk style of the band guided by Shizuka's chanted, plaintive vocals, and Maki's delicate string plucking. The album features piano by Ichirou Nagahara and cello by Takeharu Hayakawa that enhance the overall sound produced by the "simplistic arrangements of guitar and voice".[4] This release also presents Shizuka's characteristic music contrast on the initially serene, melancholic melodies that develop into crescendos led by Maki's psychedelic solos.[18]

1995: Live Shizuka and miscellaneous appearance[]

In 1995, Shizuka's first CD live album, Live Shizuka, was released in the United States by New Yorker record label Persona Non Grata.[22][2][8] In this release, the band maintained atmosphere akin 4AD with further yet meticulous use of guitar effects[22] and overall noise[m] that distinguished the group's music style from the Japanese neo-psychedelia.[22] Shizuka was responsible for the vocals and guitar, Maki[14] for the lead guitar, Jun for the drums, Tomoya for the bass, and Amano Onkyo Giken for the recording engineering.[23]

Also in 1995, Shizuka appeared in the compilation album of various artists Tokyo Flashback 4, released by PSF Records. It is the album's sixth track, named "A Song for the World Left Behind" (世に残す歌, Yo ni Nokosu Uta).[24] In the music production of this song, all the arrangement was completed in a single-take, contrasting the band's usual creative process, which was to initially "listen to Shizuka singing the lyrics, jam together", and only then "arrange the song".[n] For this piece, Shizuka Miura said she used texts from the Japanese epic poem Hotsuma Tsutae as lyrics to "complete the song".[o]

1995–1997: Lineup changes, and American tour[]

Maki Miura told Shizuka's first bass player "couldn't keep up with" the band members' pace, having Maki himself to write the songs' bass lines. He also said it became a major problem for the band, since its members were "used to completing the arrangement in the [recording] studio". Sometime after the release of Heavenly Persona in 1994, singer Shizuka, Maki and Jun met Japanese musician Tetsuya Mugishima, also known as "Seven". Even though Seven originally was a guitarist, he was invited to be the bassist on Shizuka for his competency as a bass player and skills in composing bass lines. With Seven's joining, the band was formally established.[f][7]

In 1995, the band did three live performances with that formation.[7] One was at live venue ShowBoat in Kōenjikita on 20 July 1995. Another was at live venue Namba Bears in City of Osaka on 10 September 1995. Both performances were recorded and later released on the CD format in 2000 and 2008, respectively.[25][26] After those three live shows, Seven, and soon afterwards Jun Kosugi, left the band[7] for "personal reasons". This led to many lineup changes and to a decline in the group's activities. Despite these events, Maki said they had "never disbanded", and were waiting for Seven and Kosugi to rejoin the band since they liked that formation better.[p]

Sometime between 1995 and 1997, Mason Jones helped organizing a tour in the United States for the band. There were shows in San Francisco and Los Angeles.[2][8] They went twice to a local radio station, one of which was a live performance. Both Shizuka and Maki told they had positive experiences with the audience in the USA, with Shizuka adding that there were many fans in San Francisco.[q]

On 15 July 1996, Shizuka had its song "Bloodstained Blossom" (血まみれの華, Chimamire no Hana) from Heavenly Persona released in the United Kingdom in the compilation album Tokyo Invasion! Volume 1: Cosmic Kurushi Monsters by Virgin Records.[27]

On 22 April 1997, Shizuka's song "Kimi no Sora" (君の空) was released in the compilation album Land of the Rising Noise, Vol. 2 in the United States by independent record label , owned by Mason Jones. The cover art of this various artists album features a doll made by Shizuka Miura.[28][8]

2000–2002: Reunition, Tokyo Underground '95, and Le Weekend festival[]

In 2000, the group reunited with the previously established members: Shizuka, Maki, Jun, and Seven. In that year, they released a live album recorded in 1995 during a 40-minute performance in a Tokyo nightclub, titled Tokyo Underground 20, Jul '95,[7] which was published in the United States by the American label Last Visible Dog. As Shizuka's previous albums, Tokyo Underground '95[γ] maintains the band's melancholic and contrasting music style, with Shizuka's chanted vocals, and Maki's psychedelic guitar solos. Nevertheless, this album has different characteristics in relation to other Shizuka releases: it starts with a 1-minute recording of a live PA by a previous artist; and, as described by Eclipse Records, the "disc gives off a slightly different 'in a nightclub' aura to Shizuka's zoned-out balladry".[8]

Stirling Tolbooth, a venue of art and music in Stirling, Scotland.

