Soundcheck
A soundcheck is the preparation that takes place before a concert, speech, or similar performance to adjust the sound on the venue's sound reinforcement or public address system. The performer and the audio engineers run through a small portion of the upcoming show to ensure the venue's front of house and stage monitor systems are producing clear sound, are set at the proper volume, and have the correct mix and equalization (the latter step using the mixing console). When applied to microphones exclusively, it is more commonly (and appropriately) called a mic check.
Soundchecks are especially important for rock music shows and other performances that rely heavily on sound reinforcement systems.
Processes[]
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Soundchecks are usually conducted prior to audience entry to the venue. The soundcheck may start with the rhythm section, and then go on to the melody section and vocalists.[1] After technical adjustments have been completed by the sound crew, the performers leave the stage and the audience is admitted. Since the acoustics of a venue often change somewhat once it is filled with audience members, the sound engineer often has to make minor modifications to the sound system settings and levels once the audience is there.
If there is more than one artist performing, soundchecks can be more complicated.[2]
Recording and rehearsal[]
Some acts will do multi-track audio recordings of one or more soundchecks. Those recordings will be used as the sound sources for future soundchecks, to reduce or possibly eliminate the need for the performers to be present. Such 'virtual soundchecks' are also sometimes used to tune the PA system to accommodate the acoustics of a new venue.
Artists sometimes perform light-hearted or offbeat numbers during soundchecks; some, such as Paul McCartney, later include a few of these on their live albums.
Artists who change their set list during the course of a concert tour often use soundchecks as a rehearsal opportunity to try out new material or revive old material, to see if they want to introduce such material into the concert proper.
References[]
- ^ Vasey, John (1999). Concert sound and lighting systems. Massachusetts: Butterworth-Heinemann. p. 93. ISBN 0-240-80364-7.
- ^ Shih, Patricia (2003). Gigging: A practical guide for musicians. New York: Allworth Press. pp. 118. ISBN 1-58115-275-2.
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- Concerts
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