St. John's Eve (short story)

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"St. John's Eve"
Вечер накануне Ивана Купалы 1909 cr.jpg
Cover of illustrated publication of St. John's Eve (1909)
AuthorNikolai Gogol
Original title"Вечер накануне Ивана Купала"
TranslatorIsabel Florence Hapgood
CountryRussian Empire
LanguageRussian
SeriesEvenings on a Farm Near Dikanka
Genre(s)horror
Published inOtechestvennye Zapiski
Publication typeliterary magazine
Media typePrint (periodical)
Publication dateFebruary–March 1830
Published in English1886
Preceded by"The Fair at Sorochyntsi"
Followed by"May Night"

"St. John's Eve" (Russian: Вечер накануне Ивана Купала; translit. Večer nakanune Ivana Kupala), also known as "The Eve of Ivan Kupala," is the second short story in the collection Evenings on a Farm Near Dikanka by Nikolai Gogol.[1] It was first published in 1830 in the literary Russian periodical Otechestvennye Zapiski and in book form in 1831.

Plot summary[]

This story is retold by Rudy Panko from Foma Grigorievich, the sexton of the Dikanka church. Rudy is in the middle of reading the story to the reader when Foma interrupts and demands to tell it his way. His grandfather used to live in an old village not far from Dikanka that no longer exists. There lived a Cossack named Korzh, his daughter Pidorka, and his worker Petro. Petro and Pidorka fall in love. One day, Korzh catches Pidorka and Petro kissing and is about to whip Petro, but he stops when his son Ivas pleads for his father not to beat the worker. Korzh instead takes Petro outside and tells him to never come to his home again, and the lovers are distraught. Petro is willing to do anything to see Pidorka again, so he meets with Basavriuk, a stranger who frequents the village tavern and who is believed by the villagers to be the devil himself. Basavriuk tells Petro to meet him in Bear’s Ravine in order to obtain the treasure that will allow him to reunite with Pidorka.

When Petro arrives at the location, he is instructed to find and pluck a fern that blooms on Kupala Night. When Petro picks the flower, a witch appears and hands him a spade. Petro digs up the treasure, but he cannot open it until blood has been shed. He is prepared to use his own blood but is presented with Ivas who has been captured. Petro is initially reluctant, but overcome by uncertainty, he decapitates the child and obtains the gold. He then immediately falls asleep for two days, and when he awakens, he sees the gold but cannot remember where it came from. Petro appeases Korzh with the gold, and he marries Pidorka. After they are married, Petro becomes increasingly distant and insane, constantly obsessing over what he has forgotten. As a last resort, Pidorka is convinced to visit the witch for help, and she brings her to their home. Upon seeing the witch, Petro regains his memory of the night and hurls an axe at the witch, who disappears. Ivas appears at the door covered in blood, and Petro is carried away by the devil. All that remains is a pile of ashes where he once stood, and the gold has turned into pieces of broken pottery.

After this, Basavriuk begins to appear in the village again and Pidorka goes on a pilgrimage. Foma’s grandfather’s aunt still had problems with the devil however; a party is ruined when a roast lamb comes alive, a chalice bows to his grandfather, and a bowl begins to dance. Even after sprinkling the entire area with holy water the tavern remains possessed, so the village becomes abandoned.

Background[]

The story takes place in a Ukrainian village; as such, Gogol uses gastronomy to portray Ukrainian customs, including during the wedding of Petro and Pidorka, the narrator's prayer for his grandfather, and the description of the witch's face ("like a baked apple").[2] St. John's Eve further reflects Ukrainian traditions in the complicated wedding rites described in the story.[3] The temporal setting is the holiday season, which plays a role in the plot of the story.[4]

The story is considered a Kunstmarchen, a fairy tale that is based in reality or folk tale told by a subjective narrator.[5] Foma Grigorievich, the narrator, describes his grandfather's stories as themselves magically efficacious.[6] In St. John's Eve, as in Gogol's other stories, the laws of nature are often broken; for instance, the devil's gifts float in water.[5]

The genre of the story, much like the characterization of the devil character Basavriuk, is initially romantic comedy and ends as "romantic horror."[7]

Influences[]

St. John's Eve is considered to contain allusions to E.T.A. Hoffman's Der Sandmann and Ignaz Denner.[5][8] It also has similarities to Liebeszauber by Ludwig Tieck.[8][9] The all-powerful demon character has been compared to the occult elements in the works of Hieronymus Bosch.[10]