In circa October or November 2001, the band was invited by The Wire magazine to play at the Le Weekend festival, in Stirling, Scotland.[r][29][30][31] In this way, Shizuka was scheduled to play at 19:30 on 25 April 2002 at the Stirling Tolbooth music venue.[32] There, they faced some problems: Maki had stomach related health issues; and immigration wise to get into Scotland because Shizuka members' identities were under suspicion. Nevertheless, the band made it to the Tolbooth "with a last-minute appearance", and become the first artist to perform in the 2002 edition of that festival.[29][30][31]

2008: Traditional Aesthetics[]

On 25 April 2008, a performance by Shizuka from September 1995 at Namba Bears was released in Japan by PSF Records as a live album, titled Traditional Aesthetics (伝承美学, Denshō Bigaku).[6][12] As characteristics of Shizuka's musical style, the songs in Traditional Aesthetics are simple, featuring a slow tempo led by Shizuka's plaintive, chanted, and tuneless vocals in contrast to Maki's psychedelic guitar solos. In this album, one of the themes sung by Shizuka are elegies.[9]

Members in this recording are Shizuka (vocals and guitar), Maki (lead guitar), Jun (drums), and Seven (bass).[6]

2008–2010: Shizuka Miura's death, and Owari no Nai Yume[]

On circa 31 January 2010, Shizuka Miura died.[1] As a tribute to Shizuka, a concert of the band performing at ShowBoat on 30 December 2008 was released on the DVD-video format by PSF Records on 25 April 2010: Endless Dream (終わりのない夢, Owari no Nai Yume). Members in Owari no Nai Yume are Shizuka (vocals, guitar), Maki (lead guitar), Kazuhide Yamaji (bass), and Katsumi Honjo (drums).[5]

2017–present: Posthumous releases[]

On 24 May 2017, a live recording from March 2009 at Kameido Hardcore of the song "Lunatic Pearl" (気の真珠, Ki no Shinju) was included on a various artists compilation, Tokyo Flashback: P.S.F. — Psychedelic Speed Freaks, by Super Fuji Discs. This compilation was later reissued by Black Editions in 2019.[33]

In February 2018, the Bandcamp Daily published that the American label Black Editions will reissue a remastered version of Heavenly Persona, having been the music producer Kris Lapke "enlisted to remaster" it.[34]

Since 2019, a new Shizuka live album, titled Paradise of Delusion (妄想の楽園, Mousou no Rakuen), has been announced to be released by the French label An’archives. This pre-announced album, to be released on the double-sided vinyl format, has a total of 8 tracks taken from a previously unreleased live recording in 2001.[35]

Musical style[]

Shizuka's musical style features simple arrangements,[4][9] going from serene and melancholic traditional folk to the Japanese psychedelic harsh noise—a characteristic contrast[18] present in their recordings which commonly develops into crescendos. It is led primarily by Shizuka's vocals and Maki's guitar: Shizuka's vocals are chanted, slow, monophonic, and plaintive—often connoting sadness;[8] Maki's guitar is characterized both by a simple, delicate string plucking, and by emotive[29] distorted psychedelic-noise solos as influences from Maki's previous works in underground acts like Fushitsusha and Les Rallizes Dénudés.[4][18] The band's sound and atmosphere is comparable to releases on 4AD.[18][22][14]

