Solo Concerts: Bremen/Lausanne is a recording released through ECM by jazz pianist Keith Jarrett performing solo improvisations recorded in Bremen (Germany, July) and Lausanne (Switzerland, March) in 1973; in between, Jarrett played in the US with his American quartet.[6] Originally released as a 3-LP album, it was the first of Jarrett's live solo performances to be released on ECM, following his studio-based debut solo recording Facing You (1971), and preceding his record-breaking Köln Concert (1975).[7]
The Allmusic review by Scott Yanow awarded the album 5 stars, stating, "Despite the length, the music never loses one's interest, making this an essential recording for all jazz collections".[2]Ted Gioia calls it Jarrett's "masterpiece", "two titanic improvised performances".[8]
According to Mikal Gilmore in Night Beat, "with Bremen-Lausanne and the subsequent Köln Concert, Jarrett found his niche, freely mixing gospel, impressionist, and atonal flights into a consonant whole".[9] Bill Dobbins notes that the (short) encore on the third side, a boogie-woogie inflected ostinato, owes much to Duke Ellington's New World A-Comin'.[10]
Writing for the now defunct jazz magazine Jazz.com, in December 2007 Ted Gioia rated 100/100 the track Bremen, Germany, July 12, 1973, Part I stating that:[11]
"Jazz musicians have always emphasized improvisation in their work. But few have taken this reliance on spontaneous creation to the lengths Keith Jarrett has assayed in his solo concerts. He pioneered the (still rare) concept of an entirely improvised piano recital, wholly inspired by the muse of the moment. But if the concept is exciting, Jarrett's execution of this ambitious idea is even more impressive. The ECM recording of Jarrett's 1973 Bremen concert represented the first attempt to capture this type of work on tape and present it on record. This disk may not have sold as well as The Köln Concert from 1975 or matched the scope of Jarrett's massive Sun Bear Concerts (originally released on ten LPs) from 1976, but for sheer musicality and inventiveness it is hard to top the recital in Bremen. Here is piano music that is rich in complexity, subtle in detail, and completely free of cliché. One of my desert island disks."
Track listing[]
Vinyl pressing
All tracks are written by Keith Jarrett.
Side one
No.
Title
Length
1.
"Bremen, July 12, 1973 Part I"
18:11
Side two
No.
Title
Length
1.
"Bremen, July 12, 1973 Part IIa"
19:40
Side three
No.
Title
Length
1.
"Bremen, July 12, 1973 Part IIb"
26:15
Side four
No.
Title
Length
1.
"Lausanne, March 20, 1973 Part Ia"
22:50
Side five
No.
Title
Length
1.
"Lausanne, March 20, 1973 Part Ib"
7:20
2.
"Lausanne, March 20, 1973 Part IIa"
12:34
Side six
No.
Title
Length
1.
"Lausanne, March 20, 1973 Part IIb"
22:35
CD pressing
All tracks are written by Keith Jarrett.
Disc one
No.
Title
Length
1.
"Bremen, July 12, 1973 Part I"
18:11
2.
"Bremen, July 12, 1973 Part II"
45:09
Disc two
No.
Title
Length
1.
"Lausanne, March 20, 1973"
64:53
Recorded in concert in Bremen on July 12, and in Lausanne on March 20, 1973.