Gogol used motifs and descriptions of folk customs found in the poetry of Nikolai Markevich, including the descriptions of witches who conceals the stars and of the fern that should be found on Kupala night.[11]

Significance[]

This short story was famously the main inspiration for the Russian composer Modest Mussorgsky's tone poem, Night on Bald Mountain, made known to the wider international audience by its use in Disney's Fantasia. Mussorgsky had abandoned an earlier project, an opera based on the short story.[12]

Nikolai Gogol's work has been compared to that of Oscar Wilde; the beheading of Ivas parallels the murder by Savile in Lord Arthur Savile's Crime. In both stories, the sacrifice of the blood of an innocent is a prerequisite for marriage.[13]

Adaptations[]

The story was adapted in an eponymous Ukrainian SSR movie directed by Yuri Ilyenko, featuring Larisa Kadochnikova and Boris Khmelnitsky in lead roles that was released in the Soviet Union in February 1969.[14]

References[]

  1. ^ Susanne Fusso; Priscilla Meyer; Nikolaĭ Vasil (1992). Essays on Gogol: Logos and the Russian Word. Northwestern University Press. ISBN 0-8101-1191-8.
  2. ^ Kolb-Seletski, Natalia M. (March 1970). "Gastronomy, Gogol, and His Fiction". Slavic Review. 29 (1): 35–57. doi:10.2307/2493089. ISSN 0037-6779. JSTOR 2493089.
  3. ^ Holquist, James M. (October 1967). "The Devil in Mufti: The Märchenwelt in Gogol's Short Stories". PMLA. 82 (5): 352–362. doi:10.2307/460764. ISSN 0030-8129. JSTOR 460764. Retrieved 14 November 2020.
  4. ^ Bakhtin, Mikhail; Sollner, Patricia (1983). "Rabelais and Gogol: The Art of Discourse and the Popular Culture of Laughter". Mississippi Review. 11 (3): 34–50. ISSN 0047-7559. JSTOR 20133922.
  5. ^ Jump up to: a b c Krys, Svitlana (2009-06-01). "Allusions to Hoffmann in Gogols Early Ukrainian Horror Stories". Canadian Slavonic Papers. 51 (2–3): 243–266. doi:10.1080/00085006.2009.11092612. ISSN 0008-5006. S2CID 194072348.
  6. ^ Cox, Gary (1980). "Geographic, Sociological, and Sexual Tensions in Gogol"s Dikan'ka Stories". The Slavic and East European Journal. 24 (3): 219–232. doi:10.2307/307177. ISSN 0037-6752. JSTOR 307177.
  7. ^ Fleharty, Ryan (August 2011). One large steppe for Russian authorship: Gogol's troika of settings (Thesis thesis).
  8. ^ Jump up to: a b Krys, Svitlana (2013-01-01). "Intertextual Parallels between Gogol' and Hoffmann: A Case Study of Vii and The Devil's Elixirs". Canadian-American Slavic Studies. 47 (1): 1–20. doi:10.1163/221023912X642709. ISSN 2210-2396.
  9. ^ Simmons, E. J. (1931). "Gogol and English Literature". The Modern Language Review. 26 (4): 445–450. doi:10.2307/3715526. ISSN 0026-7937. JSTOR 3715526.
  10. ^ Obolensky, Alexander P. (1973). "Nicholas Gogol and Hieronimous Bosch". The Russian Review. 32 (2): 158–172. doi:10.2307/127680. ISSN 0036-0341. JSTOR 127680.
  11. ^ Karpuk, Paul A. (1997). "Gogol's Research on Ukrainian Customs for the Dikan'ka Tales". The Russian Review. 56 (2): 209–232. doi:10.2307/131656. ISSN 0036-0341. JSTOR 131656.
  12. ^ Keefer, Lubov (1970). "Gogol' and Music". The Slavic and East European Journal. 14 (2): 160–181. doi:10.2307/306000. ISSN 0037-6752. JSTOR 306000.
  13. ^ Mccone, Brigit. "A Brief Overview of the Grounds for Comparison of Gogol and Wilde" (PDF).
  14. ^ Goodman, Walter (1989-01-11). "Review/Film; 'Kupalo,' Ukrainian Folk Tale". The New York Times. ISSN 0362-4331. Retrieved 2021-07-23.

External links[]

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