This article has multiple issues. Please help or discuss these issues on the talk page. (Learn how and when to remove these template messages)
The topic of this article may not meet Wikipedia's general notability guideline. Please help to demonstrate the notability of the topic by citing reliable secondary sources that are independent of the topic and provide significant coverage of it beyond a mere trivial mention. If notability cannot be shown, the article is likely to be merged, redirected, or deleted. Find sources: – ···scholar·JSTOR(May 2010) (Learn how and when to remove this template message)
This article needs additional citations for verification. Please help by adding citations to reliable sources. Unsourced material may be challenged and removed. Find sources: – ···scholar·JSTOR(May 2010) (Learn how and when to remove this template message)
(Learn how and when to remove this template message)
Spanova is a Japanese music duo formed by Ken and Shin Tasaki. The brothers started composing and playing instruments together from the very early age, absorbing every kinds of music they were exposed; from 1970s an 1980s Pop and Rock as they always enjoyed on the radio; to Jazz, Soul, Bossa Nova, Hip-Hop, and Modern Music as they get fascinated by the sounds from the unknown world. Starting their career as composers in late 1990s, the duo issued their debut album under their own unit name Spanova on WEA Japan in 1997. Since then, the duo has been enthusiastically exploring their music in deep at their private recording studio "Daily Planet Studio", working on all process by themselves from making demos to the final mixes.[1][2][3][4] While playing an active role in Japanese pop scene as composers and producers, they started with more experimental works in early 2000s, building materials into a unique and sensitive sonic texture instead of having a straightforward vocals or an acoustic instrument, and arranging them into an organic piece.[5][6]
In 2006, they contributed their song "Absentminded" to the 10th anniversary compilation album "History Is Bunk" for the Chicago-based electronica label Hefty Records, along with Savath & Savalas(Scott Herren), and other Japanese musicians such as Ryuichi Sakamoto and Haruomi Hosono.[7]
Achieving the exquisite synthesis of the performance-oriented songwriting and the electronic experiments in the post productions, the duo is expanding their music experiment to the collaborative projects with various artists from different field and drawing more attention from the Crossover (music)/Electronica scene worldwide.[8][9]
