Skeleton Crew (band)

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For other uses, see Skeleton crew (disambiguation).

Skeleton Crew
Skeleton Crew, 1982 Left to right: Tom Cora, Dave Newhouse, Fred Frith
Skeleton Crew, 1982
Left to right: Tom Cora, Dave Newhouse, Fred Frith
Background information
OriginNew York City, United States
GenresAvant-rock, experimental, free improvisation
Years active1982–1986
LabelsRift Records
Associated actsDuck and Cover
Past membersTom Cora
Fred Frith
Dave Newhouse
Zeena Parkins

Skeleton Crew was an American experimental rock and jazz group from 1982 to 1986, comprising core members Fred Frith and Tom Cora, with Zeena Parkins joining later. Best known for their live improvisation performances where they played various instruments simultaneously, they also recorded two studio albums Learn to Talk (1984) and The Country of Blinds (1986).[1] The group drew on music and themes from a number of sources, including world music, left-wing politics and pre-recorded tapes.[2]

Writing in the Santa Cruz Sentinel, Lee Sherman described Skeleton Crew's sound as "unique and eclectic".[2] In her 1990 book, Sonic Transports: New Frontiers in Our Music, Nicole V. Gagné called Skeleton Crew "one of the hottest and imaginative rock acts I've ever heard."[3]

History[]

Skeleton Crew originally began in 1982 as an unnamed quartet, but before their first performance, two of the band members (Fred Maher and )[4] suffered collapsed lungs within two weeks of each other, leaving ex-Henry Cow guitarist Fred Frith and improvisational cellist Tom Cora from Curlew with the choice of continuing or abandoning the project.[5] They chose to continue, agreeing to play all the instruments on stage themselves.[5] Frith played guitar, violin, keyboards, bass drum and hi-hat, while Cora played cello, bass guitar, homemade drums and other contraptions enabling him to play instruments with his feet.[1][6]

Performing like this was a challenge for them and made the resulting music unpredictable, but as an improvising duo, this pleased them. It gave rise to a rhythmic tension not present in a group with just one drummer.[6] Frith said in a 1983 interview, "rhythmically, it throws up ways of playing that one person behind the drums just wouldn't be able to do, just in terms of coordination."[7] He told DownBeat magazine in 1982:

"It's all just on the edge of breaking down all the time, which is a quality that I've always liked. I don't like things to be too easy."[6]

Gagné wrote that to make their live performances more challenging, Skelton Crew played their roughly 50-minute sets with very few breaks, running most of their songs into one another.[3] Gagné remarked that their sets were a blend of "folk music, fake music, noise, political sons, taped events", and they "kept the audience on its toes" wondering what was coming next.[3] But she added that what really had the crowds cheering was for the band's "amazing technique", and that they could go on for so long.[3] Even when things occasionally went wrong for the duo, equipment malfunctions, missed cues, falling out-of-step with each other, Gagné said the audiences still enthusiastically spurred the band on.[8]

In 1982, Skeleton Crew performed extensively in Europe, North America and Japan, refining their double one-man band act with each new concert. Later that year of The Muffins helped out for a while playing saxophone and part of a drum kit. Two limited edition cassette tape recordings of some of the trio's live performances in 1982 were released in 1982 and 1984.[9] After Newhouse left, they continued touring as a duo again. In October 1983 they joined Duck and Cover, a commission from the Berlin Jazz Festival, for a performance in West Berlin, followed by another in February 1984 in East Berlin.[10] In December 1983 Skeleton Crew performed at the 1st Festival International de Musique Actuelle de Victoriaville in Victoriaville, Quebec, Canada.[11]

Later in 1984, Skeleton Crew began work on their first studio album Learn to Talk in Switzerland. The LP (with sides named "Side Free" and "Side Dirt") featured music that was both sparse and raw and consisted of cynical and humorous "songs" interspaced with cello, guitar and violin instrumental fragments. It conveyed the energy of their live performances. Tapes also featured throughout the album: Ronald Reagan saying "We're still free in America", cut-ups of Sousa's "Washington Post" and TV ad clips.[1][12] Tapes had also become a part of their live act.

By now, Skeleton Crew had become "quite competent" with their one-man-band act.[5] Later in 1984, Zeena Parkins, playing electric harp and keyboards, joined the band and remained until the end. As a trio, they made their second studio album The Country of Blinds in 1986 (again in Switzerland and produced by ex-Henry Cow member Tim Hodgkinson). Here the music was richer and more rhythmical than their first album. The songs were more developed but the cynical edge of the first album remained.[13] Soon after the recording sessions the group decided to split up. Frith explained why:

"We actually started to sound like a normal rock and roll band so it seemed kind of pointless to go on at that point."[5]

Frith and Cora re-united again as Skeleton Crew in 1995 in the Netherlands at the Koeinverhuurbdrijf Studio, Purmerland to record a CD-ROM Etymology, a sound sample library of sonic sounds and wire manipulations.[9]

Members[]

  • Tom Cora – Cello, bass guitar, Casio, accordion, drums, contraptions, singing (1982–1986)
  • Fred Frith – Guitar, 6-string bass guitar, violin, Casio, home-mades, drums, singing (1982–1986)
  • – alto saxophone, percussion (1982)
  • Zeena Parkins – Organ, electric harp, accordion, drums, singing (1984–1986)

Discography[]

Studio albums[]

Live albums[]

  • Live (2021, 2xCD, Klanggalerie, Austria)

Compilations[]

CD-ROMs[]

  • Etymology (1997, CD-ROM, Rarefaction Records, US) – audio source library

Other album appearances[]

References[]

  1. ^ Jump up to: a b c Mills, Ted. "Skeleton Crew". AllMusic. Retrieved December 29, 2010.
  2. ^ Jump up to: a b Sherman, Lee (June 24, 1983). "And first there was Fred Frith". Santa Cruz Sentinel. Santa Cruz, California. p. 44. Free to read
  3. ^ Jump up to: a b c d Gagné 1990, p. 128.
  4. ^ Schaap, Piet (1990). Learn to Talk / Country of Blinds (CD). Switzerland: RecRec Music.
  5. ^ Jump up to: a b c d Wolff, Sander R. "Defining The Edge: The Musical World Of Fred Frith". The Long Beach Union Newspaper. Retrieved December 29, 2010.
  6. ^ Jump up to: a b c Milkowski, Bill (January 1983), "The Frith Factor: Exploration in Sound", DownBeat, Maher Publications, 50 (1): 61, ISSN 0012-5768.
  7. ^ Coyote, L. Ron (July 21, 1983). "Skeleton Crew: In From the Fringe". LA Weekly. Los Angeles, California. p. 36. ISSN 0192-1940. Free to read
  8. ^ Gagné 1990, p. 129.
  9. ^ Jump up to: a b Ramond, Michel; Roussel, Patrice; Vuilleumier, Stephane. "Discography of Fred Frith". New York Downtown Scene and Other Miscellaneous Discographies. Archived from the original on June 19, 2019. Retrieved May 29, 2016.
  10. ^ Cutler, Chris. "Duck and Cover". Chris Cutler homepage. Retrieved December 29, 2010.
  11. ^ "1st Festival international de musique actuelle de Victoriaville". International Festival Musique Actuelle Victoriaville. Retrieved March 9, 2012.
  12. ^ Mills, Ted. "Learn to Talk". AllMusic. Retrieved December 29, 2010.
  13. ^ Mills, Ted. "The Country of Blinds". AllMusic. Retrieved December 29, 2010.

Works cited[]

External links[]

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