Shizuka was described as distinctive by music journalist Alan Cummings[1][5] and reviewer Andrea Moed,[22] and as unique by reviewer Dean McFarlane,[4] specially to the Japanese neo-psychedelia. This is attributable to the band's meticulous use of guitar effects[22] while also featuring psychedelic-noise in contrast to Shizuka's haunting, madrigal-resembling vocals.[4][14] Shizuka's vocals were imperfect[18] and tuneless,[9] but these aspects added an emotional edge[18][9] as part of the band's style.[14]

Members[]

Timeline[]

Discography[]

Main article: Shizuka discography

Studio albums

  • Heavenly Persona (天界のペルソナ, Tenkai no Perusona) (1994)

Live albums

Video albums

  • Shizuka (静香) (c. 1995)
    • Hikyoku no Seiseki: Live at Manda-La2 1993 & Studio Ams 1994 (秘曲の成績) (2009, reissue)
  • Endless Dream (終わりのない夢, Owari no Nai Yume) (2010)

Notes[]

  1. ^ "The Burial of a Shooting Star" (流れ星の埋葬, Nagareboshi no Maisō), "Pandora's Box" (パンドラの匣, Pandora no Hako), and "Fault" (あやまち, Ayamachi).[i]
  2. ^  [ja] was Shizuka Miura's dollmaking mentor.[2] She died at the age of 37 on 1 November 1990 "due to a motorcycle accident".[l]
  3. ^ This album was reissued by the same label in circa 2003 as Tokyo Underground '95.[8]

References[]

