Soundies

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Soundies are three-minute American musical films, produced between 1940 and 1947, each displaying a song, dance, and/or band or orchestral number. Produced professionally on 35mm black-and-white film, like theatrical motion pictures, they were printed in the more portable and economical 16mm gauge.

The films were shown in a coin-operated "movie jukebox" named the Panoram, manufactured by the Mills Novelty Company of Chicago. Each Panoram housed a 16mm RCA film projector, with eight Soundies films threaded in an endless-loop arrangement. A system of mirrors flashed the image from the lower half of the cabinet onto a front-facing screen in the top half. Each film cost 10 cents to play, and there was no choice of song; the patron saw whatever film was next in the queue. Panorams could be found in public amusement centers, nightclubs, taverns, restaurants, and factory lounges, and the films were changed weekly. The completed Soundies were generally made available within a few weeks of their filming, by the Soundies Distributing Corporation of America.

Several production companies filmed the Soundies shorts in New York, Hollywood, and Chicago: James Roosevelt's Globe Productions (1940–41), Cinemasters (1940–41), Minoco Productions (owned by Mills Novelty, 1941–43),^[1][2] RCM Productions (1941–46), LOL Productions (1943), Glamourettes (1943), Filmcraft Productions (1943–46), and Alexander Productions (1946).^[3] The performers would record the music in advance, and mime to the soundtrack during filming.

The movie-jukebox idea developed several imitations and variations of the technical design; the most successful of these imitators were the Techniprocess company (managed by Rudy Vallee) and the Featurettes company, which used original novelty songs and usually unknown talent (17-year-old Gwen Verdon appears in a couple of the Featurettes, as "Gwen Verdun"). As Soundies quickly gained most of the market for jukebox films, the other companies disbanded, and some sold their films to the Soundies concern.

Musical genres[]

Soundies emphasized variety from the very beginning: the first three bandleaders who contracted for Soundies were the boogie-woogie specialist Will Bradley, the established popular music maestro Vincent Lopez, and the Hawaiian singer-leader Ray Kinney.^[3] Soundies displayed all genres of music, from classical to big-band swing, and from hillbilly novelties to patriotic songs. Jimmy Dorsey, Louis Jordan, Spike Jones, Stan Kenton, Kay Starr, Johnnie Johnston, Les Brown, The Hoosier Hot Shots, Charlie Spivak, Martha Tilton, Sally Rand, Nick Lucas, Gene Krupa, Anita O'Day, Jimmie Dodd, Merle Travis, and Lawrence Welk were some of the leading Soundies performers. Many stars of the future made appearances in Soundies at the beginning of their careers, including Gale Storm, Dorothy Dandridge, Ricardo Montalban, Liberace, Doris Day, Gloria Grahame, Cyd Charisse, Alan Ladd, Marilyn Maxwell and Yvonne DeCarlo.

Many nightclub and recording artists also made Soundies, including Harry "The Hipster" Gibson, Benny Fields, Frances Faye, Gloria Parker, Charles Magnante, Milton DeLugg, and Gus Van. In the mid-1940s, during a moratorium imposed by James Petrillo of the musicians' union, Soundies resorted to filming non-musical vaudeville acts, featuring exotic dancers Sally Rand and Faith Bacon, animal acts, acrobats, impressionists, and jugglers.

Beginning in 1941, Soundies experimented with expanding its format, and filmed comedy Soundies with Our Gang actor Carl "Alfalfa" Switzer, Broadway comic Willie Howard, dialect comedians Smith and Dale, Harry Langdon, Snub Pollard and The Keystone Kops. Most of these films were non-musical, and were not as well received as the musical Soundies. Soundies abandoned the comedy-sketch idea, but continued to produce filmed versions of comic novelty songs.

By the time that Louis Jordan had moved from swing music to jump blues with his new band, , in the late 1940s, he was often using soundies as promotional material.^[4][5]

More than 1800 Soundies mini-musicals were made, many of which have been released on home video.^[6] The Soundies films were regularly described and reviewed in the entertainment and music trade publications, such as Billboard.