  1. ^ Jump up to: a b c d e f g Alan Cummings (11 March 2010). "Shizuka Miura". The Wire. ISSN 0952-0686. Wikidata Q105485575. Archived from the original on 6 May 2018.
  2. ^ Jump up to: a b c d e f g h Mason Jones (15 February 2010). "Shizuka R.I.P." Ongakublog. Wikidata Q105485577. Archived from the original on 6 May 2018.
  3. ^ Jump up to: a b c d e f g h i j k l m n o p q ethereal (2001). "最接近天國的異界之音──靜香". Rocker (in Chinese). Rocker (6): 56–60. Wikidata Q104530295.
  4. ^ Jump up to: a b c d e f g h i Dean McFarlane. "Shizuka – Shizuka". AllMusic. Wikidata Q105485578. Archived from the original on 8 May 2018.
  5. ^ Jump up to: a b c d e P.S.F. Records. "Shizuka / Owari no Nai Yume (DVD)". P.S.F. Records. Wikidata Q105485579. Archived from the original on 7 April 2016.
  6. ^ Jump up to: a b c d e P.S.F. Records. "PSFD-178 Shizuka / Live/Traditional Aesthetics". P.S.F. Records. Wikidata Q105485580. Archived from the original on 7 April 2016.
  7. ^ Jump up to: a b c d e Tetsuya Mugishima; Last Visible Dog Records (2000). "Shizuka — Tokyo Underground 20, Jul '95". Last Visible Dog. Wikidata Q105485581. Archived from the original on 15 September 2018.
  8. ^ Jump up to: a b c d e f g h i j Aquarius Records; Eclipse Records (2003). "Shizuka — Tokyo Underground '95". Last Visible Dog. Wikidata Q105485582. Archived from the original on 8 August 2018.
  9. ^ Jump up to: a b c d e f Bill Meyer (August 2008). "Shizuka – Traditional Aesthetics". The Wire (294): 53. ISSN 0952-0686. Wikidata Q105485590. Archived from the original on 6 January 2020.
  10. ^ Grayson Haver Currin (8 December 2014). "In Search of Les Rallizes Dénudés". Red Bull Music Academy. Wikidata Q105485584. Archived from the original on 16 November 2018.
  11. ^ Jump up to: a b P.S.F. Records. "静香 / 天界のペルソナ [PSFD-52]". P.S.F. Records. Wikidata Q105485585. Archived from the original on 27 May 2011.
  12. ^ Jump up to: a b P.S.F. Records. "静香 / 伝承美学 [PSFD-178]". P.S.F. Records (in Japanese). Wikidata Q105485586. Archived from the original on 27 May 2011.
  13. ^ P.S.F. Records. "静香 / 終りのない夢 (DVD) [PSFDV-1004]". P.S.F. Records (in Japanese). Wikidata Q105485587.
  14. ^ Jump up to: a b c d e f Dean Suzuki (1996). "Shizuka – Live Shizuka". Sonic Options Network (66–71): 117. Wikidata Q105485597. Archived from the original on 17 November 2019.
  15. ^ P.S.F. Records. "V. A. / Tokyo Flashback 3 [PSFD-34]". P.S.F. Records. Wikidata Q105485588. Archived from the original on 27 May 2011.
  16. ^ Hikyoku no Seiseki: Live at Manda-La2 1993 & Studio Ams 1994, Performer: Shizuka, Japan, December 2009, Wikidata Q106548842CS1 maint: others (link)
  17. ^ Jump up to: a b Steve Lowenthal; Peter Kolovos (28 February 2017). "Psychedelic Speed Freak: Remembering the Blistering Experimentalism Of Hideo Ikeezumi". NPR. Wikidata Q105485589. Archived from the original on 13 October 2018.
  18. ^ Jump up to: a b c d e f g h Mason Jones (May 1995). "Shizuka: "Heavenly Persona"". Ongaku Otaku (1): 68. Wikidata Q105485591.
  19. ^ 天界のペルソナ (in Japanese), Performer: Shizuka, Japan, 22 September 1994, ASIN B00005IHHF, Wikidata Q62905999CS1 maint: others (link)
  20. ^ Éditions Treville (1 November 2007). "11月1日、天野可淡の命日に寄せて。". Éditions Treville (in Japanese). Wikidata Q105485593. Archived from the original on 13 May 2018.
  21. ^ Éditions Treville. "Katan Retro Box". Éditions Treville (in Japanese). Wikidata Q105485594. Archived from the original on 11 March 2009.
  22. ^ Jump up to: a b c d e f Andrea Moed (December 1995). "Shizuka – Live Shizuka". CMJ New Music Monthly (28): 48. Wikidata Q105485595. Archived from the original on 5 May 2019.
  23. ^ Live Shizuka, Performer: Shizuka, United States of America, 1995, ASIN B00008FL6O, Wikidata Q106548477CS1 maint: others (link)
  24. ^ P.S.F. Records. "V. A. / Tokyo Flashback 4 [PSFD-69]". P.S.F. Records. Wikidata Q105485598. Archived from the original on 27 May 2011.
  25. ^ Tokyo Underground '95, Performer: Shizuka, United States of America, 2000, ASIN B001QDT1VE, Wikidata Q106548630CS1 maint: others (link)
  26. ^ 伝承美学 (in Japanese), Performer: Shizuka, 25 April 2008, Wikidata Q104016019CS1 maint: others (link)
  27. ^ Tokyo Invasion! Volume 1: Cosmic Kurushi Monsters, Performer: various artists, United Kingdom, 15 July 1996, ASIN B0000075Q2, Wikidata Q106548949CS1 maint: others (link)
  28. ^ Land of the Rising Noise, Volume 2, Performer: various artists, United Kingdom, 22 April 1997, ASIN B000005PCS, Wikidata Q106548957CS1 maint: others (link)
  29. ^ Jump up to: a b c Gavin Laird (2002). "Le Weekend, Stirling, 25th–28th April 2002: Day One". Telstar Ponies. Wikidata Q105485600. Archived from the original on 12 February 2003.
  30. ^ Jump up to: a b "Shizuka and David S Quartet". The List (438): 62; 64. 11 April 2002. ISSN 0959-1915. Wikidata Q104919336.
  31. ^ Jump up to: a b Edwin Pouncey (June 2002). "Le Weekend: Stirling Tolbooth, UK". The Wire (220): 82. ISSN 0952-0686. Wikidata Q104919335.
  32. ^ Poison Pie (2002). "Le Weekend: Back at the Tolbooth". Poison Pie. Wikidata Q105485599. Archived from the original on 13 January 2019.
  33. ^ Jon Dale (16 April 2019). "Tokyo Flashback: An Essential Guide to Japanese Label PSF Records". The Vinyl Factory. Wikidata Q105485601. Archived from the original on 13 November 2020.
  34. ^ Jordan Reyes (12 February 2018). "Black Editions Keeps P.S.F. Records' Experimental Spirit Alive". Bandcamp Daily. Wikidata Q105485602. Archived from the original on 13 June 2018.
  35. ^ An'archives (2019). "Shizuka: 妄想の楽園 (Paradise of Delusion)". Low Company. Wikidata Q105485603. Archived from the original on 19 May 2020.

Non-English citations[]

  1. ^ Jump up to: a b c Chinese: 靜香：開始創作音樂大約是在一九九二年。; trans.: 'Shizuka: The beginning of my music creation was in about 1992.'[3]
  2. ^ Jump up to: a b Chinese: 真樹：最初的三場演出，包括租場地、演唱、彈奏等等，都是由靜香一人獨自完成的。; trans.: 'Maki: The first three performances, including renting, singing, playing and so on, were done by Shizuka alone.'[3]
  3. ^ Jump up to: a b c Chinese: 約十年前她在丈夫三浦真樹（一個擁有豐富樂團經歷的老練樂手）的協助下開始創作音樂……; trans.: 'About a decade ago, with the help of her husband Maki Miura (a seasoned musician with rich orchestra experience), she began to create music [...]'[3]
  4. ^ Jump up to: a b Chinese: 真樹：……第三次我受邀看她的演出，結果非常好……於是靜香與我便以雙人組的型態展開活動。; trans.: 'Maki: [...] The third time I was invited to see her performance, the result was very good. To my surprise, she had a kind of originality from her own. So Shizuka and I began some activities in the form of a double group.'[3]
  5. ^ Jump up to: a b Chinese: 真樹：……在一開始時，小杉是鼓手……; trans.: 'Maki: [...] At the beginning, Kosugi was the drummer [...]'[3]
  6. ^ Jump up to: a b Chinese: 真樹：……然後第一個貝斯手也加入了，不過他跟不上我們的步伐，bass line得由我來寫。這是個大問題，因為我們習慣在錄音室裡現場完成編曲。在第一張錄音室專輯發行後，我們認識了SevenZ，他原本是個吉他手，不過當起貝斯手來也十分稱職，而且能夠寫出很漂亮的bass line，我們便邀請他加入樂團，於是原初的「靜香」團隊在一九九五年正式結成。; trans.: 'Maki: [...] then the first bass player joined, but he couldn't keep up with us, so the bass line had to be written by myself. This is a big problem, because we are used to doing the choreography in the studio. When the first studio album was released, we met SevenZ. He was a guitarist, but he's also a pretty good bass player and could write beautifully bass line，so we invited him to join the band. So the original Shizuka (band) team was formally formed in 1995.'[3]
  7. ^ Chinese: ──（對真樹）除了「靜香」以外，你還加入過哪些樂團？真樹：最有名的是Les Rallizes DeNudes和不失者（註四），另外我和Friction（註五）的前吉他手Lapis一起做過音樂，還有很多其它的……比如說DJ Krush，我也和他合作過。; trans.: '(to Maki) Besides Shizuka (band), which bands have you joined? Maki: The most famous are Les Rallizes Dénudés and Fushitsusha. I also did music with Lapis, the former guitarist of Friction. There are many other artists... For example, DJ Krush, I worked with him.'[3]
  8. ^ Chinese: 真樹：然後有次我為她的一首詩譜曲，她見到我寫歌的過程，似乎從中學會了寫歌的方法，漸漸能夠獨立創作音樂。; trans.: 'Maki: Then once I wrote music for one of her poems, she saw me write songs, and seemed to learn how to write songs, and she gradually become able to create music independently.'[3]
  9. ^ Chinese: ──最初寫下的三首歌是什麼？靜香：〈流れ星の埋葬〉、〈パンドラの匣〉、和〈あやまち〉。; trans.: 'What were the three songs that she originally wrote? Shizuka: "The Burial of a Shooting Star" (流れ星の埋葬, Nagareboshi no Maisō), "Pandora's Box" (パンドラの匣, Pandora no Hako), and "Fault" (あやまち, Ayamachi).'[3]
  10. ^ Chinese: 靜香：那三首歌就是我首次演出的曲目。; trans.: 'Shizuka: Those three songs are my first performance.'[3]