Success, then readjustment[]

The Soundies were a great success during its first year, making millions of dollars (in dimes). In the days before television, the concept of seeing as well as hearing musical artists was very attractive. However, in late 1941 the federal government restricted the use of rubber and precious metals, prioritizing these resources for military use during wartime. This meant that Mills Novelty could no longer build and sell Panoram machines, and had to confine its activities to keeping the existing projectors supplied with films. Soundies became strictly a production company, dedicated to making its own musical shorts.

Legacy[]

For today's filmmakers and archivists, Soundies are known for preserving rare performances of African-American artists who had fewer opportunities to perform in mainstream films. Artists such as The Ink Spots, Fats Waller,^[1] Duke Ellington, Louis Jordan, Sister Rosetta Tharpe, Dorothy Dandridge, Big Joe Turner, Bob Howard, Billy Eckstine, Count Basie, The Mills Brothers, Herb Jeffries, Cab Calloway, Meade Lux Lewis, Lena Horne, Louis Armstrong, Nat King Cole, and Stepin Fetchit all made Soundies (a handful of which were excerpted from longer theatrical films).

Eclipse[]

The Soundies Distributing Corporation of America remained active until 1947. With commercial television developing rapidly, the Soundies machines and films became obsolete. Almost all of the Panoram jukeboxes were either junked or modified into self-service "peepshow" machines, although the remaining Panorams are in the hands of collectors and are occasionally offered for sale. The library of 1,800 Soundies films was sold to home-movie companies Castle Films and Official Films, then to syndicated television, and ultimately to home video (via England's Charly Records).

Telescriptions and Scopitones[]

The Soundies concept was revived in 1951 by producer Louis D. Snader. Radio stations relied on transcriptions—recorded musical performances. Snader brought the idea to television with films, which he called "Snader Telescriptions." Snader hired dozens of pop-music acts and vaudeville performers, many of whom had already appeared in Soundies, to star in his new films. Snader Telescriptions are often confused with Soundies because of their similarity in length and personnel.^[7] Telescriptions became a haven for bandleaders and singers of the 1940s, including Charlie Barnet, Bob Wills, Tony Pastor, Gloria Jean, Carolina Cotton, Allan Jones, and Andy Russell. Snader Telescriptions were widely syndicated and hundreds of film prints survive.

In 1958, the original Soundies "jukebox" concept was revived by the French company Cameca as Scopitone. Similar to Soundies, Scopitones are short musical films designed to be played on a specially designed coin-operated jukebox, but with new technical improvements: color and high-fidelity sound. Scopitones were printed on color 16mm film with magnetic sound instead of Soundies' optical sound.

By the mid-1960s, Scopitone jukeboxes had spread across England and the United States. Many well-known American and French popular music acts of the 1960s made Scopitone films such as The Exciters, Brigitte Bardot, Debbie Reynolds, Vic Damone, Dalida, Herb Alpert & the Tijuana Brass, Procol Harum, Neil Sedaka, Serge Gainsbourg, Johnny Hallyday, Sylvie Vartan, Brook Benton, Ray Anthony, Gale Garnett, Sacha Distel, Buddy Greco, Tommy James & the Shondells, Della Reese, Bobby Rydell, Petula Clark, Bobby Vee, Lou Christie, The Shadows, Jody Miller, Kay Starr, Dionne Warwick, Jane Morgan, Nancy Sinatra, Françoise Hardy, and Julie London. The Scopitone was popular until the end of the decade.

Documentaries[]

Three documentaries have been produced about Soundies. Don McGlynn produced and edited "The Soundies" in 1986, hosted by Cab Calloway; the film was broadcast nationally on PBS. Dewey Russell compiled an hourlong, direct-to-video history, "Soundies: Music Video from the '40s" in 1987, narrated by Michael Sollazzo. Chris Lamson produced "Soundies: A Musical History," hosted by Michael Feinstein, in 2007 for PBS.

Further reading[]

• Scott MacGillivray and Ted Okuda, The Soundies Book: A Revised and Expanded Guide, iUniverse, 2007; ISBN 978-0595679690.
• Billboard magazine.

References[]

External links[]

• A film clip of Cocktails and Oo-La-La featuring Carolyn Grey is available at the Internet Archive