  11. ^ Chinese: 靜香：……我們的首張專輯《天界のペルソナ》的重要性之一，便在於它是獻給可淡的。; trans.: 'Shizuka: [...] One of the importance of our first album Heavenly Persona (天界のペルソナ, Tenkai no Perusona) is that it is dedicated to Katan Amano.'[3]
  12. ^ Japanese: 今から17年前の1990年の11月1日午前11時10分。不世出のドールアーティスト天野可淡がバイク事故によってこの世を去りました。享年37歳。[20][21]
  13. ^ Chinese: 在九五年的《Live Shizuka》中，吉他噪音的運用得到進一步的開發，整體的迷幻味大增，更展現出其現場表演的實力。; trans.: 'In "Live Shizuka", released in 1995, the use of guitar noise was further developed, and the overall psychedelic flavor increased greatly, showing the strength of its live performance.'[3]
  14. ^ Chinese: 真樹：通常我們的創作過程是先聽靜香將詞曲唱過，一起jam看看，再花些時間想想怎麼編曲。不過在做〈世に殘す歌〉時，彷彿每一個音符已事先找到它的位置般，整個編曲在first take中很順利地就完成了。; trans.: 'Maki: Usually our creative process is to listen to Shizuka sing the lyrics once, think about them together, and then spend some time thinking about how to compose the songs. While composing "A Song for the World Left Behind" (世に残す歌, Yo ni Nokosu Uta), it was if each note had found its place in advance, the whole choreography was completed smoothly in the first take.'[3]
  15. ^ Chinese: 靜香：……後來我讀到《ほつまつたえ（世に殘す歌）》，一本關於日本神祇的文學作品，發現其中有段文字跟主旋律非常契合，便以這段文字當作歌詞完成這首歌。; trans.: 'Shizuka: [...] Later I read "Hotsuma Tsutae", a literary work about Japanese gods, and found that there is a paragraph of the text and the main melody is very suitable, so I finished the song with these words as the lyrics.'[3]
  16. ^ Chinese: 真樹：我們從沒解散過，直到現在始終持續進行著。……於是原初的「靜香」團隊在一九九五年正式結成。但是不久後SevenZ和小杉因為私人理由先後脫退，之後我們又換了幾次成員，但始終覺得原本的成員是最好的，所以一直在等他們回來。; trans.: 'Maki: We have never dissolved, and we continue to do that until now. [...] So the original Shizuka (band) team was formally formed in 1995. But soon after SevenZ and Kosugi retired for personal reasons. Then we changed members several times, but always felt that the original members were the best, so we had been waiting for them to come back.'[3]
  17. ^ Chinese: 靜香：……我們去了洛杉磯和舊金山，舊金山那邊有許多歌迷，觀眾的整體反應也相當好。此外我們還去了當地的廣播電台兩次，其中一次在電台做了現場表演。相較於日本的觀眾，美國的觀眾在反應上比較主動而熱烈。真樹：所有的觀眾都隨著音樂起舞，這讓我很開心（笑）。; trans.: 'Shizuka: [...] We went to Los Angeles and San Francisco, where there were a lot of fans and the audience responded very well. In addition, we went to the local radio station twice, one of which we made a live performance on the radio station. Compared with the Japanese audience, the American audience is more active and enthusiastic. Maki: All the audience danced to the music, which made me happy (laugh).'[3]
  18. ^ Chinese: 靜香：今年十月或十一月，我們將應The Wire雜誌之邀到蘇格蘭參加一個他們舉辦的音樂節。; trans.: 'Shizuka: In October or November this year, we will be invited by The Wire magazine to go to Scotland for a music festival they're holding.'[3]

Further reading[]

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